A modern masterpiece, voted the greatest Dutch novel of all time _______________ 'I work in an office. I take cards out of a file. Once I have taken them out, I put them back in again. That is it.' Twenty-three-year-old Frits - office worker, daydreamer, teller of inappropriate jokes - finds life absurd and inexplicable. He lives with his parents, who drive him mad. He has terrible, disturbing dreams of death and destruction. Sometimes he talks to a toy rabbit. This is the story of ten evenings in Frits's life at the end of December, as he drinks, smokes, sees friends, aimlessly wanders the gloomy city streets and tries to make sense of the minutes, hours and days that stretch before him. Darkly funny and mesmerising, The Evenings takes the tiny, quotidian triumphs and heartbreaks of our everyday lives and turns them into a work of brilliant wit and profound beauty.

This book is the result of a comparative investigation that contrasts micro-systems of innovation in several regions of China and Australia - two vastly different countries in terms of traditions, industry structures, political systems and economic organisation. Six regional studies comprehensively document the experiences of firms engaged in product or process innovation. The book also examines the institutions that support research and development and the impact of government policies on innovation in each of the regions studied. The case-studies present original and informative insights into the different ways in which local, national and transnational interests interact and influence regional development. These findings support the view that local innovation systems are emerging with quite different structural characteristics. The authors conclude that local, national and transnational dimensions are continually redefining and aligning themselves in novel and interesting ways. They highlight the importance of identifying these structural relationships in order to encourage dynamic innovation to occur. This, they argue, has important implications for policymakers concerned with the promotion of innovation in regional areas. Innovation, Technology Policy and Regional Development will be of great interest to those involved in research and policy in the fields of economic growth and employment, industrial economics and innovation.

Longlisted for the International Man Booker Prize. Two venturesome women on a journey through the land of their fathers and mothers. A wrong turn. A bad decision. They had no idea, when they arrived in Morocco, that their usual freedoms as young European women would not be available. So, when the spry Saleh presents himself as their guide and saviour, they embrace his offer. He extracts them from a tight space, only to lead them inexorably into an even tighter one: and from this far darker space there is no exit. Their tale of confinement and escape is as old as the landscapes and cultures so vividly depicted in this story of where Europe and Africa come closest to meeting, even if they never quite touch.

'An absolute page-turner' Mail on Sunday Dear Mr. M, I'd like to start by telling you that I'm doing better now. I do so because you probably have no idea that I was ever doing worse. Much worse, in fact, but I'll get to that later on. Mr. M is being watched. As a famous writer, he is no stranger to the limelight, although interest in his work has been dwindling of late. His print runs are smaller than they used to be, as are the crowds at his bookshop signings . . . Our narrator clearly takes a keen interest in M.'s work, and indeed in every aspect of his life. But what exactly are his intentions? And to what does Mr. M owe the honour of his undivided attention? Our narrator seems to be no stranger to murder, while his own story appears to bear more than a passing resemblance to the plot of Mr. M's most famous novel: a teacher has an affair with a student, only to be brutally murdered by the girl and her teenage boyfriend. The body is never found. That's the problem with fiction: in real life, bodies have an awkward habit of turning up. Mr. M has used some artistic licence, and our narrator is not pleased, not pleased at all. And just before he fades into obscurity, he's prepared to give Mr. M one last review. And it's unlikely to be a rave. Dear Mr. M is an unsettling and irresistibly readable novel, set in the world of writing and bookselling, by Herman Koch, the author of the international bestseller, The Dinner.

The Dutch bestseller Nominated for Le Prix Nicolas Bouvier 'A masterclass in storytelling, exploring who we are and where we came from' Danielle Clode 'Gripping and brilliantly told, We Hominids deftly blends personal experience with a journalist's eye for a remarkable story' Mark McKenna WHO ARE WE? WHY ARE WE DIFFERENT FROM ANIMALS? WHAT MAKES US HUMAN? In this charming, thought-provoking book, one of Holland's greatest non-fiction writers hunts down answers to humanity's most fundamental questions: Who are we? What makes us different from animals? With an ancient skull as his starting point, he travels the globe, tracing the search for the first human being: the missing link between humans and apes. Westerman introduces us to the world of skull hunters – leading experts in our fossil ancestry – whose lives are just as fascinating as those of their primeval discoveries. He astutely reconsiders the work of illustrious paleoanthropologists in the light of new DNA technology, postcolonialism, and the rise of women in this male-dominated field. Westerman discovers a plethora of origin hypotheses and shows how any theory of who we are and where we come from is coloured by the zeitgeist. We, Hominids is a compelling mixture of reportage, travelogue and essay – reminiscent of Bruce Chatwin or Ryszard Kapuscinski – written by a brilliant storyteller and thinker.

