A close look at the work, relationship, and shared influences of two masterful 20th-century artists "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These "shelter pictures" were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists' intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain's great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page. Published by the Yale Center for British Art/Distributed by Yale University Press Exhibition Schedule: The Hepworth Wakefield (February 7-November 1, 2020) Sainsbury Centre for Visual Arts, Norwich (November 21, 2020-February 28, 2021) Yale Center for British Art (November 17, 2022-February 26, 2023)

Celebrating the generous gift of Barbara Hepworth's plasters to The Hepworth Wakefield by the Hepworth Estate, this groundbreaking publication combines a fully illustrated catalogue of the sculptor's surviving prototypes in plaster, and occasionally aluminium, with a detailed analysis of her working methods and a comprehensive history of her work in bronze. In addition, insights into the building which will be home to the collection are provided through essays exploring the history of The Hepworth and, in a contribution by David Chipperfield, the design of the new museum by his architectural practice. A fascinating account of the sculptor's connections with Wakefield Art Gallery also features. The Hepworth's collection of over 40 unique, unknown sculptures are the surviving working models from which editions of bronzes were cast. They range in size from works that can be held in the hand to monumental sculptures, including the Winged Figure for John Lewis's Oxford Street headquarters. The majority are original plasters on which the artist worked with her own hands and to scale. Providing a unique insight into Hepworth's working processes, on which little has been written, Barbara Hepworth: The Plasters will enhance appreciation of her work as a whole. Drawing extensively on archival records and photographs, this publication is an important source for information about a significant collection of work, the gallery which houses it and Hepworth in general.

Ultrahigh Pressure Metamorphism (UHPM) is a fast growing discipline that was established 25 years ago after discoveries of high pressure minerals, coesite and diamonds. The current explosion of research on UHMP terranes reflects their significance for understanding large scale mantle dynamics, major elements of plate tectonics such as continental collisions, deep subduction and exhumation, mountains building, geochemical recycling 'from surface to the core', and a deep storage of light elements participating in green-house effects in the atmosphere. This book provides insights into the formation of diamond and coesite at very high pressures and explores new ideas regarding the tectonic setting of this style of metamorphism.
Important, authoritative and comprehensive one-stop resource for the growing ultrahigh pressure metamorphism UHPM research communityA forward-looking approach founded upon a detailed historical perspective on UHPM presents the trends in discovery, methodology and theory over the last 25 years, allowing readers to gain a clear understanding of the current trends and the approaches that will shape the science in the futureA highly diverse set of articles, covering a wide range of methods and sub-disciplines