What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.

Surreal thriller written and directed by Ryan Gosling. In an abandoned town, single mother Billy (Christina Hendricks), who is struggling with the expense of her home and two sons, begins work at a nightclub run by her sinister bank manager Dave (Ben Mendelsohn). She soon discovers that employees are encouraged to engage in sadistic acts for the customers' viewing pleasure and she must develop her own unique performance with help from star performer Cat (Eva Mendes). Meanwhile her teenage son Bones (Iain de Caestecker) develops an infatuation with neighbour Rat (Saoirse Ronan) who lives next door with her mute grandmother (Barbara Steele). Rat introduces Bones to a mythical underwater town at the bottom of a resevoir that the pair yearn to explore after escaping the clutches of neighbourhood tormenter Bully (Matt Smith).

Angels and demons guide your tarot practice in this officially licensed card deck and guidebook inspired by the Good Omens television series starring Michael Sheen and David Tennant. Fans of Good Omens can predict the future like Agnes Nutter with this official tarot deck. Featuring beautiful illustrations of iconic angels, demons, Witchfinders, Professional Descendants, and many more fan-favourite characters and artifacts from the celestial comedy, this ineffable tarot deck is a must-have for fans of the Amazon Prime Video show. Containing both Major and Minor Arcana, the set also comes with a comprehensive guidebook explaining each card's meaning. Packaged in a sturdy, decorative gift box, this compelling tarot deck is perfect for fans of Neil Gaiman and Terry Pratchett's devilishly divine world and tarot enthusiasts alike.

Let the spooky citizens of Halloween Town guide your tarot practice with this sumptuously illustrated tarot deck inspired by Tim Burton's classic animated film, The Nightmare Before Christmas. Disney's iconic holiday film The Nightmare Before Christmas is now an enchanting tarot set, offering a frightful-but-friendly take on the traditional 78-card deck. This set features all your favorite characters from Jack Skellington to Mr. Oogie Boogie to Sandy Claws himself in gorgeous original illustrations based on classic tarot iconography. Featuring both major and minor arcana, the set also comes with a helpful guidebook explaining each card's meaning, as well as simple spreads for easy readings. Packaged in a sturdy, decorative gift box, this hauntingly charming tarot deck is the perfect gift for the The Nightmare Before Christmas fan or tarot enthusiast in your life.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925-1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist's sketchbooks, and photographs of Mitchell's life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell's admirers and those just discovering her work. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (September 4, 2021-January 17, 2022) Baltimore Museum of Art (March 6-August 14, 2022) Fondation Louis Vuitton (October 5, 2022-February 27, 2023)

Contemporary accounts of welfare state change have produced conflicting findings and incompatible theoretical explanations. To a large extent this is due to a 'dependent variable problem' within comparative research, whereby there is insufficient consideration of how to conceptualize, operationalize and measure change. With contributions from leading international scholars, this important book presents a comprehensive examination of conventional indicators (such as social spending), available alternatives (including social rights and conditionality), as well as principal concepts of how to capture change (for example convergence and de-familization). By providing an in-depth discussion of the most salient aspects of the 'dependent variable problem', the editors aim to enable a more cumulative build-up of empirical evidence and contribute to constructive theoretical debates about the causes of welfare state change. The volume also offers valuable suggestions as to how the problem might be tackled within empirical cross-national analyses of modern welfare states. The focus on the methodology of conceptualizing and measuring welfare state change in a comparative perspective gives this unique book widespread appeal amongst scholars and researchers of social policy and sociology, as well as students at both the advanced undergraduate and post-graduate level studying comparative social policy, research methods and welfare reform.

