Unless we recognize the cultural context embedded in the Genesis story of Cain and Abel, the significance of Cain's rejection and consequent violence is often lost in translation. While many interpreters highlight the theme of sibling rivalry to explain Cain's murderous violence, Samantha Joo relates Cain's anger and shame to the social marginalization of Kenites in ancient Israel, for whom Cain functions narratively as an ancestor. To better understand and experience Cain's emotions in the narrative, Joo provides a method for re-contextualizing an ancient story in modern contexts. Drawing from post-colonial theories of Latin America translators, Joo focuses on analogies which simulate the "moveable event" of a story. She shows that novels like Fyodor Dostoevsky's Crime and Punishment and Richard Wright's Native Son, in which protagonists kill to escape their invisibility, capture the "event" of Cain and Abel. Consequently, readers can empathize with the anger and shame resulting from the social marginalization of Cain through the alienation of a poor, ex-university student, Raskolnikov, and the oppression of a young black man, Bigger Thomas.

This book examines the problem of theodicy arising from the fall of Jerusalem (587 B.C.E.) in the book of Jeremiah. It explores the ways in which the authors of the book of Jeremiah tried to explain away their God's responsibility while clinging to the idea of divine mastery over human affairs. In order to trace the development of a particular book's understanding of God's role in meting out punishments, this book analyzes all the passages containing the pivotal word"> (TM) ("to provoke to anger") in Deuteronomistic History and the book of Jeremiah.