"A fresh and fast-paced study of one of the most important crimes of the twentieth century" ("The Washington Post"), "The Brother" now discloses new information revealed since the original publication in 2003--including an admission by his sons that Julius Rosenberg was indeed a Soviet spy and a confession to the author by the Rosenbergs' co-defendant.
Sixty years after their execution in June 1953 for conspiring to steal atomic secrets, Julius and Ethel Rosenberg remain the subjects of great emotional debate and acrimony. The man whose testimony almost single-handedly convicted them was Ethel Rosenberg's own brother, David Greenglass. Though the Rosenbergs were executed, Greenglass served a mere ten years in prison, after which, with a new name, he disappeared. But journalist Sam Roberts found Greenglass, and then managed to convince him to talk about everything that had happened.
Since the original publication of "The Brother," Roberts sued to release grand jury testimony, which further implicates Greenglass and demonstrates how the prosecution was tainted. One of the defendants, Morton Sobell, admitted to Roberts that he and Julius Rosenberg were spies. Furthermore, Michael and Robert Meeropol, the Rosenbergs' sons, acknowledged to Roberts that although their mother was not legally culpable, that the "secret" to the atomic bomb was not compromised, and that the death penalty was excessive, their father was, in fact, guilty of conspiracy to commit espionage on behalf of the Soviet Union.
Now released with this important new information, "The Brother" is more than ever, "A gripping account of the most famous espionage case in US history...an excellent book, written with flair and alive with the agony of the age" ("The Wall Street Journal").

"Delightfully surprising....A portable virtual museum...an entertaining stroll through the history of one of the world's great cities" (Kirkus Reviews), told through 101 distinctive objects that span the history of New York, almost all reproduced in luscious, full color. Inspired by A History of the World in 100 Objects, Sam Roberts of The New York Times chose fifty objects that embody the narrative of New York for a feature article in the paper. Many more suggestions came from readers, and so Roberts has expanded the list to 101. Here are just a few of what this keepsake volume offers: -The Flushing Remonstrance, a 1657 petition for religious freedom that was a precursor to the First Amendment to the Constitution. -Beads from the African Burial Ground, 1700s. Slavery was legal in New York until 1827, although many free blacks lived in the city. The African Burial Ground closed in 1792 and was only recently rediscovered. -The bagel, early 1900s. The quintessential and undisputed New York food (excepting perhaps the pizza). -The Automat vending machine, 1912. Put a nickel in the slot and get a cup of coffee or a piece of pie. It was the early twentieth century version of fast food. -The "I Love NY" logo designed by Milton Glaser in 1977 for a campaign to increase tourism. Along with Saul Steinberg's famous New Yorker cover depicting a New Yorker's view of the world, it was perhaps the most famous and most frequently reproduced graphic symbol of the time. Unique, sometimes whimsical, always important, A History of New York in 101 Objects is a beautiful chronicle of the remarkable history of the Big Apple. "The story [Sam Roberts] is telling is that of New York, and he nails it" (Daily News, New York).

This is the first scholarly collection to examine the social and cultural aspects on the worldwide interest in the faded remains of advertising signage (popularly known as 'ghost signs'). Contributors to this volume examine the complex relationships between the signs and those who commissioned them, painted them, viewed them and view them today. Topics covered include cultural memory, urban change, modernity and belonging, local history and place-making, the crowd-sourced use of online mobile and social media to document and share digital artefacts, 'retro' design and the resurgence in interest in the handmade. The book is international and interdisciplinary, combining academic analysis and critical input from practitioners and researchers in areas such as cultural studies, destination marketing, heritage advertising, design, social history and commercial archaeology.

This is the first scholarly collection to examine the social and cultural aspects on the worldwide interest in the faded remains of advertising signage (popularly known as 'ghost signs'). Contributors to this volume examine the complex relationships between the signs and those who commissioned them, painted them, viewed them and view them today. Topics covered include cultural memory, urban change, modernity and belonging, local history and place-making, the crowd-sourced use of online mobile and social media to document and share digital artefacts, 'retro' design and the resurgence in interest in the handmade. The book is international and interdisciplinary, combining academic analysis and critical input from practitioners and researchers in areas such as cultural studies, destination marketing, heritage advertising, design, social history and commercial archaeology.

This book introduces the fundamentals of sign painting, allowing readers to learn about the tools, materials and techniques needed to create painted signs. All the basics are covered, from choosing and using brushes, paints, mahl sticks, dippers and pencils, to how to prepare and finish surfaces, transfer designs, mix paint and work with the brush. A gallery section of original alphabets, created for the book by sign painters around the world, provides visual inspiration and demonstrates a wide variety of styles and approaches.

From the urban affairs correspondent of the New York Times--the story of a city through twenty-seven structures that define it.

As New York is poised to celebrate its four hundredth anniversary, New York Times correspondent Sam Roberts tells the story of the city through bricks, glass, wood, and mortar, revealing why and how it evolved into the nation's biggest and most influential.

