This timely volume uniquely illustrates how currere can be applied to the process of decolonizing subjectivity. Centered around the experiences of one black woman from the third world, the text details the theoretical underpinnings of Currere towards Decolonizing (CTD), and walks the reader through the autobiographical analysis involved in dismantling cognitive colonization. Conceived as a four-part autobiographical process of remembering, identifying, imagining, and decolonizing, the method of CTD is demonstrated as a means of recognizing and reflecting on how the colonial project has been internalized, and of gradually dismantling the psychological, affective, and material impact of colonization. Using both theoretical and experiential standpoints, and intersecting with notions of anti-blackness, linguicide, and Africana womanhood, the volume moves curriculum theory urgently towards anti-colonial mechanisms that disrupt the colonizing process. This text will benefit researchers, academics, and educators in higher education with an interest in curriculum studies, post-colonialism, and Black studies more broadly. Those specifically interested in interpersonal psychoanalysis, as well as gender and third world studies, will also benefit from this book.

In The Black Subaltern, Shauna Knox revolts against the construct of the decontextualized self, electing instead to foreground the complex and problematic lived experience of the Black subaltern. Knox offers an account in which Black humanity is flattened, desubstantialized, and lost in a state of perpetual in-betweenness, which she coins subjective transmigration. Over the course of this book, Knox weaves autobiographical vignettes featuring her own journey as a Jamaican migrant to the United States together with theoretical reflection in order to elaborate on the conditions of Black subalternity. She considers the dissolution and disappearance of the subaltern authentic self to be a prerequisite for acquiring access to society. Knox reflects that Black migrants, though rooted in a new country, still remain integrally engaged with their country of origin, and as such, ultimately find themselves in a purgatory of in-betweenness, inhabiting nowhere in particular. This book's innovative use of postformal autobiography to give voice to the Black subaltern provides students and researchers across the humanities, Black studies, diaspora studies, anthropology, sociology, geopolitics, development, and philosophy with rich material for reflection and discussion.