Hannah Arendt's work offers a powerful critical engagement with the cultural and philosophical crises of mid-twentieth-century Europe. Her idea of the banality of evil, made famous after her report on the trial of the Nazi war criminal, Adolf Eichmann, remains controversial to this day.

In the face of 9/11 and the 'war on terror', Arendt's work on the politics of freedom and the rights of man in a democratic state are especially relevant. Her impassioned plea for the creation of a public sphere through free, critical thinking and dialogue provides a significant resource for contemporary thought.

Covering her key ideas from The Origins of Totalitarianism and The Human Condition as well as some of her less well-known texts, and focussing in detail on Arendt's idea of storytelling, this guide brings Arendt's work into the twenty-first century while helping students to understand its urgent relevance for the contemporary world.

Hannah Arendt's work offers a powerful critical engagement with the cultural and philosophical crises of mid-twentieth-century Europe. Her idea of the banality of evil, made famous after her report on the trial of the Nazi war criminal, Adolf Eichmann, remains controversial to this day.

In the face of 9/11 and the 'war on terror', Arendt's work on the politics of freedom and the rights of man in a democratic state are especially relevant. Her impassioned plea for the creation of a public sphere through free, critical thinking and dialogue provides a significant resource for contemporary thought.

Covering her key ideas from The Origins of Totalitarianism and The Human Condition as well as some of her less well-known texts, and focussing in detail on Arendt's idea of storytelling, this guide brings Arendt's work into the twenty-first century while helping students to understand its urgent relevance for the contemporary world.

Romanticism, Literature and Philosophy proposes a radical revisioning of Romantic literature by developing a new insight into its philosophical importance. It challenges both a number of recent attacks on philosophical reason, and new historicist readings of Romanticism, by arguing that they fundamentally misinterpret what reason is in strikingly similar ways. Engaging with the philosophical, political and literary writings of Rousseau, Kant and Mark Wollstonecraft, and with the deconstruction of Paul de Man and Gayatri Spivak, it suggests that postmodernism's recent assault on Enlightement universalism, and on aesthetic autonomy, in the name of particularity and heterogeneity underestimates the capacity of reason to orient itself towards forms of anthropological and literary defence. Simon Swift is Lecturer in Critical and Culural Theory at the School of English, University of Leeds.

'This book carves out a distinctive and important space in the border-zone between philosophy, literary theory, and cultural history.' Christopher Norris, Distinguished Research Professor in Philosophy, Cardiff University 'Swift's remarkable [book] stands out as a highly theoretical study in at least two respects: its engagement with figures who defined theory before the advent of the New Historicism and its forceful re-reading of texts by Kant and Rousseau that fostered deconstruction ...Swift's study is a major intervention in what might be described either as postdeconstructive philosophical criticism or theoretically advanced intellectual history.' Margaret Russett, Studies in English Literature 1500--1900 Romanticism, Literature and Philosophy proposes a radical re-visioning of Romantic literature by developing a new insight into its philosophical importance. It challenges both a number of recent attacks on philosophical reason, and new historicist readings of Romanticism, by arguing that they fundamentally misinterpret what reason is in strikingly similar ways.Engaging with the philosophical, political and literary writings of Rousseau, Kant and Mary Wollstonecraft, and with the deconstruction of Paul de Man and Gayatri Spivak, it suggests that postmodernism's recent assault on Enlightenment universalism, and on aesthetic autonomy, in the name of particularity and heterogeneity underestimates the capacity of reason to orient itself towards forms of anthropological and literary difference. Simon Swift is Lecturer in Critical and Cultural Theory at the School of English, University of Leeds, UK. He is author of Hannah Arendt (Routledge, 2008).