The fifth instalment of Prototype's annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between. With contributions by Alex Aspden, Ed Atkins & Steven Zultanski, Mau Baiocco, Claire Carroll, Hal Coase, James M. Creed, Iulia David, Nia Davies, Fiona Glen, Olivia Heal, Emma Hellyer, Hannah Hutchings-Georgiou, Rowe Irvin, Sasja Janssen (trans. Michele Hutchison), Bhanu Kapil, Sharon Kivland, Jeff Ko, Prerana Kumar, Grace Connolly Linden, Dasha Loyko, Nasim Luczaj, Ian Macartney, So Mayer, Catrin Morgan, Ghazal Mosadeq, Kashif Sharma-Patel, Helen Quah, Dipanjali Roy, Leonie Rushforth, Stanley Schtinter, Lutz Seiler (trans. Stefan Tobler), Madeleine Stack, Malin Stahl, Corin Sworn, Olly Todd, Yasmin Vardi, Kate Wakeling, Nathan Walker, Ahren Warner, Stephen Watts & Rojbin Arjen Yigit

Virgula is an award-winning collection by acclaimed Dutch poet Sasja Janssen, and her second collection to be published in English. Taking as its title the latin word for ’comma’, the poems in Virgula reveal the stories hidden in the spaces in-between: the unending and the unresolved; memories that refuse to be contained. In Janssen’s poetry, the comma becomes much more than a punctuation mark, and is invoked as a muse and companion; she calls on her in every poem, as if she were a goddess, a friend or lover, someone who offers space when the emptiness becomes too heavy. In Janssen’s poetry, painful stories often unfold, events that never came to pass, but which leave traces and scars. Virgula strikes a balance between mystery and razor-sharp intent, through constant shifts and contrasts in perspective. The comma stops the stillness, and allows thoughts and language to move forward. Virgula was awarded the Awater Poetry Prize and was nominated for the Ida Gerhardt Poetry Prize and the Herman de Coninck Prize and De Grote Poëzieprijs (Grand Poetry Prize) for best poetry collection of the year.

Putting On My Species is about identity and selfhood, the desire for the very beginning, the sardonic pleasure of making and destroying in order to start over again, the love of poetry. How should I live? Sasja Janssen wonders. Who am I? Am I my memories? In a sober but moving style, Sasja Janssen gnaws away at her species. “What makes this poetry so good? Janssen takes a risk by letting the poem find its own bedding, she is open to any new vista that appears and astonishes with absurd images, yet this isn’t all it takes to write strong poetry. What matters is that the stakes are high. This poet desperately tries to grasp something of the insane world in which we have ended up and in which we have to make do with totally inadequate means.” —Piet Gerbrandy, De Groene Amsterdammer