'An absolute page-turner' Mail on Sunday Dear Mr. M, I'd like to start by telling you that I'm doing better now. I do so because you probably have no idea that I was ever doing worse. Much worse, in fact, but I'll get to that later on. Mr. M is being watched. As a famous writer, he is no stranger to the limelight, although interest in his work has been dwindling of late. His print runs are smaller than they used to be, as are the crowds at his bookshop signings . . . Our narrator clearly takes a keen interest in M.'s work, and indeed in every aspect of his life. But what exactly are his intentions? And to what does Mr. M owe the honour of his undivided attention? Our narrator seems to be no stranger to murder, while his own story appears to bear more than a passing resemblance to the plot of Mr. M's most famous novel: a teacher has an affair with a student, only to be brutally murdered by the girl and her teenage boyfriend. The body is never found. That's the problem with fiction: in real life, bodies have an awkward habit of turning up. Mr. M has used some artistic licence, and our narrator is not pleased, not pleased at all. And just before he fades into obscurity, he's prepared to give Mr. M one last review. And it's unlikely to be a rave. Dear Mr. M is an unsettling and irresistibly readable literary thriller, set in the world of writing and bookselling, by Herman Koch, the author of the international bestseller, The Dinner.

There will be a club. Important messages have been sent already. If anybody wants to ruin it, he will be punished. Eleven-year-old Elmer inhabits a childhood of superstition, private lore and secret societies. When a new boy, pale, spindly Werther, arrives in the neighbourhood, a subtle game of fascination and persecution begins. In wartime Amsterdam, a young boy watches as Germans occupy the city. At first his parents' friends, the Boslowits family, think they have little to fear. Then, slowly, terribly, their fate is sealed. These two haunting novellas, from the acclaimed author of The Evenings, evoke the world of childhood, in all its magic and strangeness, darkness and cruelty. Here, the things seen through a child's eyes are far from innocent.

'An absolute page-turner' Mail on Sunday Dear Mr. M, I'd like to start by telling you that I'm doing better now. I do so because you probably have no idea that I was ever doing worse. Much worse, in fact, but I'll get to that later on. Mr. M is being watched. As a famous writer, he is no stranger to the limelight, although interest in his work has been dwindling of late. His print runs are smaller than they used to be, as are the crowds at his bookshop signings . . . Our narrator clearly takes a keen interest in M.'s work, and indeed in every aspect of his life. But what exactly are his intentions? And to what does Mr. M owe the honour of his undivided attention? Our narrator seems to be no stranger to murder, while his own story appears to bear more than a passing resemblance to the plot of Mr. M's most famous novel: a teacher has an affair with a student, only to be brutally murdered by the girl and her teenage boyfriend. The body is never found. That's the problem with fiction: in real life, bodies have an awkward habit of turning up. Mr. M has used some artistic licence, and our narrator is not pleased, not pleased at all. And just before he fades into obscurity, he's prepared to give Mr. M one last review. And it's unlikely to be a rave. Dear Mr. M is an unsettling and irresistibly readable novel, set in the world of writing and bookselling, by Herman Koch, the author of the international bestseller, The Dinner.

'In a certain sense, nothing had changed - two men in a house and a half-century passing without a ripple - but seen with the light from a different angle, none of it had remained the same.' What is the purpose of a man? Living in a disused farmhouse with his elderly father, Paul Kruzen is not sure he knows anymore. The mill his grandfather toiled in is closed, the glory of the Great Wars is long past, and it has been many years since his mother escaped in the arms of a Russian pilot, never once looking back. What do they have to look forward to now? Saint Rita, the patron saint of lost causes, watches over Paul and his best friend Horseradish Hedwig, two misfits at odds with the modern world, while Paul takes comfort in his own Blessed Rita, a prostitute from Quezon. But even she cannot protect them from the tragedy that is about to unfold. In this darkly funny novel about life on the margins of society, Dutch sensation Tommy Wieringa asks what happens to those left behind.

