his is Salman Rushdie at his best. A magical realist feminist tale in an historical setting that will stay with you long after you turn the final page.

The epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries - from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie.

In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl's mouth. Granting her powers beyond Pampa Kampana's comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga - literally 'victory city' - the wonder of the world.

Over the next two hundred and fifty years, Pampa Kampana's life becomes deeply interwoven with Bisnaga's, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on the task that Parvati set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry - with Pampa Kampana at its center.

Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is in itself a testament to the power of storytelling.

If old age was thought of as an evening, ending in midnight oblivion, they were well into the eleventh hour.

Two quarrelsome old men in Chennai, India, experience private tragedy against the backdrop of national calamity. Revisiting the Bombay neighbourhood of Midnight's Children, a magical musician is unhappily married to a multibillionaire. In an English university college, an undead academic asks a lonely student to avenge his former tormentor.

These five dazzling works of fiction move between the three countries that Salman Rushdie has called home – India, England and America – and explore what it means to approach the eleventh hour of life. They are the reckoning with mortality that we all must one day make, and speak deeply to what the author has come from and through.

Do we accommodate ourselves to death, or rail against it? How can we bid farewell to the places that we have made home? How do we achieve fulfilment with our lives if we don't know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
"San Francisco Chronicle - "Newsweek/The Daily Beast - "The Seattle Times - The Economist - Kansas City Star - BookPage"
On February 14, 1989, Valentine's Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been "sentenced to death" by the Ayatollah Khomeini. For the first time he heard the word "fatwa." His crime? To have written a novel called "The Satanic Verses, " which was accused of being "against Islam, the Prophet and the Quran."
So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov--"Joseph Anton."
How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom.
It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.
Praise for "Joseph Anton"
"A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie's work throughout his career."--Michiko Kakutani, "The New York Times"
"A splendid book, the finest . . . memoir to cross my desk in many a year."--Jonathan Yardley, "The Washington Post"
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"Thoughtful and astute . . . an important book.""--USA Today"
"Compelling, affecting . . . demonstrates Mr. Rushdie's ability as a stylist and storytelle. . . . He] reacted with great bravery and even heroism.""--The Wall Street Journal"
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"Gripping, moving and entertaining . . . nothing like it has ever been written.""--The Independent" (UK)
"A thriller, an epic, a political essay, a love story, an ode to liberty.""--Le Point "(France)
"Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie's eye is a camera lens --firmly placed in one perspective and never out of focus."--Los Angeles Review of Books
"Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book."--"de Volkskrant "(The Netherlands)
"One of the best memoirs you may ever read."--"DNA "(India)
"Extraordinary . . . "Joseph Anton" beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing--at all costs--any curtailment on a writer's freedom."--"The Boston Globe"

When powerful real-estate tycoon Nero Golden immigrates to the States under mysterious circumstances, he and his three adult children assume new identities, taking 'Roman' names, and move into a grand mansion in downtown Manhattan. Arriving shortly after the inauguration of Barack Obama, he and his sons, each extraordinary in his own right, quickly establish themselves at the apex of New York society.

The story of the powerful Golden family is told from the point of view of their Manhattanite neighbour and confidant, Rene, an aspiring filmmaker who finds in the Goldens the perfect subject. Rene chronicles the undoing of the house of Golden: the high life of money, of art and fashion, a sibling quarrel, an unexpected metamorphosis, the arrival of a beautiful woman, betrayal and murder, and far away, in their abandoned homeland, some decent intelligence work. Invoking literature, pop culture, and the cinema, Rushdie spins the story of the American zeitgeist over the last eight years, hitting every beat: the rise of the birther movement, the Tea Party, Gamergate and identity politics; the backlash against political correctness; the ascendency of the superhero movie, and, of course, the insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain wearing make-up and with coloured hair.

In a new world order of alternative truths, Salman Rushdie has written the ultimate novel about identity, truth, terror and lies. A brilliant, heartbreaking realist novel that is not only uncannily prescient but shows one of the world's greatest storytellers working at the height of his powers.

Born at the stroke of midnight, at the precise moment of India''s independence, Saleem Sinai is destined from birth to be special. For he is one of 1,001 children born in the midnight hour, children who all have special gifts, children with whom Saleem is telepathically linked.

But there has been a terrible mix up at birth, and Saleem’s life takes some unexpected twists and turns. As he grows up amidst a whirlwind of triumphs and disasters, Saleem must learn the ominous consequences of his gift, for the course of his life is inseparably linked to that of his motherland, and his every act is mirrored and magnified in the events that shape the newborn nation of India.

It is a great gift, and a terrible burden.

