When four friends embark on a boys’ skiing holiday in the Alps, they anticipate a weekend of fun, drinking, and some healthy competition on the slopes. But their trip is cut short when one of them falls to his death.

Tom’s widow, Zoe travels to France with her friend, Ivy to collect his body. While Zoe is consumed by grief, Ivy starts to question everything.

The slope Tom fell from wasn’t dangerous, and tensions between the group were at breaking point in the days before his death.

But if Ivy’s suspicions are correct, Tom was killed by one of his closest friends. And they are still in the chalet…

The Ethics of Need: Agency, Dignity, and Obligation argues for the philosophical importance of the notion of need and for an ethical framework through which we can determine which needs have moral significance. In the volume, Sarah Clark Miller synthesizes insights from Kantian and feminist care ethics to establish that our mutual and inevitable interdependence gives rise to a duty to care for the needs of others. Further, she argues that we are obligated not merely to meet others' needs but to do so in a manner that expresses "dignifying care," a concept that captures how human interactions can grant or deny equal moral standing and inclusion in a moral community. She illuminates these theoretical developments by examining two cases where urgent needs require a caring and dignifying response: the needs of the elderly and the needs of global strangers. Those working in the areas of feminist theory, women's studies, aging studies, bioethics, and global studies should find this volume of interest.

Until recently, philosophers have discussed evil primarily in theodicial contexts in pondering why a perfect God does not abolish evil. Evil, Political Violence, and Forgiveness: Essays in Honor of Claudia Card reflects a burgeoning interest among philosophers in a broader array of ethical and political questions concerning evils. Written in tribute to Claudia Card whose distinguished academic career has culminated in the development of a new theory of evil this collection of new essays explores the concept of evil, the multifaceted harms of brutal political violence, and the appropriateness of forgiveness as an ethical response to evils. Evil, Political Violence, and Forgiveness brings together an international cohort of distinguished philosophers who mediate with Card upon an array of twentieth-century atrocities and on the nature of evil actions, persons, and institutions. Contributors explore questions such as "What distinguishes evil from lesser wrongdoing?" "Is culpable wrongdoing a necessary component of evil?" "How are we to understand atrocious political violence?" "What are the best moral and political responses to atrocities?" "Are there moral obligations to forgive contrite perpetrators of evils?" and "Can anyone claim moral innocence amid a climate of evildoing?"

The Ethics of Need: Agency, Dignity, and Obligation here argues for the philosophical importance of the notion of need and for an ethical framework through which we can determine which needs have moral significance. In the volume, Sarah Clark Miller synthesizes insights from Kantian and feminist care ethics to establish that our mutual and inevitable interdependence gives rise to a duty to care for the needs of others. Further, she argues that we are obligated not only to meet others? needs, but also to do so in a manner that expresses "dignifying care," a concept that captures how human interactions can grant or deny equal moral standing and inclusion in a moral community. Specifically, she illuminates these theoretical developments by examining two cases where urgent needs require a caring and dignifying response: the needs of the elderly and the needs of global strangers. Those working in the areas of feminist theory, women's studies, aging studies, bioethics and global studies should find this volume of interest.

"Critical Messages" examines the key environmental issues that face our region and the many ways contemporary Northwest artists are responding to those issues in their artwork. Environmental art is a new kind of mirror, a reflection of our past and a crystal ball holding visions of the future.

In their approach to environmental concerns, some contemporary artists face critical issues head on: growth management as seen in urban/rural conflict; the connection of transportation and urban sprawl; contested sources of energy; mass production and consumption; toxic management of land, watersheds, and waters; and dramatic climate change. Others accent environmental values such as preservation of wilderness and wetlands, sustainability, and biodiversity; some even work this interest interst out through the strategy of artist and nature as co-agents. Finally, some artists have chosen to enhance the impact of current conditions and challenges by capturing their apocalyptic vision through poignant and dramatic renderings. This book reveals the overlapping causes and effects of these issues in the artworks themselves and in the resounding voices of the artistic messengers.

