The Norton Critical Edition aims to situate the historical figure of Kongzi, the legendary figure of Confucius, and the Analects (or Lunyu), the single most influential book ascribed to the Master's circle of disciples, within their evolving ethical, cultural, and political contexts. Simon Leys s acclaimed translation and notes are accompanied by Michael Nylan s insightful introduction.

Eleven essays by leading experts in the field of Chinese studies discuss a broad range of issues relating to the Analects, from the origins of the classicists (Ru) and the formation of the Analects text to the use (and abuse) of the Master s iconic image in twentieth- and twenty-first-century Asian, diasporic, and Western settings. Collectively, these readings suggest that the Confucius we thought we knew is not the Kongzi of record and that this Kongzi is a protean figure given to rapid change and continual reevaluation. Contributors include Henry Rosemont Jr., Nicolas Zufferey, Robert Eno, Thomas Wilson, Sebastien Billioud and Vincent Goossaert, Julia K. Murray, Mark Csikszentmihalyi and Tae Hyun Kim, Eric L. Hutton, Luke Habberstad, He Yuming, and Sam Ho."

In this terse, brilliant translation, Simon Leys restores the human dimension to Confucius. He emerges a full-blooded character with a passion for politics and a devotion to the ideals of a civilization he saw in decline. Leys's notes draw Confucius into conversation with the great thinkers of the Western tradition. In all, this volume provides new readers the perfect introduction to a classic work.

Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao's Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys's essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of Andre Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon.Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time. The Hall of Uselessness is an illuminating compendium from a brilliant and quirky writer and an exemplary global voice.

Simon Leys, novelist, unflinching cultural and political commentator, Sinologist, and occasional illustrator, presents here timely meditations on the experience and hazards of literary translation. Preceding his essay are observations on everything from demented tyrants to musical geniuses who gain insights from vacuum cleaners. Leys is rightly renowned for his wisdom, his insight, and his linguistic and literary expertise.

'A big liner, brightly lit, passes us one or two cable-lengths ahead. 'Ow! They are guzzling champagne but cannot see what's in front of them!' grumbles Etienne, who has the helm and puts Prosper back on course. Our wooden boat, which one long wave can carry, is a mere cork in the wake of that ship, which crushes three dozen such waves under her uncaring steel plates. How many hundreds of men does she carry? Up there, people laugh, play, dream, eat and sleep ...while we, a few feet above the water, surrounded by dancing lights, keep watch till dawn.' One summer, Simon Leys joined the crew of a tuna-fishing boat in Brittany, one of the last boats working under sail. In this exceptionally beautiful and elegiac essay, he evokes the traditions, hardships and dangers of the oldest and finest form of seamanship.