"Acting Companies and their Plays in Shakespeare's London "explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history.Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: "Acting Companies and their Plays in Shakespeare's London" makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage.

The Twice-Chang'd Friar is one of four early seventeenth-century plays preserved in a manuscript miscellany in the library of the Newdigate family of Arbury Hall, Nuneaton (Arbury Hall MS A414). The play, which appears to have been written by family member and drama lover John Newdigate III, is thought to be unique to this manuscript. This edition makes the play available in print for the first time. The Twice Chang'd Friar is an Italianate city comedy based on a tale from Boccaccio's Decameron. It tells the story of Albert, a friar who seduces Lisetta, a beautiful Venetian merchant's wife by persuading her that he is the incarnation of Cupid. Albert's plot is eventually uncovered by Lisetta's brothers, whom he escapes by disguising himself in a bear's skin. The play is a fascinating example of an amateur manuscript drama, of interest to all scholars and students of early modern drama. -- .

Shakespeare is a cultural phenomenon and arguably the most renowned playwright in history. In this edited collection, Shellard and Keenan bring together a collection of essays from international scholars that examine the direct and indirect economic and cultural impact of Shakespeare in the marketplace in the UK and beyond. From the marketing of Shakespeare's plays on and off stage, to the wider impact of Shakespeare in fields such as education, and the commercial use of Shakespeare as a brand in the advertising and tourist industries, this volume makes an important contribution to our understanding of the Shakespeare industry 400 years after his death. With a foreword from the celebrated cultural economist Bruno Frey and nine essays exploring the cultural and economic impact of Shakespeare in his own day and the present, Shakespeare's Cultural Capital forms a unique offering to the study of cultural economics and Shakespeare.

Shakespeare is a cultural phenomenon and arguably the most renowned playwright in history. In this edited collection, Shellard and Keenan bring together a collection of essays from international scholars that examine the direct and indirect economic and cultural impact of Shakespeare in the marketplace in the UK and beyond. From the marketing of Shakespeare's plays on and off stage, to the wider impact of Shakespeare in fields such as education, and the commercial use of Shakespeare as a brand in the advertising and tourist industries, this volume makes an important contribution to our understanding of the Shakespeare industry 400 years after his death. With a foreword from the celebrated cultural economist Bruno Frey and nine essays exploring the cultural and economic impact of Shakespeare in his own day and the present, Shakespeare's Cultural Capital forms a unique offering to the study of cultural economics and Shakespeare.

Daphne Walters moves to Los Angeles and finds that the only ones who can help her find love and live life to the fullest are the ghosts of her new home! In Los Angeles, finding an apartment is killer-unless you live with the dead. Daphne Walters moves to Los Angeles for her boyfriend Ronnie, ready to live her happily ever after. But when happily ever after turns into happily for a month, she's stuck in a strange city with no friends, family, or prospects for fun. Desperate to escape the lingering ghost of Ronnie's presence everywhere, Daphne sets out to explore the city-and ends up encountering ghosts of a more literal kind! Rycroft Manor is abandoned, beautiful, and haunted. Will the dead be able to help Daphne find the life she's been missing in the big city? From GLAAD Award-nominated Sina Grace (Iceman) and illustrator Siobhan Keenan (Jem and the Holograms) comes a story about learning how to make friends, find love, and live life to the fullest with a little help from some friends whose lives didn't end at death. Collects Ghosted In L.A #1-4.

Of all the tales to be found in Boccaccio’s Decameron, the tragic story of King Tancred’s efforts to frustrate the love of his daughter Gismond for Guiscardo, was probably the best known and most popular in Renaissance England. This Collections volume brings together the earliest texts of the first and last pre-1642 plays to deal with the lovers’ story: the Inner Temple tragedy, Gismond of Salern (1568), and a much-revised play probably by amateur Warwickshire dramatist John Newdigate (1620s). It presents the first modern transcription of the Hargrave MS of Gismond of Salern and the first ever printed edition of Newdigate’s untitled play, here named Glausamond and Fidelia. Together, the plays offer fresh proof of the important influence of Boccaccio, and Italian literature on English Renaissance drama. They are also fascinating examples of the period’s amateur drama, of interest to all scholars and students of early modern English theatre. -- .

