Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Close your eyes. Picture open plains, wheat stalks swaying gently in the wind. Picture the quaint Main Street of a one-stoplight town. Picture endless summers on sunny, tranquil lakes. With three provocative novellas, Kill Creek author and Kansas native Scott Thomas takes a hatchet to the idyllic tropes of the American heartland.  In The Door in the Field, Thomas follows a quarrelsome construction worker named Rayland Allen whose bad day becomes a far worse night when drinks at an off-the-books establishment deep in the woods set Ray down an unforeseeably bloody path.  In The Boy in the Woods, Thomas follows young Eddie Reicher, who lingers a day too long at summer camp as unholy terror creeps in. Something evil has infected the counselors. And Eddie will have to do everything he can—even kill—if he hopes to survive the night. In One Half of a Child’s Face, Thomas follows the recently divorced Sienna Franklin. Spying on her son and ex-husband, she notices an odd painting hanging on the wall of an adjacent apartment. Over the course of the next few days, Sienna will watch with growing horror as the children in the apartment building begin to gather before the painting as if called to it.   With this collection, Thomas digs his hands into the soil of the American heartland and establishes himself as the master of Midwestern Gothic.

This book examines the role of the New Testament concept of the 'principalities and powers' in the thought of Karl Barth and John Howard Yoder, showing how this biblical concept of power is central to the fundamental theological convictions of each thinker. Prather offers a scholarly account of the underexplored theological and ethical import of a major biblical theme and the book addresses questions and concerns from a wide range of academic and lay theological interest. He brings Barth and Yoder into dialogue here and examines the three crucial areas: the 'confessional' distinction of church and world; the demonization of political power; and the intrinsic relation between the political and economic powers. While other theologians have rightly identified a 'christocentric' connection between the thought of Barth and Yoder, no attempt has been made to bring them together through the sustained analysis of a single doctrinal or ethical issue - this book does just that.

Inspired by real events and from the director of The Full Monty (Peter Cattaneo), Military Wives is the heartfelt story of friendship, love, and support on the home front.

When Kate persuades a disparate group of women on the base to form the Military Wives Choir, Lisa is initially sceptical and embarrassed by such an amateur bunch. However, she is quickly transformed by the choir's friendship, humour and courage.

Finding their voice together, Kate, Lisa and the choir put aside their own personal differences and, by singing their hearts out, bring joy, hope and strength to the world.

America grew rapidly after World War II-the national pastime followed suit. Baseball dramatically changed from a 19th century pastoral relic to a continental modern sport. Six Major League clubs relocated to new cities, capped by the coast-to-coast moves of the Brooklyn Dodgers and New York Giants. Four expansion teams were created from thin air. Dozens of black stars emerged after Jackie Robinson broke the color barrier. The players formed a union-higher salaries materialized. This book tells the story of baseball's metamorphosis 1945-1962, driven by larger-than-life personalities like the bombastic Larry MacPhail, the sage Branch Rickey, the kindly Connie Mack, the quick-witted Bill Veeck and the wily Walter O'Malley-Hall of Famers all. The upheaval they sparked-and sometimes failed to control-would broaden the sport's appeal, setting the stage for tremendous growth in the half-century to come.

This easy-to-use handbook presents a fascinating and fresh take on American presidential elections and makes a wide range of statistics available to serious researchers and political fanatics alike. Counting the Votes: A New Way to Analyze America's Presidential Elections isn't your typical history book about presidential elections. Nor is it like most statistical analyses of election results. What this unusual book does offer is an array of innovative statistics-campaign score (CS), potential index (PI), return on potential (ROP), and equalized vote totals (EV*EQ), among others-that provides a provocative, intriguing, and fresh perspective on past presidential candidates and campaigns. Presenting information that has never been compiled and presented before, author G. Scott Thomas provides reams of statistics for all 57 presidential elections (1789 to the present) as well as essays inspired by those races that explore new interpretations of electoral trends. The book also includes lists of outstanding political performances in 179 statistical categories in addition to complete statistical records for 289 presidential candidates. The unique information and metrics introduced in this book will be invaluable to historians, political scientists, and students who are conducting research into voting trends and will serve as additional tools for their work. Includes a "Record Book of Presidential Politics" that spotlights the best and worst performances by presidential candidates highlighted in 179 statistical rankings, identifying which nominee was the youngest, came from the smallest state, and won by the smallest margin of popular votes Written by an accomplished journalist with more than three decades of experience and who has authored four books focused on national politics Provides an alphabetical directory of the career records of 289 presidential candidates between 1789 and 2012 presented in tabular form for easy reference