Sarah Clark-Langager is director of the Western Gallery and curator of the Outdoor Sculpture Collection and William Dietrich is assistant professor of environmental studies at Huxley College, both at Western Washington University in Bellingham.

Don't miss Sarah Clarke's gripping new thriller, MY PERFECT FRIEND. Out now! 'Tense, suspenseful and an amazing ending. One of the best books I have read this year.' NetGalley reviewer, SOME TRUTHS CAN'T BE TOLD. I had the perfect life - a nice house, a loving husband, a beautiful little boy. But in one devastating night, they were all ripped from me. It's been fourteen years, and I'm finally ready to face the past. I'm taking my son back. He just can't know who I am...or why we were torn apart. A nail-biting thriller packed with twists and turns, perfect for fans of Lisa Jewell and Shalini Boland. Readers LOVE A Mother Never Lies! '[Sarah Clarke] really knocked it out of the park! I was on the edge of my seat the whole time... you will not be able to put this down!' NetGalley reviewer, 'Had me from page one. Riveting and suspenseful... Highly recommend this one.' NetGalley reviewer, 'A truly excellent story... full of suspense... Devoured this within a matter of hours!!' NetGalley reviewer, 'Wow... couldn't put it down! [A] really good story with great characters and one I won't have a problem recommending!' NetGalley reviewer, 'Excellent... it had me gripped from start to finish.' NetGalley reviewer, 'Loved this book... will be looking out for more from Sarah Clarke.' NetGalley reviewer, 'A highly enjoyable read.' NetGalley reviewer, 'Brilliantly tense, with an unexpectedly dark heart - a totally compelling read.' Sophie Hannah, Sunday Times bestselling author 'Tense and heartbreaking... I raced through this.' Catherine Cooper, Sunday Times bestselling author of The Chalet 'Distinctive and original - Sarah Clarke brings a new and exciting voice to the thriller genre.' Sophie Flynn, author of All My Lies 'A read-in-one-sitting kind of book... A confident and bold debut.' Louise Mumford, bestselling author of Sleepless 'Impossible to put down... a smart new voice in the thriller genre - and definitely one to watch.' Katie Lowe, author of The Furies

Don't miss Sarah Clarke's gripping new thriller, MY PERFECT FRIEND. Out now! 'A fast-paced, twisty story . . . A thrilling read' Catherine Cooper, bestselling author of The Chalet From the outside, it seems Grace has it all. Only she knows about the cracks in her picture-perfect life... and the huge secret behind them. After all, who can she trust? Her brother Josh is thousands of miles away, and he and Grace have never been close - he was always their parents' favourite. Her best friend Coco walked away from her years ago, their friendship irreparably fractured by the choices they've made. And her husband Marcus seems like a different man lately. Grace can't shake the feeling that he's hiding something. But when her seven-year-old daughter makes a troubling accusation, Grace must choose between protecting her child and protecting her secret... before she loses everything. A totally addictive suspense novel from the bestselling author of A Mother Never Lies, perfect for fans of Lisa Jewell and Shalini Boland. 'Every Little Secret had me in a complete vice. A brilliantly crafted suspense thriller which poses a dark dilemma - who can you trust?' L V Matthews, author of The Twins Readers are raving about Every Little Secret! 'WOW! WOW! WOW! AMAZING, PHENOMENAL, LOVED IT!' NetGalley reviewer, 'I devoured every page of Every Little Secret. It's gripping, thrilling and impossible to put down.' NetGalley reviewer, 'Shocking! Totally didn't see the twists coming, especially the explosive ending...Great and gripping thriller.' NetGalley reviewer, 'This gripping story of love, trust and betrayal is the ultimate page-turner.' NetGalley reviewer, 'A fast paced read that had me in that "just one more chapter" loop until I'd finished it. I don't think I breathed for the entire last few chapters.' NetGalley reviewer, 'I genuinely loved this novel . . . Through all the plot twists I was engrossed, hooked onto every word.' NetGalley reviewer,