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From the late imperial period until 1922, the British and French made private and government loans to Russia, making it the foremost international debtor country in pre-World War I Europe. To finance the modernization of industry, the construction of public works projects, railroad construction, and the development and adventures of the military-industrial complex, Russia's ministers of finance, municipal leaders, and nascent manufacturing class turned, time and time again, to foreign capital. From the forging of the Franco-Russian alliance onwards, Russia's needs were met, first and foremost, its allies and diplomatic partners in the developing Triple Entente. In the case of Russia's relationships with both France and Great Britain, an open pocketbook primed the pump, facilitating the good spirits that fostered agreement. Russia's continued access to those ready lenders ensured that the empire of the Tsars would not be tempted away from its alliance and entente partners. This web of financial and political interdependence affected both foreign policy and domestic society in all three countries. The Russian state was so heavily indebted to its western creditors, rendering those western economies almost prisoners to this debt, that the debtor nation in many ways had the upper hand; the Russian government at times was actually able to dictate policy to its French and British counterparts. Those nations' investing classes-which, in France in particular, spanned not only the upper classes but the middle, rentier class, as well-had such a vast proportion of their savings wrapped up in Russian bonds that any default would have been catastrophic for their own economies. That default came not long after the Bolshevik Revolution brought to power a government who felt no responsibility whatsoever for the debts accrued by the tsars for the purpose of oppressing Russia's workers and peasants. The ensuing effect on allied morale, the French and British economies and, ultimately, on the Anglo-French relationship, was grim and far-reaching. This book will contribute to understandings of the ways that non-governmental and sometimes transnational actors were able to influence both British and French foreign policy and Russian foreign and domestic policy. It will address the role of individual financiers and policy makers-men like Lord Revelstoke, chairman of Baring Brothers, the British and French Rothschild cousins, Edouard Noetzlin of the Banque de Paris et de Pays Bas, and Sergei Witte, Russia's authoritative finance minister during much of this age of expansion; the importance of foreign capital in late imperial Russian policy; and the particular role of British capital and financial investment in the construction and strengthening of the Anglo-Russo-French entente. It will illustrate the interrelationship of political and economic decision-making with the ideas and beliefs that inform security policy. Drawing upon both the traditional archival sources for diplomatic history-the government holdings of Great Britain, France, and Russia-and the non-governmental archival holdings of international finance-this project looks beyond the realm of high politics and state-centered decision making in the formation of foreign policy, offering insights into the forms and functions of diplomatic alliances while elucidating the connections between finance and foreign policy. It is a classic tale of money and power in the modern era-an age of economic interconnectivity and great power interdependency.

Henry, a middle-aged psychology professor, is in the midst of an unpleasant stage in his life. His past relationships with his parents have left him feeling enmeshed and bitter-unappreciated and guilty. His adulterous attempt to seek affection outside his unsatisfactory marriage has ended tragically. As he privately struggles with his own insecurities, Henry embarks on an unpredictable journey to find healthy attachments. Despite repeating several unfulfilling sexual experiences with his female students, Henry makes a valid attempt to maintain some degree of professionalism. But is it a mere coincidence that Henry is teaching Attachment Theory, a course focused on healthy and unhealthy interpersonal relationships that first involve parent and child and then later adult romantic connections? As Henry struggles to find a way to satisfy his own unmet attachment needs, he tries to ignore his own compulsion to seek out relationships that do not provide the deep, emotional connection he so desperately craves. But Henry is about to discover that his past actions may come back to haunt him in ways he never imagined. Only time will tell if he will be able to take his life full circle and heal the wounds from long-ago.

The Constitution in 2020 is a powerful blueprint for implementing a more progressive vision of constitutional law in the years ahead. Edited by two of America's leading constitutional scholars, the book provides a new framework for addressing the most important constitutional issues of the future in clear, accessible language. Featuring some of America's finest legal minds--Cass Sunstein, Bruce Ackerman, Robert Post, Harold Koh, Larry Kramer, Noah Feldman, Pam Karlan, William Eskridge, Mark Tushnet, Yochai Benkler and Richard Ford, among others--the book tackles a wide range of issues, including the challenge of new technologies, presidential power, international human rights, religious liberty, freedom of speech, voting, reproductive rights, and economic rights. The Constitution in 2020 calls on liberals to articulate their constitutional vision in a way that can command the confidence of ordinary Americans.

Praise for My Songs of Now and Then

""This is a smart, moving and unpretentious memoir of a long life lived with vigor and strength. The biographical narrative touches on important 20th century events in Europe but the real story is the author's humanity, her womanhood, and her connection to others as she made a life in America.

At a number of points, I stopped reading to shed a tear. When I was done, I wished, most of all, to have the same kind of equanimity and grace in old age."" Joan Jacobs Brumberg, Prof. emerita, Cornell University Author of the award winning books: Fasting Girls: The Emergence of Anorexia Nervosa as a Modern Disease, and The Body Project: An Intimate History of American Girls.

The essays in this book are fragments of my truth, to share with loved ones, perhaps to make you laugh, or cry, to let you glimpse into my life, my family, my memories, my dreams and my accomplishments. I write of how it all got started, of belonging and not belonging; the journeys of my life, journeys in space and in personal development, growing up and growing old and older yet. I explore my Jewish identity as it evolves through the seasons of life, beginning with family wanderings in pre-war Western Europe, becoming an American Jewish mother and grandmother, embracing a mid-life career in psychotherapy, and examining the joys and challenges of late life, all leading to my Ethical Will.

Family recollections and photographs are interspersed with brief poems.