"The project of surveying Gloucestershire at first seemed to be almost too big to handle, indeed it involved multiple journeys criss-crossing the county. But I think the result reveals the great range of individual character in its many towns and villages: compare traditional Cotswold centres such as Great Barrington and Upper Slaughter in the north east with the intensely industrialised districts of Yate and Filton above Bristol, or the freshness of the Vale of Berkeley bordering the Severn Estuary. To the west the ancient Forest of Dean preserves its own mysterious aura. Gloucestershire is truly impressive and I longed to delve further into its history. I hope that the guide opens possibilities for your own exploration of the area". (Sarah James, Editor).

This publication is made up of a series of photographs taken inside the abandoned Conservative Party headquarters at 32 Smith Square in London. Award-winning artist Lisa Barnard was granted access to the abandoned site in 2009 and documented the building and found objects. This book features previously unseen photos of the interior documenting the dulled shades of corporate blue, stained carpets, peeling paintwork and discarded iconography of past alliances.

This volume offers a new perspective to debates on local food and urban sustainability presenting the long silenced voices of the small-scale farmers from the productive green fringe of Sydney's sprawling urban jungle. Providing fresh food for the city and local employment, these culturally and linguistically diverse farmers contribute not only to Sydney's globalizing demographic and cultural fabric, but also play a critical role in the city's environmental sustainability. In the battle for urban space housing development threatens to turn these farmlands into sprawling suburbia. In thinking from and with the urban 'fringe', this book moves beyond the housing versus farming debate to present a vision for urban growth that is dynamic and alive to the needs of the 21st century city. In a unique bringing together of the twin forces shaping contemporary urbanism - environmental change and global population flows - the voices from the fringe demand to be heard in the debate on future urban food sustainability.

Cv Publications series of Guides to English counties is launched with my survey of Oxfordshire. It has been a journey of discovery. Rather than just passing from point A to B my excursions followed an ad-hoc schedule of diverse routes. I found myself turning down obscure side lanes leading to little villages hidden in a marvellous landscape of deep countryside. Documenting over one hundred centres the county gradually revealed itself as largely unspoilt by the industrial sprawl. Oxford itself is of course very lively and cosmopolitan, but communications and facilities are as good in the many market towns. I was really interested to note the range of properties both old and new and the particular character of an area. I hope that my guide provides details and insights that will assist your own enquiries for a new location' - Sarah James.

Pastoral Care, the religious mission of the Church to minister to the laity and care for their spiritual welfare, has been a subject of growing interest in medieval studies. This volume breaks new ground with its broad chronological scope (from the early eleventh to the late fifteenth centuries), and its interdisciplinary breadth. New and established scholars from a range of disciplines, including history, literary studies, art history and musicology, bring their specialist perspectives to bear on textual and visual source materials. The varied contributions include discussions of politics, ecclesiology, book history, theology and patronage, forming a series of conversations that reveal both continuities and divergences across time and media, and exemplify the enriching effects of interdisciplinary work upon our understanding of this important topic.

Pastoral Care, the religious mission of the Church to minister to the laity and care for their spiritual welfare, has been a subject of growing interest in medieval studies. This volume breaks new ground with its broad chronological scope (from the early eleventh to the late fifteenth centuries), and its interdisciplinary breadth. New and established scholars from a range of disciplines, including history, literary studies, art history and musicology, bring their specialist perspectives to bear on textual and visual source materials. The varied contributions include discussions of politics, ecclesiology, book history, theology and patronage, forming a series of conversations that reveal both continuities and divergences across time and media, and exemplify the enriching effects of interdisciplinary work upon our understanding of this important topic.

Cv Publications' series of English County Guides launched with a survey of Oxfordshire and Gloucestershire, first published in 1999. Rather than just passing from point A to B researchers followed an ad-hoc schedule of diverse routes. They found themselves turning down obscure side lanes leading to little villages hidden in marvellous environs of deep countryside. The fifth guide, Norfolk is characterised by the breadth and variation of its countryside, known for its arched skies and expansive landscape. In a complex series of journeys that criss-crossed the county, Nicholas and Sarah James have recorded over two hundred villages and market towns, ranging from Cromer to Hunstanton on the 'Norfolk Riviera', to the 'Wash' and Norfolk Broads, with lesser known hamlets nestling deep in this fascinating and historic part of East England.