A literary sports classic, finally available in the U.S. Originally published in Holland in 1978, "The Rider" became an instant cult classic, selling over 100,000 copies. Brilliantly conceived and written at a break-neck pace, it is a loving, imaginative, and, above all, passionate tribute to the art of bicycle road racing. Not a dry history of the sport, "The Rider" is beloved as a bicycle odyssey, a literary masterpiece that describes in painstaking detail one 150-kilometer race in a mere 150 pages. "The Rider" is the ultimate book for bike lovers as well as the arm-chair sports enthusiast.

Geert Mak spent the year 1999 criss-crossing the continent, tracing the history of Europe from Verdun to Berlin, St Petersburg to Auschwitz, Kiev to Srebrenica. He set off in search of evidence and witnesses, looking to define the condition of Europe at the verge of a new millennium. The result is mesmerising: Mak's rare double talent as a sharp-eyed journalist and a hugely imaginative historian makes In Europe a dazzling account of that journey, full of diaries, newspaper reports and memoirs, and the voices of prominent figures and unknown players; from the grandson of Kaiser Wilhelm II to Adriana Warno in Poland, with her holiday job at the gates of the camp at Birkenau. But Mak is above all an observer. He describes what he sees at places that have become Europe's well-springs of memory, where history is written into the landscape. At Ypres he hears the blast of munitions from the Great War that are still detonated twice a day. In Warsaw he finds the point where the tram rails that led to the Jewish ghetto come to a dead end in a city park. And in an abandoned creche near Chernobyl, where tiny pairs of shoes still stand in neat rows, he is transported back to the moment time stood still in the dying days of the Soviet Union. Mak combines the larger story of twentieth-century Europe with details that suddenly give it a face, a taste and a smell. His unique approach makes the reader an eyewitness to his own half-forgotten past, full of unknown peculiarities, sudden insights and touching encounters. In Europe is a masterpiece; it reads like the epic novel of the continent's most extraordinary century.

This report considers contemporary developments in presidential elections. It emphasizes three topics chosen for their recurring importance and notable recent developments: (1) nominating procedures; (2) campaign finance; and (3) the electoral college. The report highlights significant developments in these areas, particularly for the 2008 and 2012 elections. It also provides background information about the presidential election process in general. Other CRS products cited throughout this report provide additional information about the topics introduced here. As the report notes, 2012 was expected to be a noteworthy election cycle for several reasons. Some are extensions of developments that started in 2008 or before, while others are more recent. Key themes discussed in this report include the following: In recent years, the two major political parties have made efforts to control the "front-loading" phenomenon, the tendency for states to vie to be first or among the first to hold caucuses or primary elections to select presidential nominees. As the result of inter-party cooperation following the 2008 election, front-loading was significantly reduced for 2012; Among Republicans, the winner-take-all method that had been widely used was replaced with a proportional system for contests before April 1, although strict proportional allocation was not mandated. With an open race for the Republican nomination, the pace of primaries and caucuses and the new allocation rule were expected to have an unpredictable effect. In the end, the changes prolonged the contest in comparison to recent previous contests; Significant changes in campaign finance law shaped campaign finance in the 2012 election cycle, largely as a result of the 2010 Supreme Court decision in Citizens United v. Federal Election Commission. In the aftermath of Citizens United, presidential candidates may face additional pressure to raise funds to be able to compete against their opponents and outside groups, particularly new organizations called "super PACs;" One of the most notable campaign finance developments in recent elections is the decline of the public financing system for presidential candidates. The 2012 cycle marked the first since the public financing program's inception that no major candidate accepted public funds; After decades of congressional inactivity, state-level initiatives to reform the electoral college were actively considered in 2012. Among these were proposals to establish the district system of awarding electoral votes in Pennsylvania and Wisconsin and further discussion of the National Popular Vote initiative (NPV). NPV seeks to implement direct popular election of the President and Vice President through an interstate compact, rather than by constitutional Amendment; Various states have considered or are considering changes to their participation in the electoral college. Moreover, a nongovernmental organization, the National Popular Vote (NPV) campaign, has proposed an interstate compact that would achieve direct election without a constitutional amendment.

Super PACs emerged after the U.S. Supreme Court permitted unlimited corporate and union spending on elections in January 2010 (Citizens United v. Federal Election Commission). Although not directly addressed in that case, related, subsequent litigation (SpeechNow v. Federal Election Commission) and Federal Election Commission (FEC) activity gave rise to a new form of political committee. These entities, known as super PACs or independent-expenditure-only committees (IEOCs) have been permitted to accept unlimited contributions and make unlimited expenditures aimed at electing or defeating federal candidates. Super PACs may not contribute funds directly to federal candidates or parties.

