In his engagingly written and original book, Scott Carpenter analyzes multiple manifestations of the false in nineteenth-century France. Under Carpenter's thorough and systematic analysis, fraudulence emerges as a cultural preoccupation in nineteenth-century literature and society, whether it be in the form of literary mystifications, the thematic portrayal of frauds, or the privileging of falseness as an aesthetic principle. Focusing particularly on the aesthetics of fraudulence in works by Merimee, Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places these literary representations within the context of other cultural phenomena, such as caricature, political history, and ceremonial events. As he highlights the special relationship between literary fiction and fraudulence, Carpenter argues that falseness arises as an aesthetic preoccupation in post-revolutionary France, where it introduces a blurring of limits between hitherto discrete categories. This transgression of boundaries challenges notions of authenticity and sincerity, categories that Romantic aesthetics championed at the beginning of the nineteenth century in France. Carpenter's study makes an important contribution to the cultural significance of mystification in nineteenth-century France and furthers our understanding of French literature and cultural history.

In his engagingly written and original book, Scott Carpenter analyzes multiple manifestations of the false in nineteenth-century France. Under Carpenter's thorough and systematic analysis, fraudulence emerges as a cultural preoccupation in nineteenth-century literature and society, whether it be in the form of literary mystifications, the thematic portrayal of frauds, or the privileging of falseness as an aesthetic principle. Focusing particularly on the aesthetics of fraudulence in works by Merimee, Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places these literary representations within the context of other cultural phenomena, such as caricature, political history, and ceremonial events. As he highlights the special relationship between literary fiction and fraudulence, Carpenter argues that falseness arises as an aesthetic preoccupation in post-revolutionary France, where it introduces a blurring of limits between hitherto discrete categories. This transgression of boundaries challenges notions of authenticity and sincerity, categories that Romantic aesthetics championed at the beginning of the nineteenth century in France. Carpenter's study makes an important contribution to the cultural significance of mystification in nineteenth-century France and furthers our understanding of French literature and cultural history.

Iraq still hangs in the balance. The dramatic improvements in Iraqi security between 2007 and 2009 have produced important, but incomplete changes in the nation's politics. These changes make it possible to imagine Iraq slowly muddling upward, building gradually toward a better future. But we must be constantly on guard against the considerable potential for Iraq to slip into all-out civil war. There are dozens of scenarios --from military coups, to official misconduct, to the assassination of one or two key leaders -- that could spark such violence.

In "Unfinished Business," a team of five experts from across the political spectrum analyze the situation in Iraq. They present a well-reasoned and feasible path for U.S. policy toward Baghdad --one that would give priority to preventing Iraq from slipping into civil war or becoming an aggressive state but that would also lead to a clear American goal: a new, strong, and prosperous ally in the Middle East.

Ultimately, the United States must condition the continuation of the U.S.-Iraqi relationship on the willingness of Iraqi political leaders to guide their country in the direction of greater stability, inclusivity, and effective governance.