During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. Indeed, revered contemporary film composers like John Williams and Danny Elfman use the same techniques that Steiner himself perfected in his iconic work for such classics as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and over 200 other titles. And Steiner's private life was a drama all its own. Born into a legendary Austrian theatrical dynasty, he became one of Hollywood's top-paid composers. But he was also constantly in debt-the inevitable result of gambling, financial mismanagement, four marriages, and the actions of his emotionally troubled son. Throughout his chaotic life, Steiner was buoyed by an innate optimism, a quick wit, and an instinctive gift for melody, all of which would come to the fore as he met and worked with luminaries like Richard Strauss, George Gershwin, Irving Berlin, the Warner Bros., David O. Selznick, Bette Davis, Frank Sinatra, and Frank Capra. In Music by Max Steiner, the first full biography of Steiner, author Steven C. Smith interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences, bringing to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art with some of the greatest film scores in cinema history.

No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ("Fahrenheit 451", "The Day the Earth Stood Still") to the romantic ("Obsession", "The Ghost and Mrs. Muir") to the terrifying ("Psycho"). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles' "Mercury Theatre of the Air" and "The War of the Worlds". His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored - a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love.

This report addresses whether DOD policies and practices related to the procurement of surplus are effective and efficient. In order to limit the scope of the research, an analysis of the Defense Logistics Agency's (DLA's) Defense Supply Center Richmond's (DSCR's) acquisition workload was selected for analyses. DLA is responsible for 86 percent of all DOD consumable items and 55 percent of all federally stocked items. DLA annually provides DOD and other Federal agencies with 4.1 million items valued at $12 billion in support of 1400 weapons systems. As one of the four Inventory Control Points (ICPs) within DLA, DSCR is the lead center for air, aviation, and space support assets. DSCR manages an open purchase requisition (PR) workload valued at approximately $800 million and procures approximately $1.6 billion annually.

Economic Development is the leading textbook in this field, providing a complete and balanced introduction to the requisite theory, the driving policy issues, and the latest research. Todaro and Smith take a policy-oriented approach, presenting economic theory in the context of critical policy debates and country-specific case studies so students see how theory relates to the problems and prospects of developing countries.

"We have an opportunity, in this generation, to reduce global poverty, both through acts of charity and by working as citizens to influence public policy. Stephen Smith offers reliable information, stories of success, and good advice on how to get personally involved in this important fight. Read it, and then take action." --David Beckmann, President, Bread for the World
"This practical and remarkably hopeful guide to ending world poverty delivers what it promises, clear-headed remedies for heart-breaking conditions. Stephen Smith finds solutions where others see only problems. All who truly place moral values at the top of their agendas will want to read this book. "--Forrest Church, author of "The American Creed and Freedom from Fear"
"A most comprehensive strategy for fighting poverty-of great interest to activists, scholars, and all who care about those most in need. Clearly writen and with much convinction."--Amitai Etzioni, author of "From Empire to Community: A New Approach to International Relations"
"Smith's book is a terrific contribution to our understanding of how to improve the well-being of impoverished people. It is accessible and informative for anyone who is interested in understanding clearly the fundamental causes of chronic poverty, and the innovative responses by organizations worldwide to address them. Smith's discussion of the keys to poverty traps dispels many popular misconceptions, and helps the reader understand the real issues. His profiles of successful programs designed to address those traps shows the impact many organizations have already made worldwide, and highlights some of the lessons they have learned in the process. This book shouldhelp raise the effectiveness of donors, organizations, and governments in their efforts to help those in need." --Judith M. Dean, International Economist, Washington, DC; former Associate Professor of Economics, SAIS, Johns Hopkins University, and former Board member, World Relief.
"Anyone who seeks a better understanding of human poverty should read this book. It provides a rich set of anti-poverty initiatives and programs, ranging from playpumps in South Africa to phone ladies in Bangladesh. The author's optimism is a welcome antidote against the skepticism, pessimism and cynicism that often characterizes the debate on global poverty. In readable language, he describes the many faces of human poverty and unbundles its complexities at the hand of concrete stories and practical approaches. He also offers a guide for those in rich countries who want to make a difference by supporting aid and relief organizations." --Jan Vandemoortele, Leader, Poverty Group, United Nations Development Program
"The world's leaders have repeatedly promised to tackle poverty on a massive scale, but they always seem to find excuses for failing to mobilize the necessary resources. Stephen Smith shows convincingly that even the poorest of the poor can help themselves - with a little help from the rest of us. Anyone who wants to understand why so many remain trapped in poverty, and what they and we can do about it, should read this inspiring book." --Ann Florini, Senior Fellow at the Brookings Institution and Director of the World Economic Forum's Global Governance Initiative
"Get this book. Read it. Step up. Amid a million reasons to shrink away in frustration, Stephen Smith offers a clear andengaging guide to meeting the greatest challenge of our time. The book is much more than a call to arms. Smith sifts through the latest research and reports on practical innovations that he has witnessed around the world--new ideas that are already in place and working. The book, by a leading voice in development economics, offers simple steps, small and large, to push the fight forward."--Jonathan Morduch, NYU Wagner Graduate School of Public Service, and co-author of "The Economics of Microfinance"
"Offers sensible guidelines to both individuals and corporations about how they can help, but its main contribution is to describe the successes of many programs on the ground, ranging from programs to improve nutrition to those working on education or microcredit, often run by local nongovernmental organizations, which have emerged to fill the gaps left by incompetent or corrupt governments." -"Foreign Affairs"
"A straightforward and accessible book on the causes of poverty and some successful programs for reducing it. Ending Global Poverty (Palgrave), in fact, takes as its starting point the fact that pockets of intense poverty can persist even within growing economies because of self-reinforcing "traps" such as illiteracy, overpopulation and a lack of working capital. Smith reports on a number of successful programs that have helped desperately poor communities overcome those traps. He emphasizes micro-projects that rely on the commitment, ingenuity and hard work of poor people themselves. The book is part of a growing literature that questions the top-down approach taken by the United Nations, World Bank and regional development banks to alleviate poverty through majorinfrastructure projects, deregulation and reform of national economic institutions. Smith advocates a bottom-up approach that focuses on community efforts and relies on the generosity and involvement of individuals and non-government organizations." -"Washington Post"

No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ("Fahrenheit 451", "The Day the Earth Stood Still") to the romantic ("Obsession", "The Ghost and Mrs. Muir") to the terrifying ("Psycho"). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles' "Mercury Theatre on the Air" and "The War of the Worlds". His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored - a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love. The films scored by Bernard Herrmann include "Citizen Kane", "The Ghost and Mrs. Muir", "Vertigo", "Psycho", "Fahrenheit 451", "Taxi Driver", "The Magnificent Ambersons", "The Man Who Knew Too Much", "North By Northwest", "The Birds", "The Snows of Kilimanjaro", "Cape Fear", "Marnie", "Torn Curtain", among others.