The new novel by the internationally acclaimed author- "a farce of nuclear proportions"("Vanity Fair")
Arnon Grunberg is one of the most subtly outrageous provocateurs in world literature. "The Jewish Messiah," which chronicles the evolution of one Xavier Radek from malcontent grandson of a former SS officer, to Jewish convert, to co- translator of Hitler's "Mein Kampf" into Yiddish, to Israeli politician and Israel's most unlikely prime minister, is his most outrageous work yet. Taking on the most well-guarded pieties and taboos of our age, "The Jewish Messiah" is both a great love story and a grotesque farce that forces a profound reckoning with the limits of human guilt, cruelty, and suffering. It is without question Arnon Grunberg's masterpiece.

A stunning psychological thriller about friship, drugs, and murder from the author of "The Vanishing."
Egon Wagter and Axel van de Graaf met when they were both fourteen and on vacation in Belgium. Axel is fascinating, filled with an amoral energy by which the more prudent, less adventurous Egon is both mesmerized and repelled. Even as a teen, Axel has a strange power over those around him. He defies authority, seduces women, breaks the law. Axel chooses Egon as a friend, a friendship that somehow ures over time and ends up determining Egon's fate.
During his university studies, Egon frequents Axel's house in Amsterdam, where there is a party every night and women fill the rooms. Though Egon chooses geology over Axel's life of avarice and drug dealing, he remains intrigued by his friend's conviction that the only law that counts is the law he makes himself. Egon believes that Axel is a demonic figure who tempts others only because he knows they want to be tempted. By the time he is in his forties, Egon finds himself divorced and with few professional prospects. He turns for help to Axel, who sends him to Ratanakiri, a fictional country in Southeast Asia. Axel gives Egon a suitcase to deliver-and Egon never returns.
Utterly compelling and resonant, "The Cave" is an unforgettable story of betrayal in the spirit of Tim Krabbe's remarkable first novel, "The Vanishing,"

During the 109th Congress, 51 bills were introduced to change the nation's campaign finance laws (primarily under Titles 2 and 26 of the U.S. Code). These bills - 43 in the House and 8 in the Senate - sought to change the current system, including tightening perceived loopholes. Two of those bills passed the House, but no bill passed both chambers. Therefore, no statutory changes occurred in federal campaign finance law during the 109th Congress. Although the 109th Congress chose not to enact campaign finance legislation, Congress nonetheless considered dozens of bills addressing a wide variety of topics. In summarising that legislation, this book identifies 14 major topics (categories) addressed in the bills. These categories are diverse, ranging from changing individual contribution limits to regulating independent expenditures. Although some bills called for increased regulation, others proposed less regulation. Hence, legislative activity during the 109th Congress reflected a long-standing debate in campaign finance policy over extending regulation of campaign finance practices versus limiting the reach of such regulation.

This is a story she never wanted to tell, but in the end she had no choice. When her older sister dies at the age of sixty-nine, it brings back a past the author thought she had left behind. Incensed, she delves back into her childhood, recreating the abusive world that she grew up in, ruled over by her tyrannical father, The Minotaur. In a narrative by turns shockingly dark and strangely beautiful, she retraces her path through the phantasmagorical labyrinth, bringing a tale of silent trauma to a triumphant, raucous conclusion. Falling is Like Flying is an extraordinary autobiographical story of abuse and resilience, a literary triumph that reminds us what language is capable of.

Istanbul's Galata Bridge has spanned the Golden Horn since the sixth century AD, connecting the old city with the more Western districts to the north. But the bridge is a city in itself, peopled by merchants and petty thieves, tourists and fishermen, and at the same time a microcosmic reflection of Turkey as the link between Asia and Europe. Geert Mak introduces us to the woman who sells lottery tickets, the cigarette vendors, and the best pickpockets in Europe. He tells us about the pride of the cobbler and the tea-seller's homesickness. And he describes the role of honor in Turkish culture, the temptations of fundamentalism and violence, and the urge to survive, even in the face of despair. These stories of the bridge's denizens are interwoven with vignettes illuminating moments in the history of Istanbul and Turkey and shedding light on Turkey's relationship with Europe and the West, the Armenian question, the migration from the Turkish countryside to the city, and the demise of the Ottoman Empire.