'My mother died today. Or maybe yesterday, I don't know.' In The Outsider (1942), his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal. Albert Camus' portrayal of a man confronting the absurd, and revolting against the injustice of society, depicts the paradox of man's joy in life when faced with the 'tender indifference' of the world. Sandra Smith's translation, based on close listening to a recording of Camus reading his work aloud on French radio in 1954, sensitively renders the subtleties and dream-like atmosphere of L'Etranger. Albert Camus (1913-1960), French novelist, essayist and playwright, is one of the most influential thinkers of the 20th century. His most famous works include The Myth of Sisyphus (1942), The Plague (1947), The Just (1949), The Rebel (1951) and The Fall (1956). He was awarded the Nobel Prize for Literature in 1957, and his last novel, The First Man, unfinished at the time of his death, appeared in print for the first time in 1994, and was published in English soon after by Hamish Hamilton. Sandra Smith was born and raised in New York City and is a Fellow of Robinson College, University of Cambridge, where she teaches French Literature and Language. She has won the French American Foundation Florence Gould Foundation Translation Prize, as well as the PEN Book-of-the-Month Club Translation Prize.

The second world war classic of life under Nazi occupation. Némirovsky was sent to Auschwitz in 1942. In 1941, Irène sat down to write a book that would convey the magnitude of what she was living through by evoking the domestic lives and personal trials of the ordinary citizens of France. Némirovsky's death in Auschwitz in 1942 prevented her from seeing the day, sixty-five years later, that the existing two sections of her planned novel sequence, Suite Française, would be rediscovered and hailed as a masterpiece. Set during the year that France fell to the Nazis, Suite Française falls into two parts. The first is a brilliant depiction of a group of Parisians as they flee the Nazi invasion; the second follows the inhabitants of a small rural community under occupation. Suite Française is a novel that teems with wonderful characters struggling with the new regime. However, amidst the mess of defeat, and all the hypocrisy and compromise, there is hope. True nobility and love exist, but often in surprising places. VINTAGE FRENCH CLASSICS - six masterpieces of French fiction in collectable editions. 'A masterpiece of French fiction' Sunday Times 'One of those rare books that demands to be read' Guardian

'One of those books that marks a reader's life indelibly' William Boyd 'A compelling, dreamlike fable' Guardian In The Outsider, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.

"You might come back, because you're young, but I will not come back."--Marceline Loridan-Ivens' father, speaking to her at the Drancy internment camp, April 1944 A runaway international bestseller, But You Did Not Come Back garnered rave reviews and features on hardcover publication, including a New York Times profile on the author. Hailed as an important new addition to the library of books dealing with the Holocaust, it is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested by the Vichy government's militia, along with her father. At the internment camp of Drancy, France, her father told her that he would not come back, preparing her for the worst. On their arrival at the camps, they were separated--her father sent to Auschwitz, she to the neighboring camp of Birkenau. The three kilometers that separated them were an insurmountable distance, and yet before he died in the camps, he managed to send her a small note, a sign of life that gave Marceline hope to go on. In But You Did Not Come Back, Marceline writes back to her father. The book is a letter to the man she would never know as an adult, to the person whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found a calling, working on behalf of many disenfranchised groups, both as an activist for Algerian independence and a documentary filmmaker. And now, as France and Europe face growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.

Accompanying the text are essays, letters and newspaper articles on the subjects that influenced Maupassant's writing, and critical assessments from his time to our own, along with a chronology and bibliography.

In 1944, at the age of fifteen, Marceline Loridan-Ivens was arrested in occupied France, along with her father. They were sent to Auschwitz-Birkenau, and forcibly separated. Though he managed to smuggle one last note to her, Marceline never spoke to her father again. But You Did Not Come Back is Marceline's letter to the father she would never know as an adult. This is a breath-taking memoir by an extraordinary woman, and a deeply moving message from a daughter to a father.

