An instant Number One New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out on an ambitious project: to single-handedly create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in his attempt to capture ordinary New Yorkers in the most extraordinary of moments. The result of these efforts was "Humans of New York," a vibrant blog in which he featured his photos alongside quotes and anecdotes.

The blog has steadily grown, now boasting nearly a million devoted followers. Humans of New York is the book inspired by the blog. With four hundred colour photos, including exclusive portraits and all-new stories, and a distinctive vellum jacket, Humans of New York is a stunning collection of images that will appeal not just to those who have been drawn in by the outsized personalities of New York, but to anyone interested in the breathtaking scope of humanity it displays.

Heartfelt and moving, Humans of New York is a celebration of individuality and a tribute to the spirit of a city.

When war threatens her beloved city, Rowan and her mother must flee to the Dark Forest, meeting Grandpa and his white wolf Arto for the first time. Though she misses her father, Rowan makes new friends - including a trio of powerful witches. When she rescues a baby dragon from poachers, she discovers the secret of her own identity. Could Rowan really be a wildsmith? Fostering a whole clutch of dragons, the summer speeds by. But when danger threatens, Rowan and Grandpa must call on all their friends for help.

The final six episodes from the second season of the CGI-animated series. Set in a galaxy far, far away after the events of 'Star Wars Episode II: Attack of the Clones' and before 'Star Wars Episode III: Revenge of the Sith', the series follows the adventures of Obi-Wan Kenobi (voice of James Arnold Taylor), his apprentice, Anakin Skywalker (Matt Lanter), and rebellious female Jedi fighter Ahsoka Tano (Ashley Eckstein). Episodes are: 'Bounty Hunters', 'The Zillo Beast', 'The Zillo Beast Strikes Back', 'Death Trap', 'R2 Come Home' and 'Lethal Trackdown'.

Follows the bestselling and multi-award winning The Final Year "Well-written, authentic and very moving." David Almond on The Final Year Nate’s eleven and has just finished Primary School. After a challenging final year, life is looking up. His brother has recovered from a life-threatening heart condition, he’s got the love of his mum, brothers and Auntie San, and he’s off to Secondary School with his two best mates. But while he's making new friends and avoiding the fists of Turner, his old nemesis, and struggling to come to terms with a strict new teacher and a sense of isolation from his brothers, a sudden surprise appearance in Nate's life threatens to throw him completely off course. And The Beast - the anger he tries so hard to control - reappears. Will Nate find a way to keep himself and his family together?

Rowan starts to embrace her gifts as a magical wildsmith who heals and speaks to animals. But saving a young pegasus brings difficult decisions. Danger comes closer than ever, threatening her family and even Rowan's own life. When she is betrayed, which friends can she trust? With her family divided and war still raging, where does Rowan belong now?

An action-packed new adventure series from Blue Peter Award-winning author Kieran Larwood and Waterstones Children's Book Prize winner Joe Todd Stanton. Young readers will love discovering the world of the Dungeon Runners! CALLING ALL DUNGEON RUNNERS - There's space for a new team of heroes. This is your chance to enter the leagues and fight your way to the top! Kit has dreamed of being a Dungeon Runner all his life, although being a gnorf (part gnome, part dwarf) means he's much smaller than the other competitors. But when a space opens up for a new team in the Dungeon Running League, Kit doesn't want to miss this chance to try out! With his new friends Sandy and Thorn, they're ready to take on anything - mazes, puzzles, monsters, treasure and most of all adventure! Are you ready for the games to begin? Welcome to the Dungeon!

Whether you're looking for a reliable way to get back on track, a super-speedy refresher, or if this is your first time studying Mary Shelley classic gothic horror, York Notes for GCSE AQA Rapid Revision Guide: Frankenstein is brimming with everything you need to supercharge your success and race ahead to great results in all your assessments and exams. This Rapid Revision Guide is a fast and effective way to refresh your knowledge. Cleverly structured and very easy to use, this handy, portable catch-up guide will take you step-by-step through everything you need to know, remember and recall. In order to impress an examiner you are likely to need to demonstrate understanding of key contexts. This Rapid Revision guide will help you to revise what is learnt about the characters, themes, and language that Shelly uses, as well as focusing on key quotations. Exam focus sections appear frequently and provide practical answers to questions such as: How do I link context to the play? Quick quizzes, power paragraphs and try for yourself sections make this a speedy way to practise your skills. York Notes are the experts in English Literature, so if you're looking for THE ultimate smart, fast and highly effective way to get ahead with Mary Shelly's Frankenstein, then this handy guide is all you need.

When Nyla has to leave her home in the countryside to start life again in the city, all she can think about is everything she misses from before. So when a comet comes crashing through the city streets and starts to glow and grow, Nyla can’t resist a chance to head somewhere that feels closer to what she had before … but what starts as an escape could be just the thing to make her finally feel at home. From the award-winning Joe Todd-Stanton, comes an exquisite and heartfelt picture book touching on the bewildering experience of moving house. This beautiful story explores how this can affect a child's sense of belonging, but also how it can open them up to new and wonderful experiences.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.