This is an invaluable reference to all the characters who appear in English drama from 1500 to 1660. The book indexes well over a thousand printed plays. In addition to characters' names it indexes character types (Dwarf, Gypsy), nationalities (Frenchman, American), military ranks, psychological states (Jealousy, Melancholy), occupations and professions. The accompanying Finding List provides a table of play titles, authors, dates of publication, dates of performance and short-title catalogue numbers. The book is a much revised and expanded version of An Index of Characters in English Printed Drama to the Restoration (1975). This edition indexes the names of characters in 180 plays which no longer survive in print and characters from Latin plays of the period. Further features are an alphabetical list of plays, an index of playwrights and an expanded bibliography.

This is an invaluable reference to all the characters who appear in English drama from 1500, when drama first appeared in print, to 1660. The book indexes well over a thousand printed plays. In addition to characters' names it indexes character types (Dwarf, Gypsy), nationalities, military ranks, psychological states (Jealousy, Melancholy), occupations and professions. The book is a revised and expanded version of An Index to Characters in English Printed Drama to the Restoration (Microcard Editions, 1975).

Giordano Bruno’s Cabala del cavallo pegaseo (The Cabala of Pegasus) grew out of the great Italian philosopher’s experiences lecturing and debating at Oxford in early 1584. Having received a cold reception there because of his viewpoints, Bruno went on in the Cabala to attack the narrow-mindedness of the university--and by extension, all universities that resisted his advocacy of intellectual freethinking. The Cabala of Pegasus consists of vernacular dialogues that turn on the identification of the noble Pegasus (the spirit of poetry) and the humble ass (the vehicle of divine revelation). In the interplay of these ideas, Bruno explores the nature of poetry, divine authority, secular learning, and Pythagorean metempsychosis, which had great influence on James Joyce and many other writers and artists from the Renaissance to the modern period. This book, the first English translation of The Cabala of Pegasus, contains both the English and Italian versions as well as helpful annotations. It will have particular appeal to all Renaissance scholars and those interested in the Renaissance cabalistic underpinnings of modern literature.