When human bones are discovered in the cellars beneath St Luke's College - two bodies, buried thirty years apart - the bursar, Charlie Swift, hires Jennie Redhead to investigate. As she uncovers a series of scandals stretching back sixty years, Jennie wonders how well she really knows her old friend Charlie and whether she can trust him.

"A nameless victim. An unknown killer. An impossible case for Monika Paniatowski."
Before she can even begin to track down the killer of the old woman dumped by the lonely canal, Monika Paniatowski needs to find out who she is - and no one seems to know. Even when her daughter Louisa provides the vital clue, it only makes life more difficult, because the Chief Constable - intent on making Paniatowski's life difficult - refused to let her follow the obvious trail. And it is not until there is a second, even more brutal, murder, that Paniatowski realises she will have to call on the help of her old mentor, ex-DCI Charlie Woodend.

Private investigator Jennie Redhead finds her loyalties divided when she investigates the decades-old murder of a college student. Oxford, 1974. In the cellars beneath St Luke's College, a sealed medieval ventilation shaft is opened up to reveal human bones. Two bodies, buried thirty years apart, but is there a connection ... Desperate to protect the College's reputation - and finances - the bursar, Charlie Swift, hires his old friend, private investigator Jennie Redhead, to find out the identities of the two victims. But as Jennie pieces the clues together, it becomes increasingly clear that Charlie knows rather more about the murders than he's admitted. As she uncovers a series of scandals stretching back more than sixty years, Jennie is forced to question how well she really knows her old friend Charlie Swift - and whether she can trust him...

A Monika Paniatowski British police procedural On the night the Whitebridge Players staged their last ever performance, the idealistic young actors in the company resolved that twenty years on they would return to the same theatre and stage the same play. But two decades later, old resentments have grown and new jealousies have germinated, and it is a very different company that returns to re-enact the Spanish Tragedy. The cast members all have their axes to grind - and some have clear targets for those axes . . . It is in this world - where normal rules and standards have no meaning - that DCI Monika Paniatowski finds herself, once a tragedy within the Tragedy has occurred. But how can she uncover the killer's motive when everyone seemed to want the victim dead? And how can she decide who is telling the truth - when all these people lie for a living?

DCI Monika Paniatowski faces an old enemy - and makes a fatal mistake with the potential to poison her whole career. Jordan Gough is an important man. He's the town's biggest benefactor. He is the proprietor of the Whitebridge Evening Telegraph. He owns the local football team. He is also, DCI Monika Paniatowski thinks, as bent as a corkscrew - and if she had any evidence, she'd put him away like a shot. A single encounter with him as a young detective sergeant left an impression she's never forgotten. And neither, she is certain, has he. So when Jordan calls and demands to speak to Monika - and only Monika - she is on immediate high alert. He claims someone's trying to kill him, but why has he destroyed the evidence? Why turn for help to an officer he hates? Certain she's the target of a twisted practical joke, Monika makes a terrible mistake - one that could destroy everything she holds dear. The fourteenth DCI Monika Paniatowski mystery is a powerful and dark tale of revenge, secrets and lies, which grips you tight as it reveals twist after stunning twist.

DCI Paniatowski's team suspect a murder is the result of ritual killing, carried out by a secret society. But DCI Dixon treats it as a mere domestic murder. So Meadows, Crane and Beresford risk their careers to uncover the truth. Meanwhile, Monika knows killer and that he is stalking her daughter. Yet she is in a coma, so what can she do about it?

The discovery of a body on a local allotment site re-opens an unresolved cold case for Monika Paniatowski and her team. He was going to have to terminate Monika, he decided. It was a pity, but there it was. The body has lain buried for years, and has no face and no fingertips. Monika Paniatowski's team have no real leads, but when they discuss the case at her hospital bedside - where she lies paralysed - Monika begins to see possible links with a case she closed four years earlier. Are the two cases connected? Did the first murder make the second almost inevitable? She doesn't know, but she does know that she is being watched by an old enemy who will kill her if he decides there is ever any chance of her sharing her thoughts and information with her team.