One of the most controversial and acclaimed novels ever written, "The Satanic Verses" is Salman Rushdie's best-known and most galvanizing book. Set in a modern world filled with both mayhem and miracles, the story begins with a bang: the terrorist bombing of a London-bound jet in midflight. Two Indian actors of opposing sensibilities fall to earth, transformed into living symbols of what is angelic and evil. This is just the initial act in a magnificent odyssey that seamlessly merges the actual with the imagined. A book whose importance is eclipsed only by its quality, "The Satanic Verses "is a key work of our times.

*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE* **A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK** 'A wonderful, rich and humane novel... a classic' Guardian Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most impossible and glorious. WITH A NEW 40TH ANNIVERSARY INTRODUCTION BY THE AUTHOR

From the Booker Prize-winning author of The Satanic Verses comes nine stories that reveal the oceanic distances and the unexpected intimacies between East and West. Daring, extravagant, comical and humane, this book renews Rushdie's stature as a storyteller who can enthrall and instruct us with the same sentence.

With an introduction by Salman Rushdie and an afterword by the author. It was the night of February 25, 1964. A cloud of cigar smoke drifted through the ring lights. Cassius Clay threw punches into the gray floating haze and waited for the bell. When Cassius Clay burst onto the sports scene in the 1950s, he broke the mould. He changed the world of sports and went on to change the world itself: from his early fights as Cassius Clay, the young, wiry man from Louisville, unwilling to play the noble and grateful warrior in a white world, to becoming Muhammad Ali, the voice of black America and the most recognized face on the planet. King of the World is the story of an incredible rise to power, a book of battles fought inside the ring and out. With grace and power, Pulitzer Prize-winning writer David Remnick tells of a transcendent athlete and entertainer, a rapper before rap was born. Ali was a mirror of his era, a dynamic figure in the racial and cultural clashes of his time and King of the World is a classic piece of non-fiction and a book worthy of America's most dynamic modern hero.

The Wizard of Oz 'was my very first literary influence,' writes Salman Rushdie in his account of the great MGM children's classic. At the age of ten he had written a story, 'Over the Rainbow', about a colourful fantasy world. But for Rushdie The Wizard of Oz is more than a children's film, and more than a fantasy. It's a story whose driving force is the inadequacy of adults, in which 'the weakness of grown-ups forces children to take control of their own destinies'. And Rushdie rejects the conventional view that its fantasy of escape from reality ends with a comforting return to home, sweet home. On the contrary, it is a film that speaks to the exile. The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. Rushdie's brilliant insights into a film more often seen than written about are rounded off with his typically scintillating short story, 'At the Auction of the Ruby Slippers,' about the day when Dorothy's red shoes are knocked down to $15,000 at a sale of MGM props. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Rushdie looks back to the circumstances in which he wrote the book, when, in the wake of the controversy surrounding The Satanic Verses and the issue of a fatwa against him, the idea of home and exile held a particular resonance.

'A masterpiece' Sunday Times Just before dawn one winter's morning, a aeroplane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices. Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation? 'A great novelist, a master of perpetual storytelling' V.S. Pritchett

Winner of the Booker of Bookers
Saleem Sinai is born at the stroke of midnight on August 15, 1947, the very moment of India's independence. Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India's 1,000 other "midnight's children," all born in that initial hour and endowed with magical gifts.
This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people-a brilliant incarnation of the universal human comedy. Twenty-five years after its publication, Midnight's Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.

From internationally renowned writer and Booker Prize winner Salman Rushdie, a searing, deeply personal account of enduring—and surviving—an attempt on his life thirty years after the fatwa that was ordered against him.

On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black—black clothes, black mask—rushed down the aisle toward him, wielding a knife. His first thought: So it’s you. Here you are.

What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, and in unforgettable detail, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey toward physical recovery and the healing that was made possible by the love and support of his wife, Eliza, his family, his army of doctors and physical therapists, and his community of readers worldwide.

Knife is Rushdie at the peak of his powers, writing with urgency, with gravity, with unflinching honesty. It is also a deeply moving reminder of literature’s capacity to make sense of the unthinkable, an intimate and life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.

Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.

Time Magazine's Best Book of the Year


Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes "Moor" Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerized offspring, of premature deaths and curses that strike beyond the grave.



