The ancient city of Rome was the site of daily activities as well as famous historical events. It was not merely a backdrop, but rather an active part of the experiences of its inhabitants, shaping their actions and infusing them with meaning. During each period in Rome's imperial history, her emperors also used the city as a canvas to be painted on, transforming it according to their own ideals or ambitions. Rather than being organized by sites or monuments, Rome: A Sourcebook on the Ancient City is divided into thematic chapters. At the intersection of topography and socio-cultural history, this volume examines the cultural and social significance of the sites of ancient Rome from the end of the Republic in the age of Cicero and Julius Caesar, to the reign of Constantine. Drawing on literary and historical sources, this is not simply a tour of the baths and taverns, the amphitheatres and temples of imperial Rome but rather a journey through the city that is fully integrated with Roman society.

Elegiac Eyes is an in-depth examination of vision and spectacle in Roman love elegy. It approaches vision from the perspective of Roman cultural modes of viewing and locates its analysis in close textual readings of Tibullus, Propertius, and Ovid. The paradoxical nature of the Roman eyes, which according to contemporary optical theories were able to penetrate and be penetrated, as well as the complex role of vision in society, provided the elegists with a productive canvas for their poems. By locating the elegists' visual games within their contemporary context, Elegiac Eyes demonstrates how the elegists were manipulating notions that were specifically Roman and familiar to their readership.

The ancient city of Rome was the site of daily activities as well as famous historical events. It was not merely a backdrop, but rather an active part of the experiences of its inhabitants, shaping their actions and infusing them with meaning. During each period in Rome's imperial history, her emperors also used the city as a canvas to be painted on, transforming it according to their own ideals or ambitions. Rather than being organized by sites or monuments, Rome: A Sourcebook on the Ancient City is divided into thematic chapters. At the intersection of topography and socio-cultural history, this volume examines the cultural and social significance of the sites of ancient Rome from the end of the Republic in the age of Cicero and Julius Caesar, to the reign of Constantine. Drawing on literary and historical sources, this is not simply a tour of the baths and taverns, the amphitheatres and temples of imperial Rome but rather a journey through the city that is fully integrated with Roman society.

This is the first collection to look at the most recent manifestations of the ancient hero on screen. It brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world. Since 2000, numerous heroes of the ancient world have appeared on film and TV, from the mythical Hercules to leaders of the Greek and Roman worlds. Films and shows discussed in this volume range from Hercules and The Legend of Hercules to TV shows, Atlantis and Supernatural, to other biopic works influenced by the ancient hero. This book brings together a range of perspectives on twenty-first century cinematic representations of heroes and antiheroes from the ancient world. Key features: Includes a range of TV shows and films, allowing for greater comparative analysis, examining the overlooked links between various productions Original, cutting edge research in the fields of history, politics, gender, film and fan culture. Covers topics including society, politics, generational issues, gender, fan reception and star texts Also considers the creation of antiheroes in the twenty-first century. Contributors include Alastair Blanshard, Angeline Chiu, Jon Solomon and Emma Stafford

This is the first collection to look at the most recent manifestations of the ancient hero on screen. It brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world. Since 2000, numerous types of heroes of the ancient world have appeared on film and TV, from the mythical Hercules in various forms to leaders of the Greek and Roman worlds. Films and shows to be discussed in this volume range from Hercules and The Legend of Hercules to TV shows, Atlantis and Supernatural, to other biopic works influenced by the ancient hero. This book brings together a range of perspectives on twenty-first century cinematic representations of heroes and antiheroes from the ancient world.