Eudora Welty and Surrealism surveys Welty's fiction during the most productive period of her long writing life. The study shows how the 1930s witnessed surrealism's arrival in the United States largely through the products of its visual artists. Welty, a frequent traveler to New York City, where the surrealists exhibited, and a keen reader of magazines and newspapers that disseminated their work, absorbed and unconsciously appropriated surrealism's perspective in her writing. In fact, Welty's first solo exhibition of her photographs in 1936 took place next door to New York's premier venue for surrealist art. In a series of readings that collectively examine A Curtain of Green and Other Stories, The Wide Net and Other Stories, Delta Wedding, The Golden Apples, and The Bride of the Innisfallen and Other Stories, the book reveals how surrealism profoundly shaped Welty's striking figurative literature. Yet the influence of the surrealist movement extends beyond questions of style. The study's interpretations also foreground how her writing refracted surrealism as a historical phenomenon. Scattered throughout her stories are allusions to personalities allied with the movement in the United States, including figures such as Salvador Dali, Elsa Schiaparelli, Caresse Crosby, Wallace Simpson, Cecil Beaton, Helena Rubinstein, Elizabeth Arden, Joseph Cornell, and Charles Henri Ford. Individuals such as these and others whom surrealism seduced often lead unorthodox and controversial lives that made them natural targets for moral opprobrium. Eschewing such parochialism, Welty borrowed the idiom of surrealism to develop modernized depictions of the South, a literary strategy that revealed not only cultural farsightedness but great artistic daring.

During the first three decades of the present century, the Marine Corps served as the striking arm of the United States policy of Caribbean intervention. In 1916, Marines landed in the Dominican Republic to protect foreign lives and property and to provide the "muscle" for a United States military government which was trying to bring stability to the troubled island republic. While there, Marines performed a variety of functions not normally assigned to an occupying military force, and they gained experience which helped to provide a pool of combat-trained leaders for future conflicts. This study is based on primary sources contained in the archives and holdings of the History and Museums Division, Headquarters, Marine Corps, the Federal Records Center, Suitland, Maryland, and the National Archives. In these sources, the record of the Dominican occupation is set forth, often in painstaking details. From research in these records, several themes, common to similar Marine campaigns in neighboring Haiti and in Nicaragua, became apparent. The first of these is the paramount role played by the Marine Corps in establishing and training a native constabulary capable of maintaining order after the Marines withdrew. Secondly, effective tactics for the conduct of counter-insurgency operations emerged from these interventions: for example, the coordinated use of air and ground forces began during these campaigns. The third important theme was the gradual development among Marines stationed in these Latin republics of the concept of what would be called in Vietnam "civic action" -- efforts by the occupying troops to "win the hearts and minds" of the population.

"Eudora Welty and Surrealism" surveys Welty's fiction during the most productive period of her long writing life. The study shows how the 1930s witnessed surrealism's arrival in the United States largely through the products of its visual artists. Welty, a frequent traveler to New York City, where the surrealists exhibited, and a keen reader of magazines and newspapers that disseminated their work, absorbed and unconsciously appropriated surrealism's perspective in her writing. In fact, Welty's first solo exhibition of her photographs in 1936 took place next door to New York's premier venue for surrealist art.

In a series of readings that collectively examine "A Curtain of Green and Other Stories," "The Wide Net and Other Stories," "Delta Wedding," "The Golden Apples," and "The Bride of the Innisfallen and Other Stories," the book reveals how surrealism profoundly shaped Welty's striking figurative literature. Yet the influence of the surrealist movement extends beyond questions of style. The study's interpretations also foreground how her writing refracted surrealism as a historical phenomenon.

Scattered throughout her stories are allusions to personalities allied with the movement in the United States, including figures such as Salvador Dali, Elsa Schiaparelli, Caresse Crosby, Wallace Simpson, Cecil Beaton, Helena Rubinstein, Elizabeth Arden, Joseph Cornell, and Charles Henri Ford. Individuals such as these and others whom surrealism seduced often lead unorthodox and controversial lives that made them natural targets for moral opprobrium. Eschewing such parochialism, Welty borrowed the idiom of surrealism to develop modernized depictions of the South, a literary strategy that revealed not only cultural farsightedness but great artistic daring."

The record of the Marine occupation of the Dominican Republic from 1916-1924 is presented as an example of the active role played by the Marine Corps in the Caribbean region in the first three decades of the 20th century.

In this book the record of the Marine occupation of the Dominican Republic from 1916-1924 is presented as an example of the active role played by the Marine Corps in the Caribbean region in the first three decades of the 20th Century. It was prepared principally from primary sources such as official reports, memoirs, personal correspondence, and recollection of the Marines involved. Captain Stephen M. Fuller, a Marine reserve officer, served on active duty as an aviation supply officer from 1968 to 1971. Subsequently, he spent three summers with the History and Museums Division, two of them in research and writing of this pamphlet and the third in preparation of a forthcoming pamphlet on Marines in Haiti. He has a Ph.D. in History from the University of New Mexico and currently is a candidate for the J. D. Degree at the University of Tulsa College of Law. In addition, he has taught for several years at Northeastern State College in Tahlequah, Oklahoma. The co-author, Dr. Graham A. Cosmas, joined the staff of the History and Museums Division in December 1973 after teaching at the University of Texas and the University of Guam. He has a Ph.D. in History from the University of Wisconsin and has published several articles on U.S. military history as well as An Army for Empire: The United States Army in the Spanish-American War.