Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Although educational theories are presented in a variety of textbooks and in some discipline-specific handbooks and encyclopedias, no publication exists which serves as a comprehensive, consolidated collection of the most influential and most frequently quoted and consulted theories. There is a need to place such theories into a single, easily accessible volume. A unique feature of the Handbook of Educational Theories is the way in which it conveys the 101 theories presented by 152 authors and 17 editors distributed among its 13 sections. These authors and editors represent 10 countries, including Argentina, Australia, Austria, Canada, Dubai (An Emirate of the United Arab Emirates), England, Norway, Scotland, United States (28 states represented), and Wales.The organization of the chapters within each section makes the volume easy to use. It includes understandable reference tools for researchers and practitioners to use at they seek theories to guide their research and practice and as they develop theoretical frameworks. In addition to the traditional theories presented, the Handbook includes emerging theories for the 21st Century. Practical examples are presented on the use of these theories in research from dissertations and published articles. Section I provides the introduction with a focus on Philosophical Educational Constructs. The remaining sections include: Learning Theory, Instructional Theory, Curriculum Theory, Literacy and Language Acquisition Theory, Counseling Theory, Moral Development Theory, Classroom Management Theory, Assessment Theory, Organizational Theory, Leadership and Management Theory, Social Justice Theory, and Teaching and Education Delivery Theory. Each section consists of an overview written by the section editor of the general theoretical concepts addressed by the chapter authors. Each chapter within the section includes (a) a description of the theory with goals, assumptions, and aspects particular to the theory, (b) the original development of and interactions of the theory, (c) validation of the theory, (d) generalizability of the theory across cultures, ethnicities, and genders, (e) the use and application of the theory, (f) critiques of the theory, (g) any instruments associated with the theory, and (h) two to five particular studies exemplifying particular theories as individuals have used them in theoretical framework of dissertations or published articles. Some theories are presented by the original theorist(s) or by prominent contributors to the theory. The Handbook of Educational Theories is intended for graduate students enrolled in research courses or completing theses and dissertations. Additionally, professors of all educational disciplines in the social sciences may be interested in this book. There is also potential use of the text as administrators, counselors, and teachers in schools use theory to guide practice. As more inquiry is being promoted among school leaders, this book also holds promise for practitioners.

Seventeen-year-old Natalie Waite longs to escape home for college. Her father is a domineering and egotistical writer who keeps a tight rein on Natalie and her long-suffering mother. When Natalie finally does get away, however, college life doesn't bring the happiness she expected. Little by little, Natalie is no longer certain of anything--even where reality ends and her dark imaginings begin. Chilling and suspenseful, "Hangsaman "is loosely based on the real-life disappearance of a Bennington College sophomore in 1946.

Elizabeth is a demure twenty-three-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother's inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson's characteristic chill, we learn that Elizabeth is not just one girl--but four separate, self-destructive personalities. "The Bird's Nest," Jackson's third novel, develops hallmarks of the horror master's most unsettling work: tormented heroines, riveting familial mysteries, and a disquieting vision inside the human mind.

Before there was Hill House, there was the Halloran mansion of Jackson's stunningly creepy fourth novel, "The Sundial." When the Halloran clan gathers at the family home for a funeral, no one is surprised when the somewhat peculiar Aunt Fanny wanders off into the secret garden. But then she returns to report an astonishing vision of an apocalypse from which only the Hallorans and their hangers-on will be spared, and the family finds itself engulfed in growing madness, fear, and violence as they prepare for a terrible new world.

In a hilariously charming domestic memoir, America's celebrated master of terror turns to a different kind of fright: raising children. In her celebrated fiction, Shirley Jackson explored the darkness lurking beneath the surface of small-town America. But in Life Among the Savages, she takes on the lighter side of small-town life. In this witty and warm memoir of her family's life in rural Vermont, she delightfully exposes a domestic side in cheerful contrast to her quietly terrifying fiction. With a novelist's gift for character, an unfailing maternal instinct, and her signature humor, Jackson turns everyday family experiences into brilliant adventures.