Jacques Schiffrin changed the face of publishing in the twentieth century. As the founder of Les Editions de la Pleiade in Paris and cofounder of Pantheon Books in New York, he helped define a lasting canon of Western literature while also promoting new authors who shaped transatlantic intellectual life. In this first biography of Schiffrin, Amos Reichman tells the poignant story of a remarkable publisher and his dramatic travails across two continents. Just as he influenced the literary trajectory of the twentieth century, Schiffrin's life was affected by its tumultuous events. Born in Baku in 1892, he fled after the Bolsheviks came to power, eventually settling in Paris, where he founded the Pleiade, which published elegant and affordable editions of literary classics as well as leading contemporary writers. After Vichy France passed anti-Jewish laws, Schiffrin fled to New York, later establishing Pantheon Books with Kurt Wolff, a German exile. Following Schiffrin's death in 1950, his son Andre continued in his father's footsteps, preserving and continuing a remarkable intellectual and cultural legacy at Pantheon. In addition to recounting Schiffrin's life and times, Reichman describes his complex friendships with prominent figures including Andre Gide, Jean-Paul Sartre, Peggy Guggenheim, and Bernard Berenson. From the vantage point of Schiffrin's extraordinary career, Reichman sheds new light on French and American literary culture, European exiles in the United States, and the transatlantic ties that transformed the world of publishing.

Widely considered to be the greatest short story writer in all of French literature, Guy de Maupassant helped define the modern short story, deeply influencing the likes of Chekhov, Maugham, Babel and O. Henry. Yet despite his mastery of the form, existing English translations render his prose in an archaic style. Convinced that this protege of Flaubert deserved to be modernised in the same way that Lydia Davis had brought Madame Bovary to life, Sandra Smith selected twenty-eight classic Maupassant short stories, written between 1880 and 1890, including "Le Horla" and "Boule de Suif". Divided thematically into tales of French life, war and the supernatural, The Necklace and Other Stories promises to reintroduce Maupassant to twenty-first-century readers.

Albert Camus' existentialist masterpiece, now in a wonderful new Clothbound Classics edition In The Outsider, his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.

TEACHING READING IN TODAYS ELEMENTARY SCHOOLS sets the standard for reading instruction to ensure that you are able to help your students learn mechanics of word recognition, how to comprehend what they read -- and enjoy the process. The book advocates a balanced approach to reading, presenting newer approaches to reading with more traditional approaches that have proven value, such as phonics, vocabulary instruction, and strategies to improve literal and higher-order comprehension. The twelfth edition includes discussion of the latest technology for literacy learning, recent movements in literacy assessment and standards that must be met, and information about guided reading and close reading techniques with appropriate texts. Praxis, CCSS, and edTPA assistance is incorporated throughout.

The prequel to the bestselling Suite Francaise Paris 1918, Bernard Jacquelain returns from the trenches a changed man. The city is a whirl of decadence and corruption and he embarks on a life of parties and shady business dealings, as well as an illicit affair. But as another war threatens, everything around him starts to crumble, and the future for him and for France suddenly looks dangerously uncertain.

**AS FEATURED IN HRH THE DUCHESS OF CORNWALL'S BOOK CLUB, THE READING ROOM** 'A masterpiece' The Sunday Times In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through by evoking the domestic lives and personal trials of the ordinary citizens of France. Nemirovsky's death in Auschwitz in 1942 prevented her from seeing the day, sixty-five years later, that the existing two sections of her planned novel sequence, Suite Francaise, would be rediscovered and hailed as a masterpiece. Set during the year that France fell to the Nazis, Suite Francaise falls into two parts. The first is a brilliant depiction of a group of Parisians as they flee the Nazi invasion; the second follows the inhabitants of a small rural community under occupation. Suite Francaise is a novel that teems with wonderful characters struggling with the new regime. However, amidst the mess of defeat, and all the hypocrisy and compromise, there is hope. True nobility and love exist, but often in surprising places.