A lyrical meditation on time, survival, and merciful moments of joy Sara Henning's Burn draws readers deep into the moments that make us, focusing on instances of crisis and renewal to explore our relation to time and lived experience. In these poems, we follow a speaker as she works through the loss of young love, the death of her parents, marriage's hardness and beauty, sexual assault, and the devastation of a pandemic--evolutions of trauma that fracture time and alter perception. Twinned with these extremes are shimmering manifestations of joy only an imperfect world can make possible. Burn magnifies the way time leaves us both the victim and the victor of our realities. The blaze of her late-mother's Tiffany lamps sends the speaker back to childhood, where she unearths mica from the schoolyard dirt. The devastation of an ecological crisis, the annihilating act of rape, and the unsolved disappearance of a caretaker all level the speaker's world and upend her place in it, forcing her to reconstitute reality from what remains. In poems which summon the spirit of Stephen Hawking's A Brief History of Time, this collection walks through the physics of temporality as refracted through love, loss, and grief, so we better understand its effect on our lives. Through this insight, Henning introduces a new way of being in the world. A work of advocacy and uplift, Burn shines with the vibrant possibilities of narrative lyric poetry as it forges a path from grief to hope.

These masterful elegies follow the contours of a troubled mother-daughter relationship, explore the paradoxes of mourning, and relish the complicated joys of perseverance to map not only how one makes sense of the world but also how one reenters it after experiencing a transformative loss. Divided into four sections, this poignant collection begins with "Terra Inferna," which chronicles a single mother's attempt to raise her daughter in 1980s rural Georgia. "Terra Incognita" follows the daughter's journey across states, out of devastating poverty, and into a loving marriage, as her mother loses her battle with colon cancer. In "Terra Nova," the speaker meditates on her mother's passing, her crisis of meaning turning to revelation of legacy's love. "Terra Firma" brings closure, as the speaker reconciles her grief while rediscovering how to find joy in life's small moments.

Der Religionsunterricht steht heute vor besonderen Herausforderungen. Wie kann er mit seinen Inhalten die Kinder und Jugendlichen so erreichen, dass es zu gelingenden, lebensbedeutsamen Lernprozessen kommt? Das inzwischen weithin bewAhrte Elementarisierungsmodell bietet dafA"r entscheidende Hilfen fA"r die Praxis.In diesem Band wird dieses religionsdidaktische Modell auf dem neuesten Stand vorgestellt. Neben einer knappen theoretischen EinfA"hrung als Aberblick stehen zentrale Themen des Religionsunterrichts im Fokus, die in Beispielen praktisch entfaltet werden. Dabei werden aktuelle Befunde aus der Kinder- und Jugendforschung aufgenommen und Verbindungen zur empirischen Unterrichtsforschung hergestellt. Elementarisierung wird kompetenztheoretisch so ausgelegt, dass elementarisierender Unterricht als Weg zum Kompetenzerwerb genutzt werden kann. ReligionslehrkrAften wird hier ein Leitfaden angeboten, mit dem die FAhigkeit erworben werden kann, Religionsunterricht nach dem Elementarisierungsmodell vorzubereiten.

In these edgy poems of witness, Sara Henning's speaker serves as both conduit and curator of the destructive legacies of alcoholism and multigenerational closeting. Considering the impact of addiction and sexual repression in the family and on its individual members, Henning explores with deft compassion the psychological ramifications of traumas across multiple generations. With the starling as an unspoken trope for victims who later perpetuate the cycle of abuse, suffering and shame became forces dangerous enough to down airliners. The strands Henning weaves-violent relationships, the destructive effects of long-term closeting, and the pall that shame casts over entire lives-are hauntingly epiphanic. And yet these feverish lyric poems find a sharp beauty in their grieving, where Rolling Stone covers and hidden erotic photographs turn into talismans of regret and empathy. After the revelation that her deceased grandfather was a closeted homosexual "who lived two lives," Henning considers the lasting effects of shame in regard to the silence, oppression, and erasure of sexual identity, issues that are of contemporary concern to the LGBTQIA community. Even through "the dark / earth encircling us," Henning's speaker wonders if there isn't some way out of a place "where my body / is just another smoke-stung / dirge of survival," if, in the end, love won't be victorious. Part eyewitness testimony, part autoethnography, this book of memory and history, constantly seeking and yearning, is full of poems "too brutal and strange to suffer / [their] way anywhere but home."