Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Book 1 in the fun Magical Animal Cafe adventure series! Ellie and her mum are starting a new life in a new town and a very, very old building. They're opening a cat cafe, but there's a lot to do first - like welcoming the Andersons. Ellie doesn't want to share her home with strangers, especially Blake and his energetic puppy, Choccy. But when Ellie and Blake discover a magical old phone and a mouse determined to get rid of them, they'll have to find a way to all get along together. About the Magical Animal Cafe series: Join Ellie and Blake as they start new lives in a new town and a mysterious old building. They've only just met, but already they share a magical secret: they can talk to animals! That could prove useful with Ellie's mum opening a cat cafe, but the cafe is under threat from a greedy property developer - unless Ellie and Blake can stop him. With engaging illustrations and quirky talking animals, Magic Animal Cafe is perfect for animal lovers and young readers aged 7+.

Book 3 in the Hopeless Heroes series that takes readers on fun adventures back to Ancient Greece! How do you bring a statue to life? Tim and Zoe think they know. If only Jason would help and someone didn't keep looking at them like flies in a web. Juicy, wriggly, yummy- "Enough, Arachne!" Oh well, at least the time-travelling vase is in good hands. Well, god hands. The god of thieves and liars' hands. Uh oh! Includes a QR code for the free audiobook! About the Hopeless Heroes series: Hopeless Heroes is a fun-filled series about Greek mythology, adventure and what it means to be a hero. Readers aged 7+ will love diving into the world of Tim Baker and his (sort of) friend Hercules. A great series to bridge the gap before the Percy Jackson series.

In his new adventure, Bear has lots to do and sharethis time, he's a postman. Follow Bear as he delivers letters, parcels and packages all over town, meeting other bears, all busy working at their different jobs. The rhyming lines and whimsical rhythm of the story will have your child asking you to read it again and again!

This book introduces the reader to the exciting new field of plant philosophy and takes it in a new direction to ask: what does it mean to say that plants are sexed? Do 'male' and 'female' really mean the same when applied to humans, trees, fungi and algae? Are the zoological categories of sex really adequate for understanding the - uniquely 'dibiontic' - life cycle of plants? Vegetal Sex addresses these questions through a detailed analysis of major moments in the history of plant sex, from Aristotle to the modern day. Tracing the transformations in the analogy between animals and plants that characterize this history, it shows how the analogy still functions in contemporary botany and asks: what would a non-zoocentric, plant-centred philosophy of vegetal sex be like? By showing how philosophy and botany have been and still are inextricably entwined, Vegetal Sex allows us to think vegetal being and, perhaps, to recognize the vegetal in us all.