Despite unprecedented levels of global interconnectedness, little academic attention has been paid to how governments actively deal with the challenges globalization poses for national identity. This book investigates the Singapore Government's approach to the construction of national identity and the shifting ways in which Singapore has been imagined in official discourses. The hallmarks of Singapore's nation-building project have been the state's efforts to manage ethnic differences and ensure the economic well-being of its citizenry. Unlike other global cities which are embedded in a larger nation-state, Singapore is both a global city and a nation-state. Singapore embodies a curious contradiction: while global cities are often theorized as transient spaces, contradictorily, the nation-state needs to be bounded in order to remain viable. This book focuses on the global/national nexus: the tensions between the necessity to embrace the global to ensure economic survival, yet needing a committed population to support the perpetuation of the nation-state and its economic success. It critically explores how the government has been responding to the challenges of globalization through policy initiatives and official rhetoric to create a "space" for affective identification with the Singaporean nation-state and how Singaporeans relate to and articulate their sense of identity and belonging to Singapore within the context of globalization.

Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India's largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.

Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.

Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India's largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.

This book documents urban experiences of dissent and emergent resistance against disjunctive global and local capital, technology and labour flows that converge and intersect in some of Asia's fastest growing cities. Rather than constructing occupants of the city as simply passive victims of globalisation or urbanisation, it presents ways in which people are using everyday strategies embedded in cultural practice to challenge dominant socio-economic and political forces impacting on urban space. Taking the city as a site of contestation and a stage where social conflicts are played out, the book highlights the connections between urban power and dissent; the nature and impact of resistance; how the spatiality and built environment of the city generates conflict and, conversely, how protagonists use the cityscape to stage their everyday and public dissent. The contributors explore the conditions, strategies, and outcomes of such dissent and forms of cultural resistance, and explore the following themes: the impact of urban development, gentrification and ghetto-isation; urban counter narratives and the re-imagining of city spaces; the role of grassroots activism and social movements; cultural resistance in the creation of neighbourhoods and communities; the impact of gender, class and the politics of identity on forms of dissent; the formation of transgressive spaces.

This book documents urban experiences of dissent and emergent resistance against disjunctive global and local capital, technology and labour flows that converge and intersect in some of Asia s fastest growing cities. Rather than constructing occupants of the city as simply passive victims of globalisation or urbanisation, it presents ways in which people are using everyday strategies embedded in cultural practice to challenge dominant socio-economic and political forces impacting on urban space.

Taking the city as a site of contestation and a stage where social conflicts are played out, the book highlights the connections between urban power and dissent; the nature and impact of resistance; how the spatiality and built environment of the city generates conflict and, conversely, how protagonists use the cityscape to stage their everyday and public dissent.

The contributors explore the conditions, strategies, and outcomes of such dissent and forms of cultural resistance, and explore the following themes:

• the impact of urban development, gentrification and ghetto-isation;
• urban counter narratives and the re-imagining of city spaces;
• the role of grassroots activism and social movements;
• cultural resistance in the creation of neighbourhoods and communities;
• the impact of gender, class and the politics of identity on forms of dissent;
• the formation of transgressive spaces.

Previously, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book critically examines the cultural and cinematic representations in Tamil cinema. The chapters outline the cinema's history and distinctive characteristics, and proceed to consider a number of important themes such as gender and the portrayal of women, religion, class, sexuality, cinematic genre and the politics of identity. Throughout, the book manages to link the analysis to wider social, political and cultural phenomena in Tamil and Indian society. As interest in Indian cinema grows across the globe, Tamil Cinema is an exciting contribution to an under-studied field, facilitating a fresh consideration of the existing body of scholarship on Indian cinema.