What will be the final destiny of humanity? At God's final judgement, will all be saved, or only a few? How does Christian eschatology affect Christian political action in the here and now? And what is the destiny of each individual facing the prospect of earthly death? In these essays, Sergius Bulgakov brings the resources of scripture and tradition to bear on these vital questions, arguing for the magnificent final restoration of all creatures to union with God in a universal salvation worthy of the infinite scope of Christ's redemption. Combining practical theology with doctrinal questions, Bulgakov provides on the one hand insight into how Christians can strive to bring God's kingdom to earth in anticipation of the peace and justice of the heavenly Jerusalem. On the other, he offers  profound theological reflections on the nature of human death and Christ's accompaniment of all humans in their dying, based on his own near-death experience. Although originating firmly within the Russian Orthodox tradition, Bulgakov's sensitive and incisive writing will shed new light for all on eschatology in all its facets: personal, political, and universal.  

This first English translation represents Sergius Bulgakov’s final, fully developed word on the Eucharist. The debate around the controversial doctrine of the Eucharist as sacrifice has dogged relations between Catholic, Orthodox, and Protestant churches since the Reformation. In The Eucharistic Sacrifice, the famous Russian theologian Sergius Bulgakov cuts through long-standing polemics surrounding the notion of the Eucharist as sacrifice and offers a stunningly original intervention rooted in his distinctive theological vision. This work, written in 1940, belongs to Bulgakov’s late period and is his last, and most discerning, word on eucharistic theology. His primary thesis is that the Eucharist is an extension of the sacrificial, self-giving love of God in the Trinity, or what he famously refers to as kenosis. Throughout the book, Bulgakov points to the fact that, although the eucharistic sacrifice at the Last Supper took place in time before the actual crucifixion of Christ, both events are part of a single act that occurs outside of time. This is Bulgakov’s concluding volume of three works on the Eucharist. The other two, The Eucharistic Dogma and The Holy Grail, were translated and published together in 1997. This third volume was only first published in the original Russian version in 2005 and has remained unavailable in English until now. The introduction provides a brief history of Bulgakov’s theological career and a description of the structure of The Eucharistic Sacrifice. This clear and accessible translation will appeal to scholars and students of theology, ecumenism, and Russian religious thought.

With its scholarly discussions of myth, German idealist philosophy, negative theology, and mysticism, shot through with reflections on personal religious experiences, Unfading Light documents what a life in Orthodoxy came to mean for Sergius Bulgakov on the tumultuous eve of the 1917 October Revolution. Written in the final decade of the Russian Silver Age, the book is a typical product of that era of experimentation in all fields of culture and life. Bulgakov referred to the book as miscellanies, a patchwork of chapters articulating in symphonic form the ideas and personal experiences that he and his entire generation struggled to comprehend. Readers may be reminded of St. Augustine's Confessions and City of God as they follow Bulgakov through the challenges and opportunities presented to Orthodoxy by modernity.

In Orthodox theology both the icon and the name of God transmit divine energies, theophanies, or revelations that imprint God's image within us. In Icons and the Name of God renowned Orthodox theologian Sergius Bulgakov explains the theology behind the Orthodox veneration of icons and the glorification of the name of God. In the process Bulgakov covers two major controversies -- the iconoclastic controversy (sixth to eighth centuries) and the "Name of God" controversy (early twentieth century) -- and explains his belief that an icon stops being merely a religious painting and becomes sacred when it is named. This translation of two essays "The Icon and Its Veneration" and "The Name of God" -- available in English for the first time -- makes Bulgakov's rich thinking on these key theological concepts available to a wider audience than ever before.

Vladimir Solovyov (1853-1900) was one of the most remarkable figures of the 19th century. He was the most important Russian speculative thinker of that century, publishing major works on theoretical philosophy, the philosophy of religion, and ethics. He also wrote profound religious verse, much of which is translated into English here for the first time. Included are all of the short lyric poems; Three Meetings, an autobiographical poem of mystical visions; The White Lily, a comical-mystical play, a genre invented by Solovyov; and a ground-breaking essay (translated into English for the first time) on Solovyov's poetry by the eminent theologian Sergius Bulgakov. The most important poems are sophianic, in that they express a personal relation to Sophia, whom Solovyov encountered several times during his life. This book presents an aspect of Solovyov's work that most readers are unaware of; it enables us to watch a spiritual genius plumbing the depths of cosmic truth.

Translated by Boris Jakim -There are two worlds for the Christian and two lives in them: one of these lives belongs to this world of sorrow and suffering, while the other is lived in a hidden manner in the Kingdom of God, in the joyful city of heaven. All of the events, both of the Gospel and of the Church, which are celebrated at different times of the Church Year are not only remembered but are also accomplished in us, insofar as our souls touch this heavenly world. These events become for us a higher reality, a source of unceasing celebration, of perfect joy.- -- Sergius Bulgakov (from preface) This distinctive book contains spiritual orations and edifying discourses rooted in the Orthodox tradition. In Churchly Joy Sergius Bulgakov takes readers through the joyous mysteries of the church year as reflected in the Orthodox Church's major feasts, including celebrations of the Annunciation, the Birth of Christ, the Epiphany, the Transfiguration, the Triumphal Entry, Easter, and more. Churchly Joy reflects Bulgakov's transcendent vision for the church and will provide spiritual growth and edification for all Christians.