From the seven hundred thousand or so buildings in New York, Roberts selects twenty-seven that, in the past four centuries, have been the most emblematic of the city's economic, social, and political evolution. He describes not only the buildings and how they came to be, but also their enduring impact on the city and its people and how the consequences of the construction often reverberated around the world.

A few structures, such as the Empire State Building, are architectural icons, but Roberts goes beyond the familiar with intriguing stories of the personalities and exploits behind the unrivaled skyscraper's construction. Some stretch the definition of buildings, to include the city's oldest bridge and the landmark Coney Island Boardwalk. Others offer surprises: where the United Nations General Assembly first met; a hidden hub of global internet traffic; a nondescript factory that produced billions of dollars of currency in the poorest neighborhood in the country; and the buildings that triggered the Depression and launched the New Deal.

With his deep knowledge of the city and penchant for fascinating facts, Roberts brings to light the brilliant architecture, remarkable history, and bright future of the greatest city in the world.

“Currently the urban affairs reporter for the New York Times, Roberts has covered the city for 40 years. So as we locals say, he knows from, and it shows in this fabulous collection of essays. With wit and grace, he tells stories of its citizens―some illustrious, others not; some living, others long dead. But the story he’s really telling is that of New York, and he nails it.”―New York Daily News

No one denies that New York City is unique―but what makes it sui generis? Sam Roberts, a longtime city reporter, has puzzled over this in print and in his popular New York Times podcasts for years. In Only in New York, updated with new tales and fascinating glimpses into uniquely NYC life, he writes about what makes this city tick and why things are the way they are in the greatest of all metropolises on earth. The more than 75 essays in this book cover a variety of topics, including:

-How do New Yorkers react during disasters?

-Maritime history (the Hudson River)

-Crowds, space, and population growth

-1908: a year in History history

-Jewish Daily Forward

-What happens when a neighborhood loses its tony ZIP code?

A winning and informative gift book for every fan of “the city,” Only in New York is elegantly written and solidly reported.

In the winter of 1913, Grand Central Station was officially opened and immediately became one of the most beautiful and recognizable Manhattan landmarks. In this celebration of the one hundred year old terminal, Sam Roberts of The New York Times looks back at the terminal's conception, amazing history, and the far-reaching cultural effects of Grand Central that continues to amaze tourists and shuttle busy commuters. Along the way, Roberts will explore how the Manhattan transit hub truly foreshadowed the evolution of suburban expansion in the country, and fostered the nation's westward expansion and growth via train. Featuring quirky anecdotes and behind-the-scenes information, this book will allow readers to peek into the secret and unseen areas of Grand Central -- from the tunnels, to the command center, to the hidden passageways. With stories about everything from the famous movies that have used Grand Central as a location to the forty-eight foot long snake that made the building his home, this is a fascinating and, exciting look at a true American institution.

Save money on this book by buying direct from the author at http: //kratie.ghostsigns.co.uk Flying pigs, retro hairstyles and hand grenades are among some of the images found in this book celebrating the art and craft of Cambodia's hand-painted advertising. The book introduces the signs, the people who paint them, and explores their links to Cambodian art, culture and history. The stories of the signs and their makers are inseparable from events in Cambodia over the last 40 years, notably the impact of the infamous Khmer Rouge regime. This crushed both art and commerce, the two spheres of activity straddled by these hand-painted signs. Their rise and gradual fall since this time takes the reader up to the current day and the uncertain future faced by this characteristic feature of Cambodia's streets. In considering the signs, the sign painters speak and share their thoughts, while others provide insights from the perspective of outsiders living and working in Cambodia. These include the author's reflections on his own engagement with the signs, and the stories they tell. This book is his tribute to this charming piece of Cambodian culture that has endured a turbulent past and faces similarly rough waters ahead. The signs featured in this book are given full English translations in a comprehensive notes section. A Khmer translation of the text is also available on the website, alongside a host of other bonus material including videos, additional photographs, and useful links: http: //kratie.ghostsigns.co.uk.

A revealing view of America and its people at the turn of the century, by the author of the New York Times Notable Book Who We Are

For more than two centuries, America has taken stock every decade, producing a statistical self-portrait of our population. In Who We Are Now, Sam Roberts identifies and illuminates the trends and social shifts that are changing the face of America today.

The 2000 U.S. census captured an America in the middle of a fundamental transformation. The nation’s complexion changed significantly over the twentieth century, creating more varied and intermingled identities; the trend was so profound that for the first time residents in 2000 could choose multiple race and ethnic categories on the census form. With the baby boomers nearing retirement and the echo generation entering college, the graying of America has been balanced, precariously, by the youth culture. And in the wake of the 1990s welfare reform, the fate of the working poor has become all the more tenuous. Roberts masterfully weaves stories of individuals from all corners of the country with the data, creating a compelling guided tour of the places, personalities, and politics that will shape twenty-first-century America.

In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities.

Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by "The New York Times" urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, "America's Mayor" is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles.

With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.