Sometimes, you can be your own worst enemy…

Rhiannon Lewis thought she finally had it all: thanks to the pandemic she’s had to keep a much lower profile but has found happiness with her fiancé Rafael and his family. For once, she is surrounded by people who love her for who she is (or who they think she is).

After over 800 days without murdering anyone, the woman formerly known as the Sweetpea Killer thinks she might have finally turned over a new leaf.

That is until her soon-to-be sister-in-law has a run in with her abusive ex, and Rhiannon rediscovers her taste for revenge. This time, with a loving family in tow, the stakes are much higher. Wedded bliss and life as a normal person are finally within Rhiannon's reach, but you can never keep a good serial killer down.

Can you?

TV series starring Ella Purnell now on Sky Atlantic!

The last person who called me ‘Sweetpea’ ended up dead…

Rhiannon is your average girl next door, settled with her boyfriend and little dog…but she’s got a killer secret.

By day her job as an editorial assistant is demeaning and unsatisfying. By evening she dutifully listens to her friend’s plans for marriage and babies whilst secretly making a list.

A kill list.

From the man on the checkout who always mishandles her apples, to the driver who cuts her off on her way to work, to the people who have got it coming, Rhiannon’s ready to get her revenge.

Because the girl everyone overlooks might be able to get away with murder…

'A tale of revenge, righteousness and recovery with a heart-stopping twist - The Guardian Before you embark on a journey of revenge, dig two graves THEN Ella, Max, Corey, Fallon and Zane. The Fearless Five, inseparable as children growing up in a sleepy English seaside town. But when Max's older sister is killed, the friendship seems to die with her. NOW Only Max and Ella are in touch, still best friends and a couple since they were thirteen. But Ella is hiding things - like why she's afraid to take their relationship to the next level. And when underdog Corey is bullied, the Fearless Five are brought back together again, teaming up to wreak havoc and revenge on those who have wronged them. But when the secrets they are keeping can no longer be kept quiet, will their fearlessness be enough to save them from themselves? 'Electrifying, bold, brilliant' -Amanda Craig

This volume provides readers with methods and protocols for understanding the development of recombinant viruses and their use as vaccines platforms. Recombinant Virus Vaccines: Methods and Protocols details the use of recombinant vaccines that are employed to either produce immunogens in vitro or elicit antibody production in vivo. The chapters in this book are divided into four parts: Part I explores double-stranded DNA viruses; Part II discusses negative sense single-stranded RNA viruses; Part III talks about positive sense single-stranded RNA viruses; and Part IV describes bacteriophages. Written in the highly successful Methods in Molecular Biology series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible laboratory protocols, and tips on troubleshooting and avoiding known pitfalls. Thorough and cutting-edge, Recombinant Virus Vaccines: Methods and Protocols is a valuable resource for scientists and clinicians who are interested in learning about and adopting methods for use in basic and biomedical research directed toward generating and developing recombinant viral vaccines.

Every girl at Bathory School has heard stories about The Beast. No one believed they were true. Until Now. 'Grisly, nail-biting fun!' - Lovereading4kids.co.uk At sixteen Nash thought that the fight to become Head Girl of prestigious boarding school Bathory would be the biggest battle she'd face. Until her brother's disappearance leads to Nash being trapped at the school over Christmas with Bathory's assorted misfits. As a blizzard rages outside, strange things are afoot in the school's hallways, and legends of the mysterious Beast of Bathory - a big cat rumoured to room the moors outside the school - run wild. Yet when the girls' Matron goes missing it's clear that something altogether darker is to blame - and that they'll have to stick together if they hope to survive. Praise for C J Skuse 'Monster is another rollicking adventure ... but you might not want to read the final chapter alone in the house . . . or while you're eating . . . as you find out the truth about the Beast of Bathory. Great fun.' - Martin Chilton, Telegraph's Best YA Books 2015 'CJ does it again, with a boarding school story packed with tension...Nobody captures the darkness of teenage nightmares quite like CJ Skuse.' - Sophia Bennett, author of The Look 'This book is a skillfully crafted rollercoaster of excitement, fear and shocks' Reading Zone 'The book has one of the best endings I've read.' - 4.5 stars The Bookbag 'Fiendishly dark, with a sense of humour. CJ Skuse always inspires deep author envy' - Keren David, YA Book Prize Nominee on Monster 'It's an absolute page-turner! I gobbled it up in one sitting, and it kept me guessing right till the end. A deliciously creepy horror story, served up with CJ's trademark humour.' - Cat Clarke. 'It's so good, I'd recommend it to people I don't like' - Kevin Brooks on Pretty Bad Things 'A rip roaring story' - Julia Eccleshare, The Guardian on Rockoholic 'sharp, funny and knowing...' - The Telegraph on Rockoholic 'The tension and the comedy crack along with a heart-warming hilarity that is impossible to resist.'- Amanda Craig, The Times on Dead Romantic