The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642 is the first study to focus on the history, and the political and cultural significance, of the travels and public profile of Charles I. As well as offering a much fuller account of the king's progresses and Caroline progress entertainments than currently exists, this volumes throws fresh light on the question of Charles I's accessibility to his subjects and their concerns, and the part that this may, or may not, have played in the political conflicts which culminated in the English civil wars and Charles's overthrow. Drawing on extensive archival research, the history opens with an introduction to the early modern culture of royal progresses and public ceremonial as inherited and practiced by Charles I. Part I explores the question of the king's accessibility further through case studies of Charles's three 'great' progresses in 1633, 1634, and 1636. Part II turns attention to royal public ceremonial culture in Caroline London, focusing on Charles's spectacular royal entry to the city on 25 November 1641. More widely travelled than his ancestors, Progresses reveals a monarch who was only too well aware of the value of public ceremonial and who did not eschew it, even if he was not always willing to engage in ceremonial dialogue with his subjects or able to deploy the propaganda power of public display as successfully as his Tudor and Stuart predecessors.

The critically-acclaimed series concludes as Daphne Walters must confront her former roommate Michelle, discover the mystery of just who's behind that basement door and decide her entire future - this should be totally easy, right? CRAZY, SUPERNATURAL, LOVE. Daphne Walters' life is complicated enough, living at Rycroft Manor with her ghostly friends and trying to figure out why everyone in LA is always 30 minutes late for everything important. So it's TOTALLY the perfect time for Daphne to lose one of her friends, for the mystery of the ghost behind the basement door to be revealed and for Daphne to decide her entire future, RIGHT? And did we forget to mention that Daphne's former roommate Michelle just unveiled a scheme to exorcise the friendly ghosts from Rycroft? Yeah, there's that too. GLAAD Award-nominated Sina Grace (Iceman) and illustrator Siobhan Keenan (Jem and the Holograms) conclude the acclaimed series that proves true love and friendship never dies! Collects Ghosted in L.A. #9-12

Collections XVII is the latest volume in the Malone Society's pioneering series of editions of miscellaneous documents relating to English theatre and drama before 1642. It is likely to be of special interest not only to early theatre historians but to those working on Tudor and Stuart court and civic culture, manuscript writing, household drama and early modern women's writing, as it publishes new material in each of these fields. The book includes items such as Revels Office accounts, a playscript fragment, entertainments, poems and civic shows. Many of these documents are previously unpublished, and have been freshly edited and transcribed; each has an introduction giving details of its date, authorship and historical importance. The volume will be essential reading for postgraduates and university teachers in early modern drama, theatre history and women's writing. -- .

"Acting Companies and their Plays in Shakespeare's London "explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history.Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: "Acting Companies and their Plays in Shakespeare's London" makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage.

This concise introduction to the literature of an exciting and influential period opens with an overview of the historical and cultural context in which English Renaissance literature was produced, and a discussion of its contemporary and subsequent critical reception. The following chapters survey the major Renaissance genres of drama, poetry and prose. Each chapter provides illustrative case studies of canonical and non-canonical key texts by authors such as William Shakespeare, Christopher Marlowe, Ben Jonson, Edmund Spenser, John Milton, Sir Philip Sidney, John Donne, Aemilia Lanyer, Sir Francis Bacon, Thomas Nashe, and Lady Mary Wroth. A guide to further reading accompanies each chapter, complemented by a section of student resources at the end of the book. The final chapter summarises significant developments in English Renaissance literary culture, and discusses the future direction of Renaissance literary scholarship. Key Features *Detailed readings of Spenser's The Faerie Queene, Milton's 'Lycidas', Sidney's Astrophil and Stella, Shakespeare's Sonnets, Venus and Adonis and Hamlet, Marlowe's Tamburlaine, Jonson's The Alchemist, Lanyer's 'The Description of Cookham', Bacon's Essays, Donne's sermons, Nashe's The Unfortunate Traveller and Wroth's The Countess of Montgomery's Urania *A broad overview of Renaissance literature and the context in which it was produced *An accessible introduction to Renaissance literary criticism, including past and present debates about the Renaissance 'canon' *A variety of study aids, including end-of-chapter summaries of key points, a glossary of literary and historical terms, a chronology, advice on essay writing, sample essay questions and plans, and a guide to further reading and electronic research resources.