The Galapagos archipelago in the Pacific Ocean is a place of extraordinary biodiversity, home to species found nowhere else on Earth and synonymous with the discoveries of Charles Darwin. But it is also a place of competing interests: those of the rare animals and plants, the scientists who are trying to conserve them, the settlers from Ecuador seeking a way to support themselves, and the tourists who travel across the world to encounter the astonishing environment. Galapagos is the result of a five-year artists' residency programme set up by the Galapagos Conservation Trust, working with the Charles Darwin Foundation, as a unique way of highlighting some of the complex issues that relate to the islands. Twelve international artists were invited to engage with the Galapagos on their own terms, to mix with the local and the scientific communities, to find inspiration for original new work and eventually to share it with a wide audience. The artworks and essays in this book prompt comparisons with other places in the world that are beset by multiple demands. Artists: Jyll Bradley, Paulo Catrica, Filipa Cesar, Marcus Coates, Dorothy Cross (accompanied by Fiona Shaw), Alexis Deacon, Jeremy Deller, Tania Kovats, Kaffe Matthews, Semiconductor (Ruth Jarman and Joe Gerhardt) and Alison Turnbull.

The Galapagos archipelago in the Pacific Ocean is a place of extraordinary biodiversity, home to species found nowhere else on Earth and synonymous with the discoveries of Charles Darwin. But it is also a place of competing interests: those of the rare animals and plants, the scientists who are trying to conserve them, the settlers from Ecuador seeking a way to support themselves, and the tourists who travel across the world to encounter the astonishing environment. Galapagos is the result of a five-year artists' residency programme set up by the Galapagos Conservation Trust, working with the Charles Darwin Foundation, as a unique way of highlighting some of the complex issues that relate to the islands. Twelve international artists were invited to engage with the Galapagos on their own terms, to mix with the local and the scientific communities, to find inspiration for original new work and eventually to share it with a wide audience. The artworks and essays in this book prompt comparisons with other places in the world that are beset by multiple demands. Artists: Jyll Bradley, Paulo Catrica, Filipa Cesar, Marcus Coates, Dorothy Cross (accompanied by Fiona Shaw), Alexis Deacon, Jeremy Deller, Tania Kovats, Kaffe Matthews, Semiconductor (Ruth Jarman and Joe Gerhardt) and Alison Turnbull. With texts by award-winning science writer Richard Fortey, curators Bergit Arends and Greg Hilty, Felipe Cruz of the Charles Darwin Foundation, and actor and director Fiona Shaw.

The Galapagos archipelago in the Pacific Ocean is a place of extraordinary biodiversity, home to species found nowhere else on Earth and synonymous with the discoveries of Charles Darwin. But it is also a place of competing interests: those of the rare animals and plants, the scientists who are trying to conserve them, the settlers from Ecuador seeking a way to support themselves, and the tourists who travel across the world to encounter the astonishing environment. Galapagos is the result of a five-year artists' residency programme set up by the Galapagos Conservation Trust, working with the Charles Darwin Foundation, as a unique way of highlighting some of the complex issues that relate to the islands. Twelve international artists were invited to engage with the Galapagos on their own terms, to mix with the local and the scientific communities, to find inspiration for original new work and eventually to share it with a wide audience. The artworks and essays in this book prompt comparisons with other places in the world that are beset by multiple demands. Artists: Jyll Bradley, Paulo Catrica, Filipa Cesar, Marcus Coates, Dorothy Cross (accompanied by Fiona Shaw), Alexis Deacon, Jeremy Deller, Tania Kovats, Kaffe Matthews, Semiconductor (Ruth Jarman and Joe Gerhardt) and Alison Turnbull.

Is science the new art? Scientists weave incredible stories, invent wild hypotheses and ask difficult questions about the meaning of life. They have insights into the workings of our bodies and minds which challenge the myths we make about our identities and selves. They create visual images, models and scenarios that are gruesome, baffling or beguiling. They say and do things that are ethically and politically shocking. Contemporary scientists frequently talk about 'beauty' and 'elegance'; artists hardly ever do. While demonstrating how science is affecting the creation and interpretation of contemporary art, this book proposes that artistic insights are as important on their own terms as those in science and that we can and should accommodate both forms of knowledge. Featuring the work of artists such as Damien Hirst, Christine Borland, Bill Viola and Helen Chadwick, and art-science collaborative ventures involving Dorothy Cross, Eduardo Kac and Stelarc, it looks at the way new scientific explanations for the nature of human consciousness can influence our interpretation of art, at the squeamish interventions being produced by artists relishing in new technologies and at art which takes on the dangers facing the fragile environment. Seeing the world from the other point of view can inform the practice of both sides - this book will provide new insights to artists, scientists and the wider public.