Sweetpea is coming home at last…

Newly married, with a loving family surrounding her, everything's coming up roses for ex-serial killer Rhiannon Lewis, right?

Wrong.

Her husband has just been shot, and the daughter she left behind in the UK is desperately ill. She’s got no choice but to flee the States and return home, back to her roots, where she’s in danger of being recognised and arrested at any moment.

Only nothing is quite as it seems…

With a series of bad choices in front of her, and the authorities right behind, Rhiannon's in a hell of a hole and she needs to dig herself out of it pronto. But help can come from the most unlikely places. And even more unlikely people…

She’s back and killing for two…

Rhiannon Lewis should be happy.

Her cheating fiancé is in jail – framed for the depraved killing spree she committed. Her ex-lover is chopped up and buried where no-one will find him.

But there’s one small problem. She’s pregnant.

And as much as Rhiannon wants to continue working her way through her kill lists, a small voice inside is trying to make her stop.

Now Rhiannon has to choose – motherhood or murder.

Victim. Murderer. Serial Killer. What next?

Since confessing to her bloody murder spree Rhiannon Lewis, the now-notorious Sweetpea killer, has been feeling out-of-sorts.

Having fled the UK on a cruise ship to start her new life, Rhiannon should be feeling happy. But it’s hard to turn over a new leaf when she’s stuck in an oversized floating tin can with the Gammonati and screaming kids. Especially when they remind her of Ivy – the baby she gave up for a life carrying on killing.

Rhiannon is all at sea. She’s lost her taste for blood but is it really gone for good? Maybe Rhiannon is realising that there’s more to life than death…

This book is open access under a CC-BY licence. Cancer is perhaps the modern world's most feared disease. Yet, we know relatively little about this malady's history before the nineteenth century. This book provides the first in-depth examination of perceptions of cancerous disease in early modern England. Looking to drama, poetry and polemic as well as medical texts and personal accounts, it contends that early modern people possessed an understanding of cancer which remains recognizable to us today. Many of the ways in which medical practitioners and lay people imagined cancer - as a 'woman's disease' or a 'beast' inside the body - remain strikingly familiar, and they helped to make this disease a byword for treachery and cruelty in discussions of religion, culture and politics. Equally, cancer treatments were among the era's most radical medical and surgical procedures. From buttered frog ointments to agonizing and dangerous surgeries, they raised abiding questions about the nature of disease and the proper role of the medical practitioner.

This is the classic text on the art of sugar boiling and all its branches, covering the manufacture of fondants, creams, chocolates, pastilles, jujubes (jelly babies) comfits, lozanges (plain and medicated), caramels, noyeaus, nougats, jap nuggets and pralines. There are also discussions on the practicalities of ice creams, ices, jams, jellies and marmalades, table jellies, preserved and crystallized fruits, candied peel, English and Scotch pastry.

This timely publication will be welcomed by those needing access to the latest research in the profitable field of industrial mineral process chemistry. It is an up-to-date account of the performance gains achievable in the use of speciality chemicals in industrial mineral processing and products, with each chapter presenting the new and potentially valuable technology for consideration. This book presents the most recent research in this key area and is unique in its coverage. Diverse topics such as dispersants, dewatering and flocculants, are discussed, along with selective processing and biocides. Speciality Chemicals in Mineral Processing is an essential purchase for speciality chemical producers and users, particularly those in the paper, plastic, polymer, paint, rubber, adhesive and ceramic industries.

