Naples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.

In a period of high idealism, and 'titanic illimitable death' women ofter found themselves longing to play an active role alongside their male compatriots. In this fascinating work, Sharon Ouditt examines the traumatic nature of women's experiences during the Great War, and the complex ideological structures they constructed in order to legitimate their position in the public world of work and politics. Using a wealth of historical material - contemporary propaganda, journals, magazines, memoirs and fiction - Sharon Ouditt challenges the notion that women achieved sudden and unproblematic independence, and demonstrates the ways in which women mediated their attraction to a fixed female identity with their desire for radical social change.

'They also serve who only stand and wait'
The idea of there being a 'women's writing' during the First World War is often dismissed. The war, the story goes, was a masculine domain, and as women did not fight, it is also assumed that they were excluded from a war experience.
This bibliography challenges that view by listing and annotating hundreds of published books, articles, memoirs, diaries and letters written by women during the First World War. Included are:
* Virginia Woolf
* Katherine Mansfield
* G.B Stern
* Brenda Girvin
* known and unknown autobiographers and diarists
* writers of pro and anti-war propaganda
* journal and magazine articles
* literary, cultural and historical criticism

Naples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.

'They also serve who only stand and wait'
The idea of there being a 'women's writing' during the First World War is often dismissed. The war, the story goes, was a masculine domain, and as women did not fight, it is also assumed that they were excluded from a war experience.
This bibliography challenges that view by listing and annotating hundreds of published books, articles, memoirs, diaries and letters written by women during the First World War. Included are:
* Virginia Woolf
* Katherine Mansfield
* G.B Stern
* Brenda Girvin
* known and unknown autobiographers and diarists
* writers of pro and anti-war propaganda
* journal and magazine articles
* literary, cultural and historical criticism


eBook available with sample pages: 0203046323

In this study, Sharon Ouditt examines the traumatic and constantly shifting nature of women's experience during the World War I. By examining propaganda, journals, women's magazines, unpublished memoirs and contemporary fiction, the author reveals the challenge to feminine identity which the War demanded and attempted to restrict. Rather than achieve sudden and unproblematic independence through their entry into the public sphere of work and politics, women found themselves having to construct complex ideological structures in order to legitimate their role as "temporary" citizens - whether as crusading nurses, landworkers or pacifist activists. At once historically committed and theoretically informed, this text should appeal to anyone interested in the ways in which women managed their involvement during the First World War, in the relationship between literature and history, and in the ambiguity and flexiblity of "femininity" in the context of dramatic social change.

This lively and intellectually vigorous conspectus of studies approaches the subject of exile from a variety of disciplinary perspectives. The contributions to this volume give due attention to the twentieth century migratory phenomena, theorised by Edward Said, Julia Kristeva and Salman Rushdie. They also show that the discourse and experience of exile is not the stuff of modernity alone. The volume illustrates that the waning of the Middle Ages, Reformation and Restoration politics, and the importation of Egyptian mummies into a nineteenth-century England hungry for imperial exotica reveal displacement, dislocation, otherness and the uncanniness of observing strangers-on-display to have long been part of European cultural currency. The essays range across a variety of disciplines: literary studies, modern languages, history of science, philosophy and museum studies.