This first English translation represents Sergius Bulgakov’s final, fully developed word on the Eucharist. The debate around the controversial doctrine of the Eucharist as sacrifice has dogged relations between Catholic, Orthodox, and Protestant churches since the Reformation. In The Eucharistic Sacrifice, the famous Russian theologian Sergius Bulgakov cuts through long-standing polemics surrounding the notion of the Eucharist as sacrifice and offers a stunningly original intervention rooted in his distinctive theological vision. This work, written in 1940, belongs to Bulgakov’s late period and is his last, and most discerning, word on eucharistic theology. His primary thesis is that the Eucharist is an extension of the sacrificial, self-giving love of God in the Trinity, or what he famously refers to as kenosis. Throughout the book, Bulgakov points to the fact that, although the eucharistic sacrifice at the Last Supper took place in time before the actual crucifixion of Christ, both events are part of a single act that occurs outside of time. This is Bulgakov’s concluding volume of three works on the Eucharist. The other two, The Eucharistic Dogma and The Holy Grail, were translated and published together in 1997. This third volume was only first published in the original Russian version in 2005 and has remained unavailable in English until now. The introduction provides a brief history of Bulgakov’s theological career and a description of the structure of The Eucharistic Sacrifice. This clear and accessible translation will appeal to scholars and students of theology, ecumenism, and Russian religious thought.

Few of Sergius Bulgakov's professional writings achieve the lyrical heights of Jacob's Ladder. In it he discusses the doctrine of angels and their importance for contemporary humanity. He includes reflections on the meaning of love, the sexes, death, and the Christian hope of resurrection, meditating on the Wisdom of God in the creation. This work completes the word picture of divinized and Sophianic creation begun in The Burning Bush and The Friend of the Bridegroom, which together constitute what scholars call Bulgakov's -major, - or first, trilogy.

Sergius Bulgakov is thought by many to be the twentieth century's foremost Russian Orthodox theologian. The Bride of the Lamb is widely regarded as Bulgakov's magnum opus and, even more, as one of the greatest works ever produced in the modern Orthodox church. This book is now available in English thanks to esteemed translator Boris Jakim, along with an introduction to Bulgakov and his theological context. For readers new to Russian religious thought, The Bride of the Lamb presents a fresh approach to Christian doctrine. Bulgakov examines issues of ecclesiology and eschatology from a sophiological perspective. This distinctive Russian approach, based on the doctrine of Sophia, the wisdom of God, sees the Creator and creation intimately linked as Divine-humanity. The Bride of the Lamb explores the nature of created beings, the relationship between God and the world, the role of the church, and such eschatological themes as the second coming of Jesus, resurrection and judgment, and the afterlife.

What is our participation in the divine humanity? In explaining this important doctrine, Sergius Bulgakov begins by surveying the field of Christology with special reference to the divine humanity. He considers the role of the Divine Sophia, examines the foundations of the Incarnation, explores the nature of Christ's divine consciousness, and ponders Christ's ministries while on earth. A profound discussion of Christ's kenosis as a model for humanity rounds out this comprehensive and valuable study. "The Lamb of God" is one of the greatest works of Christology in the twentieth century and a crowning achievement in the examination of the theology of divine humanity.

The first component in Bulgakov's "minor theological trilogy." In this book Sergius Bulgakov refutes the Roman Catholic dogma of the Immaculate Conception and discusses the Orthodox veneration of the Mother of God. The Burning Bush is a consideration of the personal sinlessness of Mary, the truth of which Bulgakov fi nds grounded in both Gospel witness and the liturgical tradition of the church. Though his most controversial legacy to the theological community, Bulgakov's Sophiology nevertheless is critical to understanding his Mariology. This volume is more than mere sophiological speculation, however, as anthropology, eschatology, original sin, human sanctity, and sexuality all fi nd their way into Bulgakov's exploration of the mystery of the woman chosen by God to give birth freely to the Christ. / "In this book, unique in the Russian Orthodox literature, the great theologian Sergius Bulgakov illuminates various aspects of the Church's veneration of the Mother of God. Like all of Bulgakov's devotional books, this is not a work of abstract theologizing, but a work of prayer, opening up a vision of the mystical reality that forms the foundation of our relations to the Ever-Virgin and her relation to us. Thomas Allan Smith's translation is superb, and in his first-rate introduction he does an excellent job of elucidating Bulgakov's sophiological approach." -- Boris Jakim / "Thomas Allan Smith and Eerdmans deserve an immense debt of gratitude for providing a long-awaited English translation of this pivotal work of the leading Russian Orthodox theologian of the twentieth century. Even more, Smith's translation is careful, nuanced, and yet preeminently readable. . . . Western Christians and non-Christians alike often see Orthodoxy as a fascinating, exotic, and mysterious form of Christianity. The Burning Bush, in Smith's translation, helps the reader recognize both Orthodoxy's inner coherence and rationality and its rootedness in a profoundly sublime appreciation of creation's beauty and magnificence. . . . Smith's list of Bulgakov's sources is a simple yet indispensable tool for the scholarly reader. This translation will serve us all well for decades to come." -- Myroslaw Tataryn