Offering an innovative perspective on early modern debates concerning embodiment, Alanna Skuse examines diverse kinds of surgical alteration, from mastectomy to castration, and amputation to facial reconstruction. Body-altering surgeries had profound socio-economic and philosophical consequences. They reached beyond the physical self, and prompted early modern authors to develop searching questions about the nature of body integrity and its relationship to the soul: was the body a part of one's identity, or a mere 'prison' for the mind? How was the body connected to personal morality? What happened to the altered body after death? Drawing on a wide variety of texts including medical treatises, plays, poems, newspaper reports and travel writings, this volume will argue the answers to these questions were flexible, divergent and often surprising, and helped to shape early modern thoughts on philosophy, literature, and the natural sciences. This title is also available as Open Access on Cambridge Core.

Offering an innovative perspective on early modern debates concerning embodiment, Alanna Skuse examines diverse kinds of surgical alteration, from mastectomy to castration, and amputation to facial reconstruction. Body-altering surgeries had profound socio-economic and philosophical consequences. They reached beyond the physical self, and prompted early modern authors to develop searching questions about the nature of body integrity and its relationship to the soul: was the body a part of one's identity, or a mere 'prison' for the mind? How was the body connected to personal morality? What happened to the altered body after death? Drawing on a wide variety of texts including medical treatises, plays, poems, newspaper reports and travel writings, this volume will argue the answers to these questions were flexible, divergent and often surprising, and helped to shape early modern thoughts on philosophy, literature, and the natural sciences. This title is also available as Open Access on Cambridge Core.

'Brilliantly-written characters, original and engaging. It's so good!' BA Paris JOANNE HAYNES HAS A SECRET. THAT IS NOT HER REAL NAME. And there's more. Her flat isn't hers. Her cats aren't hers. Even her hair isn't really hers. Nor is she any of the other women she pretends to be. Not the bestselling romance novelist who gets her morning snack from the doughnut van on the seafront. Nor the pregnant woman in the dental surgery. Nor the chemo patient in the supermarket for whom the cashier feels ever so sorry. They're all just alibis. In fact, the only thing that's real about Joanne is that nobody can know who she really is. But someone has got too close. It looks like her alibis have begun to run out.... Your favourite authors are loving The Alibi Girl 'Heart-wrenching, impossible to predict and completely absorbing' John Marrs 'The master of dark, sexy psychological suspense' Suzy K Quinn 'A dark, addictive read' Phoebe Morgan

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

This volume provides readers with methods and protocols for understanding the development of recombinant viruses and their use as vaccines platforms. Recombinant Virus Vaccines: Methods and Protocols details the use of recombinant vaccines that are employed to either produce immunogens in vitro or elicit antibody production in vivo. The chapters in this book are divided into four parts: Part I explores double-stranded DNA viruses; Part II discusses negative sense single-stranded RNA viruses; Part III talks about positive sense single-stranded RNA viruses; and Part IV describes bacteriophages. Written in the highly successful Methods in Molecular Biology series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible laboratory protocols, and tips on troubleshooting and avoiding known pitfalls. Thorough and cutting-edge, Recombinant Virus Vaccines: Methods and Protocols is a valuable resource for scientists and clinicians who are interested in learning about and adopting methods for use in basic and biomedical research directed toward generating and developing recombinant viral vaccines.

This book is open access under a CC-BY licence. Cancer is perhaps the modern world's most feared disease. Yet, we know relatively little about this malady's history before the nineteenth century. This book provides the first in-depth examination of perceptions of cancerous disease in early modern England. Looking to drama, poetry and polemic as well as medical texts and personal accounts, it contends that early modern people possessed an understanding of cancer which remains recognizable to us today. Many of the ways in which medical practitioners and lay people imagined cancer - as a 'woman's disease' or a 'beast' inside the body - remain strikingly familiar, and they helped to make this disease a byword for treachery and cruelty in discussions of religion, culture and politics. Equally, cancer treatments were among the era's most radical medical and surgical procedures. From buttered frog ointments to agonizing and dangerous surgeries, they raised abiding questions about the nature of disease and the proper role of the medical practitioner.