The best-known of Shirley Jackson's novels and a major inspiration for writers like Neil Gaiman and Stephen King as well as the hit Netflix series, The Haunting of Hill House is a chilling story of the power of fear 'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt Alone in the world, Eleanor is delighted to take up Dr Montague's invitation to spend a summer in the mysterious Hill House. Joining them are Theodora, an artistic 'sensitive', and Luke, heir to the house. But what begins as a light-hearted experiment is swiftly proven to be a trip into their darkest nightmares, and an investigation that one of their number may not survive. Twice filmed as The Haunting, and the inspiration for a 10-part Netflix series, The Haunting of Hill House is a powerful work of slow-burning psychological horror. 'An amazing writer ... If you haven't read her you have missed out on something marvellous' Neil Gaiman 'As nearly perfect a haunted-house tale as I have ever read' Stephen King 'The world of Shirley Jackson is eerie and unforgettable' A. M. Homes 'Shirley Jackson is one of those highly idiosyncratic, inimitable writers...whose work exerts an enduring spell' Joyce Carol Oates

Pepper Street is a really nice, safe California neighborhood. The houses are tidy and the lawns are neatly mowed. Of course, the country club is close by, and lots of pleasant folks live there. The only problem is they knocked down the wall at the end of the street to make way for a road to a new housing development. Now, that's not good--it's just not good at all. Satirically exploring what happens when a smug suburban neighborhood is breached by awful, unavoidable truths, " The Road Through the Wall" is the tale that launched Shirley Jackson's heralded career.

The Routledge International Handbook of Race, Class, and Gender chronicles the development, growth, history, impact, and future direction of race, gender, and class studies from a multidisciplinary perspective. The research in this subfield has been wide-ranging, including works in sociology, gender studies, anthropology, political science, social policy, history, and public health. As a result, the interdisciplinary nature of race, gender, and class and its ability to reach a large audience has been part of its appeal. The Handbook provides clear and informative essays by experts from a variety of disciplines, addressing the diverse and broad-based impact of race, gender, and class studies. The Handbook is aimed at undergraduate and graduate students who are looking for a basic history, overview of key themes, and future directions for the study of the intersection of race, class, and gender. Scholars new to the area will also find the Handbook's approach useful. The areas covered and the accompanying references will provide readers with extensive opportunities to engage in future research in the area.

Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere. The Haunting of Hill House The classic supernatural thriller by an author who helped define the genre. First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting;' Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers-and soon it will choose one of them to make its own.

The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton

First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

'Her greatest book ... at once whimsical and harrowing, a miniaturist's charmingly detailed fantasy sketched inside a mausoleum ... the deeper we sink, the deeper we want to go' Donna Tartt Living in the Blackwood family home with only her sister Constance and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family. With an afterword by Joyce Carol Oates 'The world of Shirley Jackson is eerie and unforgettable ... She is a true master' A. M. Homes 'A masterpiece of Gothic suspense' Joyce Carol Oates 'If you haven't read We Have Always Lived in the Castle ... you have missed out on something marvellous' Neil Gaiman

The Routledge International Handbook of Race, Class, and Gender chronicles the development, growth, history, impact, and future direction of race, gender, and class studies from a multidisciplinary perspective. The research in this subfield has been wide-ranging, including works in sociology, gender studies, anthropology, political science, social policy, history, and public health. As a result, the interdisciplinary nature of race, gender, and class and its ability to reach a large audience has been part of its appeal. The Handbook provides clear and informative essays by experts from a variety of disciplines, addressing the diverse and broad-based impact of race, gender, and class studies. The Handbook is aimed at undergraduate and graduate students who are looking for a basic history, overview of key themes, and future directions for the study of the intersection of race, class, and gender. Scholars new to the area will also find the Handbook's approach useful. The areas covered and the accompanying references will provide readers with extensive opportunities to engage in future research in the area.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Step into the unsettling world of Shirley Jackson with a collection of her finest, creepiest short stories, revealing the queen of American gothic at her mesmerising best. This selection includes 'The Lottery', Jackson's masterpiece and one of the most terrifying and iconic stories of the twentieth century. 'An amazing writer ... If you haven't read her you have missed out on something marvellous' Neil Gaiman

A darkly funny account of family life from the author of The Haunting of Hill House and The Lottery 'Sometimes, in my capacity as a mother, I find myself sitting open-mouthed and terrified before my own children' As well as being a master of the macabre, Shirley Jackson was also a pitch-perfect chronicler of everyday family life. In Life Among the Savages, her caustically funny account of raising her children in a ramshackle house in Vermont, she deals with rats in the cellar, misbehaving imaginary friends, an oblivious husband and ever-encroaching domestic chaos, all described with wit, warmth and plenty of bite. 'Jackson's family chronicles have a genuinely subversive aspect ... Read today, her pieces feel surprisingly modern - mainly because she refuses to sentimentalize or idealize motherhood' The New York Times Book Review 'Comic masterpieces, laced with hints of the discontent that lies beneath' Guardian