"Do Not Refreeze" charts a 'lost' chapter in the history of European photography. These photographers developed their practice in the former East Germany negotiating its omnipresent secret police to create imagery, increasingly compared to that of luminaries such as Henri Cartier-Bresson, Diane Arbus and Robert Frank. The stunning images convey a glimpse of day-to-day life and evoke the claustrophobia, rage, envy and ideological pomp of the Communist era as well as its unexpected personal warmth, tenderness and exoticism. Had they been painters, sculptors, authors or playwrights, these photographers would have been arrested or imprisoned. Because photography was not considered to be 'art' however, they were able to circumnavigate a rigid system of censorship to produce the most insightful and openly critical visual arts output in East Germany's 40-year history. This book is published by Cornerhouse in association with the University of Hertfordshire.

"Glamorous and suspenseful." -Marie Benedict, New York Times bestselling author of The Only Woman in the Room and The Mitford Affair Perhaps the best place in 1943 Hollywood to see the stars is the Hollywood Canteen, a club for servicemen staffed exclusively by those in show business. Murder mystery playwright Annie Laurence, new in town after a devastating breakup, definitely hopes to rub elbows with the right stars. Maybe then she can get her movie made. But Hollywood proves to be more than tinsel and glamour. When despised film critic Fiona Farris is found dead in the Canteen kitchen, Annie realizes any one of the Canteen's luminous volunteers could be guilty of the crime. To catch the killer, Annie falls in with Fiona's friends, a bitter and cynical group-each as uniquely unhappy in their life and career as Annie is in hers-that call themselves the Ambassador's Club. Solving a murder in real life, it turns out, is a lot harder than writing one for the stage. And by involving herself in the secrets and lies of the Ambassador's Club, Annie just might have put a target on her own back. "This vibrant, utterly delightful mystery expertly captures the drama, glamour and absurdity of wartime Hollywood. Sarah James's swift dialogue, dry wit and clever characters transport you into a 1940s movie, where the jokes are quick, the love affairs scandalous and the cast as charming as they are flawed. Underneath it all, James's deep knowledge of the era's movies and music lends an authenticity that makes the rest shine even brighter. I laughed, I gasped and I never wanted it to end. This should head straight to the top of every must-read list." -Brianna Labuskes, author of The Librarian of Burned Books

This volume offers a new perspective to debates on local food and urban sustainability presenting the long silenced voices of the small-scale farmers from the productive green fringe of Sydney's sprawling urban jungle. Providing fresh food for the city and local employment, these culturally and linguistically diverse farmers contribute not only to Sydney's globalizing demographic and cultural fabric, but also play a critical role in the city's environmental sustainability. In the battle for urban space housing development threatens to turn these farmlands into sprawling suburbia. In thinking from and with the urban 'fringe', this book moves beyond the housing versus farming debate to present a vision for urban growth that is dynamic and alive to the needs of the 21st century city. In a unique bringing together of the twin forces shaping contemporary urbanism - environmental change and global population flows - the voices from the fringe demand to be heard in the debate on future urban food sustainability.

For fans of ATOMIC CITY GIRLS and THE SECRETS WE KEPT, a fascinating debut historical novel of one of the most closely held secrets of World War II and a woman caught up in it when she follows her missing sister to the mysterious city of Oak Ridge, Tennessee. Lillian Kaufman hasn't heard from her twin sister since Eleanor left for a mysterious job at an Army base somewhere in Tennessee. When she learns, on an unexpected phone call, that Eleanor is missing, Lillian takes a train from New York down to Oak Ridge to clear up the matter. It turns out that the only way into Oak Ridge is to assume Eleanor's identity, which Lillian plans to do swiftly and perfectly. But Eleanor has vanished without a trace-and she's not the only one. And how do you find someone in a town so dangerous it doesn't officially exist, when technically you don't exist either? Lillian is thrust into the epicenter of the gravest scientific undertaking of all time, with no idea who she can trust. And the more she pretends to be Eleanor, the more she loses her grip on herself.