"Fierce, phantasmagorical...a huge, sprawling, exuberant novel."--New York Times

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age. Here is the fourth collection of brilliant interviews to be gathered together, 'a bible both for readers and writers, the insider gossip for those who are truly passionate about their prose.' (Observer) This new edition is introduced by Salman Rushdie and includes interviews with: William Styron Marianne Moore Ezra Pound E.B. White P.G. Wodehouse John Ashbery Philip Roth Maya Angelou Orhan Pamuk V.S. Naipaul Stephen Sondheim Haruki Murakami David Grossman Marilynne Robinson

Discover Haroun and the Sea of Stories, Salman Rushdie's classic fantasy novel Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie's classic children's novel Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, and The Wizard of Oz. In this captivating work of fantasy from the author of Midnight's Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers. "Though there is darkness and silence at the center of Chup, most of "Haroun and the Sea of Stories" is full of comic energy and lively verbal invention. . . .Though the book] is sure to be enjoyed by children, it also contains amusements for adults." -- "The New York Times"

Just before dawn one winter's morning a hijacked jumbo-jet blows apart high above the English Channel. Through the debris of limbs, drinks trolleys, memories, blankets and oxygen masks, two figures fall towards the sea without the benefit of parachutes: Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices, self-made self and Anglophile supreme. Clinging to each other, singing rival songs, they plunge downward, and are finally washed up, alive, on the snow covered sands of an English beach. A miracle; but an ambiguous one, because it soon becomes apparent that curious changes are coming over them. Gibreel seems to have acquired a halo, while, to Saladin's dismay, his legs grow hairier, his feet turn into hoofs, and there are bumps burgeoning at his temples.

Gibreel and Saladin have been chosen (by whom?) as protaganists in the eternal wrestling match between Good and Evil. But which is which? Can demons be angelic? Can angels be devils in disguise? As the two men tumble through their tale, through time as well as space, towards their final confrontation, we are witnesses to a cycle of extraordinary stories, tales of love and passion, of betrayal and faith: the story of Ayesha, the butterfly-shrouded visionary who leads an Indian village on an impossible pilgrimage; al Allie, the mountain-climber haunted by a ghost who urges him to attempt the ultimate feat - a solo ascent of Everest; of murders, metamorphoses and riots in a London 'visible but unseen'; and centrally, the story of Mahound, the Prophet of Jahilia, the city of sand - Mahound, the recipient or a revelation in which satanic verses mingle with the divine.

In this great wheel of a book, where the past and the future chase each other furiously, Salman Rushdie takes us on an epic journey, a journey of tears and laughter, of wonderful stories and astonishing flights of the imagination. a journey towards the evil and the good that lie inseperably entwined within the hearts of women and of men.

Haroun's father is the greatest of all storytellers. His magical stories bring laughter to the sad city of Alifbay. But, one terrible day, everything goes wrong and his father runs out of stories to tell.

The novel that set the stage for his modern classic, "The Satanic Verses," "Shame" is Salman Rushdie's phantasmagoric epic of an unnamed country that is "not quite Pakistan." In this dazzling tale of an ongoing duel between the families of two men-one a celebrated wager of war, the other a debauched lover of pleasure-Rushdie brilliantly portrays a world caught between honor and humiliation-"shamelessness, shame: the roots of violence." "Shame" is an astonishing story that grows more timely by the day.

Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-twentieth century race, religion and politics. Elsewhere he trains his eye on literature and fellow writers, from Julian Barnes on love to the politics of George Orwell's 'Inside the Whale', providing fresh insight on Kipling, V.S. Naipaul, Graham Greene, John le Carre, Raymond Carver, Philip Roth and Thomas Pynchon among others. Profound, passionate and insightful, Imaginary Homelands is a masterful collection from one of the greatest writers working today.

'Rushdie's most engaging book since Midnight's Children' Observer Shalimar the Clown was once a figure full of love and laughter. His skill as a tightrope walker was legendary in his native home of Kashmir. But fate has played him cruelly, torn him away from his beloved home and brought him to Los Angeles, where he works as a chauffeur. One morning he gets up, goes to work, and kills his employer, America's former counter-terrorist chief Maximilian Ophuls, in view of the victim's illegitimate daughter, India. The killing has its roots halfway across the globe, back in Kashmir, a ruined paradise not so much lost as shattered. And gradually it emerges that beyond this unholy trinity of Max, India and Shalimar, lurks a fourth, shadowy figure, one who binds them all together. 'This is Rushdie at his most flamboyant best' Financial Times

Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life.Her 2009 project, Contraband, saw her systematically photograph thousands of items received through customs and the international postal service at JFK airport, categorising them into often grotesque and bizarre groupings. In An American Index of the Hidden and Unfamiliar, Taryn Simon documents spaces that are integral to America's foundation, mythology and daily functioning, but remain inaccessible or unknown to a public audience. Taryn Simon has been the subject of a number of monographic exhibitions, including MoMA, New York (2012), Tate Modern, London (2011), Neue Nationalgalerie, Berlin (2011) and the Whitney Museum, New York (2007). Taryn's work was recently featured in the 2013 Carnegie International. Published in close collaboration with the artist, this brand new book will provide a complete overview of her practice to date. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.