Winner of the 2020 Gdansk European Poet of Freedom Literary Award. Winner of the 2017 Forward Prize for Best Collection. Winner of the 2017 Poetry Book Society Choice Award. Shortlisted for the 2017 Costa Poetry Award. Shortlisted for the 2018 Pigott Poetry Prize. Shortlisted for the 2018 Roehampton Poetry Prize. Set against a backdrop of ecological and economic instability, Sinead Morrissey's sixth collection, On Balance, revisits some of the great feats of human engineering to reveal the states of balance and inbalance that have shaped our history. The poems also address gender inequality and our inharmonious relationship with the natural world. A poem on Lilian Bland - the first woman to design, build and fly her own aeroplane - celebrates the audacity and ingenuity of a great Irish heroine. Elsewhere, explorers in Greenland set foot on a fjord system accessible to Europeans for the first time in millennia as a result of global warming. But if life is fragile then its traces are persistent, insistent, and in 'Articulation' we are invited to stop and wonder at the reconstructed skeleton of Napoleon's horse, Marengo, 'whose very hooves trod mud at Austerlitz', suspended in time 'for however long he lasts before he crumbles'.

Fertility, pregnancy, and the landscape of early childhood are themes explored in this collection of poems, which are by turns tender, exuberant, and unsettling. Pitched against envious dead, these diverse narratives of birth and its consequences are rooted in literary and historical contexts--from Aristotle's theory of spontaneous generation to Lewis Carroll's Alice--that amplify the depth of the collection. These selections are an examination of motherhood and infancy, which is the rich and contested territory in which what it means to be human in a precarious world is disclosed.

Winner of the 2013 T S Eliot Prize for Poetry Shortlisted for the 2013 Forward Prize for Best Collection In Parallax Sinead Morrissey documents what is caught, and what is lost, when houses and cityscapes, servants and saboteurs ('the different people who lived in sepia') are arrested in time by photography (or poetry), subjected to the authority of a particular perspective. Assured and disquieting, Morrissey's poems explore the paradoxes in what is seen, read and misread in the surfaces of the presented world.

In her third book of poems, Sinead Morrissey builds on the achievement of her award-winning collection, "Between Here and There", by expanding the lyric into new territories and admitting new voices. The theme of imprisonment is variously addressed: in the actual prisons of eighteenth-century Europe; in the prison of our own limited perceptions of experience, particularly of other cultures when abroad; in the prison of the mortal human body itself. Alongside the intimate interiors of human relationships, the poems are also interested in broader discourses, particularly history, and range in scope from the Royalist convictions of a woman wearing a Scold's Bridle during England's interregnum, to the story of the number zero. Form and content, as well as the personal and the political, are blended throughout this collection with imagination and consummate skill. As in her previous two books, travel remains a source of inspiration: one exhilarating poem details, in nine 'chapters', a six-thousand-mile train journey across China in which the conflicting faces of a rapidly changing country jostle for space.The collection ends with a compelling act of ventriloquism, as Morrissey recounts, in the first person, the life and works of the great prison reformer John Howard, and details his vision for the moral regeneration of the corrupted human soul.

Morrissey is the winner of the 2013 T S Eliot Prize for Poetry and the 1990 Patrick Kavanagh Award for Poetry. This book of poems is organized around the theme of the journey: from communism to spiritual affirmation; from life in Ireland to life abroad, and return; and from the security of given structures - the family in particular - to independence and security in the self. Poems of childhood and communist upbringing open the collection. There are poems about death; about love, its loss and the disorienatation that ensues; and a number which deal with angels and the implications of religious faith.

This new selection of Donald Davie's poems spans six decades. It traces his protean trajectory from austere beginnings to riskier dislocations of shape and syntax, through to his extended late-meditations on form, content, and spirit. To apply his own critical definition of syntax, his is a poetic of articulate energy, the restless redistribution of force – an abiding resource and inspiration.

In her second book of poems Sinead Morrissey's worlds grow more diverse, encompassing the Orient, the Antipodes, America and an Ireland which recent history has changed: a country observed through eyes that travel and time have made clear, dispassionate and disabused. The poems are still hungry for grace, but in each new geographical and spiritual territory what seems promise is undermined by material and cultural reality; the ceremonies and beliefs of Japan, for example, yield the most colourful spiritual barrenness; and when the poet returns to Ireland it is with a political anger sharpened by the very directness of her vision. Her use of traditional forms is freer and more assured than ever: her wit is visual and semantic, and wonderfully nuanced in her unusual rhythms of speech.