Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Horror film based on the 1978 'video nasty' shocker of the same name. Sarah Butler stars as Jennifer, a writer who retreats to a cabin in the woods to begin work on her new book. While there, she is brutally raped by a group of local men whom she encountered en route to the cabin. The attack escalates and Jennifer only narrowly escapes with her life - but survive she does, and returns to the locale to carry out the most gruesome revenge on her attackers that she can possibly devise.

Two siblings, both missing for 20 years turn up within one day of each other. One dead. One alive.It was an ordinary school day, the day I lost my little brother. One moment he was on the roundabout and then was gone. Gone. Missing. They all blamed me. I was in charge. Even though I was only ten years old. They sent me away. The hurt, the shame, the questions. The not knowing. I tried to move on. It's been nineteen years in exile and now somebody wants me back. Someone with a dark secret. They hold the keys, they know the truth. So, I need to return to the Welsh village of my childhood to find out who, because I have a secret, too... I did something bad. Diane Saxon's standalone thriller is sure to plunge you into the dark world of secrets and lies. 'An intensely dark thriller.' Ross Greenwood 'Packed full of secrets and lies, and in a town filled with an unsettling atmosphere Saxon succeeds in putting the 'creep' in creepy' ' Valerie Keogh 'Gripping... I couldn't put it down.' Gemma Rogers 'A complex, dark and disturbing thriller, full of intrigue, toxic relationships and jaw dropping twists 5*' Alex Stone