Insider Dealing: Law and Practice, first edition, was the first work to offer a detailed treatment of the rapidly developing law and practice relating to this complex area of law. The new edition of this leading text continues to provide an easily accessible guide to the practice and procedure of an insider dealing investigation, prosecution or civil action. Significantly updated to take account of the Market Abuse Regulation, which came into force in 2016 and replaced UK domestic law, this new edition contains extensive new material analysing insider dealing behaviour that amounts to market abuse. Coverage has been expanded to include important recent legislative developments and case law, and key primary materials are brought together for ease of reference. Written by a leading practitioner with unparalleled experience in both private practice and at the FSA, Insider Dealing: Law and Practice, second edition, offers a clearly structured and practical treatment of the area.

Is money really the root of all evil, or just an excuse for undeserved power? Jaden Brinks began his life amongst the ranks of the middle-class. He was forced to endure both verbal and physical abuse from a club-footed alcoholic father. Jaden swore to himself that he would not follow in his father's footsteps. Jaden desperately wanted to help his fellow man and pursued interests in the medical field. Jaden Brinks was a highly intelligent man with an excellent business sense. Shortly after graduating from the University of New Hampshire with a Bachelor's Degree in business, from his kitchen he created a surgical tray that revolutionized operating room procedures across the world. Within 10 years his self-made company was netting $20 million a year. He was a compassionate and caring man to his employees often paying huge medical bills or loaning money for a down payment on a home. His employees loved him The business world loved him He was highly respected in all circles. Something happened along the way. Was it the money that changed Jaden Brinks into a revengeful murderer; or was it his ever-present lurking dark side?

This operational guide has been written as a guidance tool for the implementation of water treatment plant operation and management critical requirements, as set forth in ANSI/AWWA Standard G100 Water Treatment Plant Operations and Management. The operational guide explains how set and achieve goals, optimize plant performance on a continuous basis, and make ongoing improvements to your plant operations and management. Written and approved by recognized industry experts, AWWA G100 and operational guide provide critical requirements for all aspects of water treatment plant operations.

This is an accessible exploration of the cult TV show "Lost", looking particularly at its fascinating use of novels, plays, stories, and other literary texts. From the moment that Watership Down made its appearance on screen in season one, speculation about "Lost"'s literary allusions has played an important role in the larger discussion of the show. Fans and critics alike have noted the many references, from biblical passages and children's stories to science fiction and classic novels. "Literary Lost" teases out the critical significance of these featured books, demonstrating how literature has served to enhance the meaning of the show. It provides a fuller understanding of "Lost" and reveals how television can be used as a tool for stimulating a deeper interest in literary texts. The first chapter features an exhaustive list of '"Lost" books', including the show's predecessor texts. Subsequent chapters are arranged thematically, covering topics from free will and the nature of time to parenthood and group dynamics. From Lewis Carroll's creations, which appear as recurring images and themes throughout, to Slaughterhouse-Five's lessons on the nature of time, "Literary Lost" will help readers unravel the show's novelistic plot while celebrating its astonishing layers and nuances of text.

Offering a holistic approach to television criticism, this analytical companion to the popular show Fringe examines the drama's mythology and unveils its mysteries while exposing significant cultural issues addressed in each episode. With a strong basis in science fiction, Fringe has all of the archetypal characters and themes of the genre, from the covert mastermind and the mad scientist to dangerous advances in technology, parallel worlds, and man-made monsters. Along with many other post-9/11 television shows aired in the West, Fringe has demonstrated a society's collective paranoia about foreign invaders, on the one hand, and domestic corruption on the other. It also lays bare the fear of radical advances in technology and urges its viewers to ponder the ethical limitations of science. This guide explores how the show uses these elements to tap into a deeper understanding of the human experience. Less focused on individual episodes, this book is split into three parts, each discussing a broad element of the narrative experience of the first three seasons of this multilayered show.