First published in 1967, this book consists of three short novellas on the theme of women's vulnerability - in the first, to the process of ageing, in the second to loneliness, and, in the third, to the growing indifference of a loved one. THE WOMAN DESTROYED is a collection of three stories, each an exquisite and passionate study of a woman trapped by circumstances, trying to rebuild her life. In the first story, 'The Age of Discretion', a successful scholar fast approaching middle age faces a double shock - her son's abandonment of the career she has chosen for him and the harsh critical rejection of her latest academic work. 'The Monologue' is an extraordinary New Year's Eve outpouring of invective from a woman consumed with bitterness and loneliness after her son and her husband have left home. Finally, in 'The Woman Destroyed', Simone de Beauvoir tells the story of Monique, trying desperately to resurrect her life after her husband confesses to an affair with a younger woman. Compassionate, lucid, full of wit and knowing, Simone de Beauvoir's rare insight into the inequalities and complexities of women's lives is unsurpassable.

A superb autobiography by one of the great literary figures of the twentieth century, Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s.She vividly evokes her friendships, love interests, mentors, and the early days of the most important relationship of her life, with fellow student Jean-Paul Sartre, against the backdrop of a turbulent political time.

A Harper Perennial Modern Classics reissue of this unflinching examination of post-war French intellectual life, and an amazing chronicle of love, philosophy and politics from one of the most important thinkers of the twentieth century. An epic romance, a philosophical argument and an honest and searing portrayal of what it means to be a woman, this is Simone de Beauvoir's most famous and profound novel. De Beauvoir sketches the volatile intellectual and political climate of post-war France with amazing deftness and insight, peopling her story with fictionalisations of the most important figures of the era, such as Camus, Sartre and Nelson Algren. Her novel examines the painful split between public and private life that characterised the female experience in the mid-20th century, and addresses the most difficult questions of gender and choice. It is an astonishing work of intellectual athleticism, yet also a moving romance, a love story of passion and depth. Long out of print, this masterpiece is now reissued as part of the Harper Perennial Modern Classics series so that a whole new generation can discover de Beauvoir's magic.

A Very Easy Death has long been considered one of Simone de Beauvoir's masterpieces. The profoundly moving, day-by-day recounting of her mother's death 'shows the power of compassion when it is allied with acute intelligence' (Sunday Telegraph). Powerful, touching, and sometimes shocking, this is an end-of-life account that no reader is likely to forget.

As the age of globalization and New Media unite disparate groups of people in new ways, the continual transformation and interconnections between ethnicity, class, and gender become increasingly complex. This reader, comprised of a diverse array of sources ranging from the New York Times to the journals of leading research universities, explores these issues as systems of stratification that work to reinforce one another. Understanding Inequality provides students and academics with the basic hermeneutics for considering new thought on ethnicity, class, and gender in the 21st century.

TRANSLATED BY CONSTANCE BORDE AND SHEILA MALOVANY-CHEVALLIER ANNOTATED AND INTRODUCED BY MARTINE REID 'Everyone who cares about freedom and justice for women should read The Second Sex' Guardian Simone de Beauvoir famously wrote, 'One is not born, but rather becomes, woman'. In this groundbreaking work of feminism she examines the limits of female freedom and explodes our deeply ingrained beliefs about femininity. Liberation, she argues, entails challenging traditional perceptions of the social relationship between the sexes and, crucially, in achieving economic independence. Drawing on sociology, anthropology and biology, The Second Sex is as important and relevant today as when it was first published in 1949.

French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.

When the beautiful, ambitious actress Regina takes Fosca into her life and learns his amazing truth, she is obsessed with the thought that in his memory her performances will live for ever. But, as he recounts the story of his existence over more than six centuries, as she learns of his involvement in some of the most significant events in history and how human hope and love have withered in him, she finally understands the implications for him and for love. ALL MEN ARE MORTAL was filmed in 1994, starring Irene Jacob, Marianne Sagebrecht and Stephen Rea.

Includes the full French text, accompanied by French-English vocabulary. Notes and a detailed introduction in English put the work in its social and historical context.

Includes the full French text, accompanied by French-English vocabulary. Notes and a detailed introduction in English put the work in its social and historical context.

'It is possible for man to snatch the world from the darkness of absurdity' How should we think and act in the world? These writings on the human condition by one of the twentieth century's great philosophers explore the absurdity of our notions of good and evil, and show instead how we make our own destiny simply by being. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

From the groundbreaking author of The Second Sex comes a radical argument for ethical responsibility and freedom. In this classic introduction to existentialist thought, French philosopher Simone de Beauvoir's The Ethics of Ambiguity simultaneously pays homage to and grapples with her French contemporaries, philosophers Jean-Paul Sartre and Maurice Merleau-Ponty, by arguing that the freedoms in existentialism carry with them certain ethical responsibilities. De Beauvoir outlines a series of "ways of being" (the adventurer, the passionate person, the lover, the artist, and the intellectual), each of which overcomes the former's deficiencies, and therefore can live up to the responsibilities of freedom. Ultimately, de Beauvoir argues that in order to achieve true freedom, one must battle against the choices and activities of those who suppress it. The Ethics of Ambiguity is the book that launched Simone de Beauvoir's feminist and existential philosophy. It remains a concise yet thorough examination of existence and what it means to be human.