DCI Monika Paniatowski faces an old enemy - and makes a fatal mistake with the potential to poison her whole career. Jordan Gough is an important man. He's the town's biggest benefactor. He is the proprietor of the Whitebridge Evening Telegraph. He owns the local football team. He is also, DCI Monika Paniatowski thinks, as bent as a corkscrew - and if she had any evidence, she'd put him away like a shot. A single encounter with him as a young detective sergeant left an impression she's never forgotten. And neither, she is certain, has he. So when Jordan calls and demands to speak to Monika - and only Monika - she is on immediate high alert. He claims someone's trying to kill him, but why has he destroyed the evidence? Why turn for help to an officer he hates? Certain she's the target of a twisted practical joke, Monika makes a terrible mistake - one that could destroy everything she holds dear. The fourteenth DCI Monika Paniatowski mystery is a powerful and dark tale of revenge, secrets and lies, which grips you tight as it reveals twist after stunning twist.

DCI Monika Paniatowski investigates a case that could be the making - or, more likely, breaking - of her career DCI Monika Paniatowski has only been back from maternity leave for three days when she is called in to investigate a nightmare of a case. Not only is the murder victim a mother of three small children, but her husband is a wealthy politician. Monika knows that if she can't make a quick arrest her career is on the line. It's lucky, then, that within minutes of meeting Councillor Danbury, she has a bruised face - and a prime suspect. But then the case takes a nasty twist, and suddenly the investigation is national news. Monika's sure she has the right man - but how to prove it? Particularly when she's under pressure from her superiors to arrest anyone other than Councillor Danbury, president of the golf club and friend of her chief constable . . .

DCI Monika Paniatowski faces an old enemy - and makes a fatal mistake with the potential to poison her whole career. Jordan Gough is an important man. He's the town's biggest benefactor. He is the proprietor of the Whitebridge Evening Telegraph. He owns the local football team. He is also, DCI Monika Paniatowski thinks, as bent as a corkscrew - and if she had any evidence, she'd put him away like a shot. A single encounter with him as a young detective sergeant left an impression she's never forgotten. And neither, she is certain, has he. So when Jordan calls and demands to speak to Monika - and only Monika - she is on immediate high alert. He claims someone's trying to kill him, but why has he destroyed the evidence? Why turn for help to an officer he hates? Certain she's the target of a twisted practical joke, Monika makes a terrible mistake - one that could destroy everything she holds dear. The fourteenth DCI Monika Paniatowski mystery is a powerful and dark tale of revenge, secrets and lies, which grips you tight as it reveals twist after stunning twist.

The discovery of a body on a local allotment site re-opens an unresolved cold case for Monika Paniatowski and her team. 'He was going to have to terminate Monika, he decided. It was a pity, but there it was.' The body has lain buried for years, and has no face and no fingertips. Monika Paniatowski's team have no real leads, but when they discuss the case at her hospital bedside - where she lies paralysed - Monika begins to see possible links with a case she closed four years earlier. Are the two cases connected? Did the first murder make the second almost inevitable? She doesn't know, but she does know that she is being watched by an old enemy who will kill her if he decides there is ever any chance of her sharing her thoughts and information with her team.

DCI Monika Paniatowski investigates the killing of an American guest - and uncovers a link to a 50-year-old murder. When the body of an American woman is found in the Prince Alfred suite at the Royal Victoria Hotel, DCI Monika Paniatowski is faced with one of the most baffling cases of her career. The woman who called herself Mary Edwards had been a guest at the hotel for the past two weeks, having paid cash in advance. But who was she really - and what was she doing in a small town like Whitebridge? If Monika could discover why the dead woman had come to Lancashire, she would be one step closer to catching her killer. The investigation takes an intriguing twist when Monika learns of a possible link to a fifty-year-old murder - but the only person who could tell her why it's relevant is lying in a coma.

DCI Monika Paniatowski is forced to think the unthinkable: could a good friend and long-standing colleague be guilty of murder? On the day of her official retirement from the Force, DCI Monika Paniatowski looks at the two men and one woman who are no longer her team and thinks: Whatever the future holds, I will always be proud of you. She raises a toast. And just like that, her career as a homicide detective is over. Then, fifteen years later, Monika's former sergeant, Kate Meadows, makes a terrible mistake. Monika doesn't hesitate when Kate turns to her for help. She owes her, and she can hardly let her old friend go down for a crime she didn't commit. But as Monika gets deeper into the investigation, she's forced to ask herself the unthinkable: is Kate really innocent, or is she helping her old friend get away with murder? Packed with twists that will make you gasp out loud, the fifteenth - and final - DCI Monika Paniatowski mystery is a stunning conclusion to the long-running series. If you haven't met Monika yet, you're in for a treat.

