The reception of ancient Cyprus in the Western world has not received much attention in scholarship, despite the fact that significant literary and extra-literary evidence presented by European intellectuals and artists explicitly or implicitly refers to the history of Cyprus, as well as to the myths and art produced on it or inspired by its landscape. This is a neglect that this volume wishes to address, by re-establishing the literary thread of the representation of ancient Cyprus beyond generic, spatial and temporal limits, and by thus shedding light on its depiction throughout the centuries, from the ancient Roman to the Western world up until modern times. The volume's central thesis is that a number of Cypriot traditions constitute a unique example of intercultural and multi-level fusions of diverse European civilizations. By investigating the various and often contradictory ways in which Cyprus was represented in Latin literature and beyond, the volume treats its multifaceted reception as a vastly complex matter, and suggests that even though the island has always been an outlier, it has often been explored in literature as an intellectual landscape and a precious pathway between at times conflictual yet compatible worlds.

Pliny's Epistles are full of literary artistry. This volume of essays by an impressive international team of scholars showcases this by exploring the intertextual, interdiscursive and also intermedial character of the collection. It provides a contribution to the recent scholarly interest in Latin prose intertextuality and in the literary and cultural interactions of the Imperial period. Focusing on the whole collection as well as on single books and selected letters, it investigates Pliny's strategies of incorporating literary models and genres into his epistolary oeuvre, thus creating a kind of 'super-genre' himself. In addition to displaying Pliny's literary techniques, the volume also serves as an advanced introduction to Latin prose poetics.