Written as an act of revenge against the 17 year-old who came between her and Jean-Paul Sartre, She Came to Stay is Simone de Beauvoir's first novel - a lacerating study of a young, naive couple in love and the usurping woman who comes between them. 'It is impossible to talk about faithfulness and unfaithfulness where we are oncerned. You and I are simply one. Neither of us can be described without the other.' It was unthinkable that Pierre and Francoise should ever tire of each other. And yet, both talented and restless, they constantly feel the need for new sensations, new people. Because of this they bring the young, beautiful and irresponsible Xaviere into their life who, determined to take Pierre for herself, drives a wedge between them, with unforeseeable, disastrous consequences... Published in 1943, 'She Came to Stay' is Simone de Beauvoir's first novel. Written as an act of revenge against the woman who nearly destroyed her now legendary, unorthodox relationship with the philosopher Jean-Paul Sartre, it fictionalises the events of 1935, when Sartre became infatuated with seventeen-year old Olga Bost, a pupil and devotee of de Beauvoir's. Passionately eloquent, coolly and devastatingly ironic, 'She Came to Stay' is one of the most extraordinary and powerful pieces of fictional autobiography of the twentieth century, in which de Beauvoir's 'tears for her characters freeze as they drop.'

Despite growing interest in her philosophy, Simone de Beauvoir remains widely misunderstood. She is typically portrayed as a mere intellectual follower of her companion, Jean-Paul Sartre. In Philosophical Writings, Beauvoir herself shows that nothing could be further from the truth. Beauvoir's philosophical work suffers from a lack of English-language translation or, worse, mistranslation into heavily condensed popular versions. Philosophical Writings provides an unprecedented collection of complete, scholarly editions of philosophical texts that cover the first twenty-three years of Beauvoir's career, including a number of recently discovered works. Ranging from metaphysical literature to existentialist ethics, Philosophical Writings brings together diverse elements of Beauvoir's work while highlighting continuities in the development of her thought. Each of the translations features detailed notes and a scholarly introduction explaining its larger significance. Revelatory and long overdue, Philosophical Writings adds to the ongoing resurgence of interest in Beauvoir's thought and to her growing influence on today's philosophical curriculum.

Vintage Feminism: classic feminist texts in short form WITH AN INTRODUCTION BY NATALIE HAYNES When this book was first published in 1949 it was to outrage and scandal. Never before had the case for female liberty been so forcefully and successfully argued. De Beauvoir's belief that 'One is not born, but rather becomes, woman' switched on light bulbs in the heads of a generation of women and began a fight for greater equality and economic independence. These pages contain the key passages of the book that changed perceptions of women forever. TRANSLATED BY CONSTANCE BORDE AND SHEILA MALOVANY-CHEVALLIER ANNOTATED AND INTRODUCED BY MARTINE REID

These three long stories draw us into the lives of three women, all past their first youth, all facing unexpected crises. In the title story, the heroine's serenity is shattered when she learns that her husband is having an affair. In "The Age of Discretion," a successful, happily married professor finds herself increasingly distressed by her son's absorption in his young wife and her worldly values. In "The Monologue," a rich, spoiled woman, home alone on New Year's Eve, pours out a lifetime's rage and frustration in a harrowing diatribe. Enthralling as fiction, suffused with de Beauvoir's remarkable insights into women, The Woman Destroyed gives us a legendary writer at her best.

Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works. Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

The lost novel from the author of The Second Sex When Andrée joins her school, Sylvie is immediately fascinated. Andrée is small for her age, but walks with the confidence of an adult. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But as the girls grow into young women, the pressures of society mount, threatening everything. This novel was never published in Simone de Beauvoir's lifetime. It tells the story of the real-life friendship that shaped one of the most important thinkers and feminists of the twentieth century. 'Slim, elegant, achingly tragic and unaffectedly lovely in its evocation of the closeness between girls - and the pressures that sunder them' Spectator VINTAGE FRENCH CLASSICS - five masterpieces of French fiction in gorgeous new gift editions. TRANSLATED BY LAUREN ELKIN - INTRODUCED BY DEBORAH LEVY

The lost novel from the author of The Second Sex When Andree joins her school, Sylvie is immediately fascinated. Andree is small for her age, but walks with the confidence of an adult. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But as the girls grow into young women, the pressures of society mount, threatening everything. This novel was never published in Simone de Beauvoir's lifetime. It tells the story of the real-life friendship that shaped one of the most important thinkers and feminists of the twentieth century. TRANSLATED BY LAUREN ELKIN - INTRODUCED BY DEBORAH LEVY 'Slim, elegant, achingly tragic and unaffectedly lovely in its evocation of the closeness between girls - and the pressures that sunder them' Spectator 'There were lines that absolutely punched me in the gut' Anbara Salam 'Gorgeously written, intelligent, passionate' Oprah Daily 'Elegantly translated...a rich and rewarding novella' Literary Review

Newly translated and unabridged in English for the first time, Simone de Beauvoir's masterwork is a powerful analysis of the Western notion of "woman," and a groundbreaking exploration of inequality and otherness. This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir's pioneering and impressive text remains as pertinent today as it was sixty years ago, and will continue to provoke and inspire generations of men and women to come.

"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?" Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Batarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars. Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

The philosopher's writings on, and engagement with, twentieth century feminism By turns surprising and revelatory, this sixth volume in the Beauvoir Series presents newly discovered writings and lectures while providing new translations and contexts for Simone de Beauvoir's more familiar writings. Spanning Beauvoir's career from the 1940s through 1986, the pieces explain the paradoxes in her political and feminist stances, including her famous 1972 announcement of a "conversion to feminism" after decades of activism on behalf of women.Feminist Writings documents and contextualizes Beauvoir's thinking, writing, public statements, and activities in the services of causes like French divorce law reform and the rights of women in the Iranian Revolution. In addition, the volume provides new insights into Beauvoir's complex thinking and illuminates her historic role in linking the movements for sexual freedom, sexual equality, homosexual rights, and women's rights in France.