Private investigator Jennie Redhead is hired to investigate a murder that's left the police baffled, in this gripping historical mystery set partly in 1970s Oxford and partly in war-torn 1940s London. Oxford, 1975. Three years ago, world-renowned anthropologist Grace Stockton was slain in a brutal, unprovoked attack. Despite a large-scale police investigation, the identity of the prime suspect was never uncovered . . . and neither was the location of Grace's head. But Grace's daughter, the wealthy academic Julia Pemberton, refuses to accept that the trail has run cold. Determined to find out who killed her mother, she knows just the woman for the job: private investigator Jennie Redhead. Who was the woman caught on CCTV visiting Grace's isolated home on the day of the murder? And why did she cut off her victim's head? Jennie's search for answers takes her on a dark, disturbing journey into the past, from the ancient tribal customs of Papua New Guinea, to war-torn 1940s London - and to a dark tangle of secrets and scandal that someone is desperate should never be revealed . . .

"Brings a creepy new note to Spencer's long-running series" Kirkus Reviews The discovery of a body on a local allotment site re-opens an unresolved cold case for Monika Paniatowski and her team. He was going to have to terminate Monika, he decided. It was a pity, but there it was. The body has lain buried for years, and has no face and no fingertips. Monika Paniatowski's team have no real leads, but when they discuss the case at her hospital bedside - where she lies paralysed - Monika begins to see possible links with a case she closed four years earlier. Are the two cases connected? Did the first murder make the second almost inevitable? She doesn't know, but she does know that she is being watched by an old enemy who will kill her if he decides there is ever any chance of her sharing her thoughts and information with her team.

In this hard-hitting standalone thriller from Sally Spencer, a crash survivor discovers dark family secrets as he tries to stay alive. Bristol, 1991. Crammed into a hire car, on their way to a vital appointment, five representatives of Conroy Enterprises are running very late. Rob Conroy, the black sheep of the family, is torn between spiteful amusement at his Uncle Tony's irritation and anxiety for the future. If Conroy Enterprises fails, it will bring Rob's own small publishing company down with it. But in the space of just two hours, everything changes. The car crashes, leaving Rob the only survivor. And almost simultaneously, Charles Conroy, the elderly family patriarch - who holds control of the company in his iron fist - dies of old age. As Rob and his few remaining relatives struggle to make sense of it all, one thing becomes painfully clear: the crash was not an accident. Which means, Rob soon realises, the intended victim might not be dead . . .

Chief Inspector Charlie Woodend will have to rely on his observational gifts to have a ghost of chance in solving his latest murder case. The night after the mysterious appearance of the legendary Dark Lady on the road outside Westbury Park, a German efficiency expert, Gerhard Schultz, is found battered to death in the woods and Chief Inspector Charlie Woodend is faced with his most puzzling case yet. Why did Schultz seem so frightened when on his colleagues mentioned the legend of the Dark Lady? Did the workers at the BCI chemical factory-many of whom are known to hate the Germans-have anything to do with his death? How could Fred Foley, the tramp whose bloodstained overcoat was found close to the scene of the crime, have completely disappeared? And is this murder connected with one which occurred in Liverpool nearly twenty years earlier?

In the latest Chief Inspector Woodend historical mystery, the policeman is landed with a difficult case . . . and a difficult new female colleague. The investigation into the brutal murder of a Blackpool policeman in the middle of the holiday season was never going to easy, but the case itself is not Woodend's only problem. There is trouble at home: his new boss, DS Ainsworth, is just waiting for an opportunity to stick a knife in his back; his invaluable assistant, Bob Rutter, had been replaced by a new sergeant more intent on advancing her own career than helping him -- and the Blackpool police themselves seem to think it might be better if the killer were never found . . .