|
Showing 1 - 4 of
4 matches in All Departments
This volume is an interdisciplinary attempt to insert a broader,
historically informed perspective into current political and
academic debates on the issue of evidence and the reliability of
scientific knowledge. The tensions between competing paradigms,
different bodies of knowledge and the relative hierarchies between
them are a crucial element of the historical and contemporary
dynamics of scientific knowledge production. The negotiation of
evidence is at the heart of this process. Starting from the premise
that evidence constitutes a central, but also essentially contested
concept in contemporary knowledge-based societies, this volume
focuses on how evidence is generated and applied in practice-in
other words, on "evidence in action." The contributions analyze and
compare different evidence practices within the field of science
and technology, how they interlink with different forms of power,
their interaction with and impact on the legal and political
domain, and their relationship to other, more heterodox forms of
evidence that challenge traditional notions of evidence. In doing
so, this volume provides much-needed context and historical
background to contemporary debates on the so-called "post-truth"
society. Evidence in Action is the perfect resource for all those
interested in the relationship between science, technology, and the
role of knowledge in society.
In this incisive study, Sarah Ehlers returns to the Depression-era
United States in order to unsettle longstanding ideas about poetry
and emerging approaches to poetics. By bringing to light a range of
archival materials and theories about poetry that emerged on the
1930s left, Ehlers reimagines the historical formation of modern
poetics. Offering new and challenging readings of prominent figures
such as Langston Hughes and Muriel Rukeyser, and uncovering the
contributions of lesser-known writers such as Jacques Roumain,
Genevieve Taggard, and Martha Millet, Ehlers illuminates an
aesthetically and geographically diverse matrix of schools and
movements. Resisting the dismissal of thirties left writing as mere
propaganda, the book reveals how communist-affiliated poets
experimented with poetic modes-such as lyric and documentary-and
genres, including songs, ballads, and nursery rhymes in ways that
challenged existing frameworks for understanding the relationships
among poetic form, political commitment, and historical
transformation. As Ehlers shows, Depression left movements and
their international connections are crucial for understanding both
the history of modern poetry and the role of poetic thought in
conceptualizing historical change.
Zu Beginn des 20. Jahrhunderts verwusteten Epidemien der
Schlafkrankheit weite Teile der europaischen Kolonialgebiete in
Afrika. Diese akute Krise in den Krankheitsgebieten setzte eine
ganze Reihe von Entwicklungen in Gang, deren Reichweite sich
keineswegs auf den afrikanischen Kontinent beschrankte. Wahrend in
den Kolonien Zwangsuntersuchungen und -behandlungen der
afrikanischen Bevoelkerung eingefuhrt, Verkehrswege kontrolliert
und ganze Landstriche evakuiert und umgestaltet wurden, formierte
sich in Europa die Tropenmedizin als avantgardistisches Projekt an
einer Schnittstelle von Wissenschaft, Wirtschaft und Politik.
Stellte die Konfrontation mit der Krankheit die Kolonialmachte zwar
vor massive Schwierigkeiten, so oeffnete sie gleichzeitig ein
koloniales Experimentierfeld fur Biomedizin, Pharma-Industrie und
Administrationen. Die Studie beschreibt die Entstehung dieses neuen
Forschungs- und Interventionsfeldes als eine europaische
Verflechtungsgeschichte. Was sagen die Massnahmen zur Bekampfung
der Krankheit uber die imperiale Pragung moderner Biomedizin?
Welche Dynamiken kolonialer Herrschaft und internationaler Politik
lassen sich an ihnen ablesen? Anhand dieser Fragen oeffnet die
Studie das Thema nicht nur fur medizinhistorische Zugriffe, sondern
auch fur aktuelle Fragen der Global- und Zeitgeschichte.
In this incisive study, Sarah Ehlers returns to the Depression-era
United States in order to unsettle longstanding ideas about poetry
and emerging approaches to poetics. By bringing to light a range of
archival materials and theories about poetry that emerged on the
1930s left, Ehlers reimagines the historical formation of modern
poetics. Offering new and challenging readings of prominent figures
such as Langston Hughes and Muriel Rukeyser, and uncovering the
contributions of lesser-known writers such as Jacques Roumain,
Genevieve Taggard, and Martha Millet, Ehlers illuminates an
aesthetically and geographically diverse matrix of schools and
movements. Resisting the dismissal of thirties left writing as mere
propaganda, the book reveals how communist-affiliated poets
experimented with poetic modes-such as lyric and documentary-and
genres, including songs, ballads, and nursery rhymes in ways that
challenged existing frameworks for understanding the relationships
among poetic form, political commitment, and historical
transformation. As Ehlers shows, Depression left movements and
their international connections are crucial for understanding both
the history of modern poetry and the role of poetic thought in
conceptualizing historical change.
|
You may like...
Hampstead
Diane Keaton, Brendan Gleeson, …
DVD
R66
Discovery Miles 660
|