Written to celebrate the 100th birthday of Sir Kenneth Dover, this volume unites the two major elements in his life: the relatively private groundbreaking scholarly work he did on aspects of Greek language and history and the more public-facing roles he assumed in universities and at the British Academy that led to him being in the national spotlight later in his career. The contributors to this volume consider all the major facets of Dover's life and work, setting them in the context of the burgeoning field of the history of scholarship. Contributors include students and colleagues of Dover's at different stages of his career, while others are themselves leading experts in areas of Classics to which Dover devoted his energies. Chapters on his academic works and the controversies he faced in public life are not bland celebrations of his legacy but critique and assess his life and work, ensuring that there is much to be learned not just about Dover but also about the fields he helped to shape.

Marginal Comment, which attracted keen and widespread interest on its original publication in 1994, is the remarkable memoir of one of the most distinguished classical scholars of the modern era. Its author, Sir Kenneth Dover, whose academic publications included the pathbreaking book Greek Homosexuality (1978, reissued by Bloomsbury in 2016), conceived of it as an 'experimental' autobiography - ruthlessly candid in retracing the full range of the author's experiences, both private and public, and unflinching in its attempt to analyse the entanglements between the life of the mind and the life of the body. Dover's distinguished career involved not only an influential series of writings about the ancient Greeks but also a number of prominent positions of leadership, including the presidencies of Corpus Christi College, Oxford, and the British Academy. It was in those positions that he became involved in several high-profile controversies, including the blocking of an honorary degree for Margaret Thatcher from Oxford University, and a bitter debate in the British Academy over the fellowship of Anthony Blunt after his exposure as a former Soviet spy. This edition of Marginal Comment is much more than a reissue: it includes an introduction which frames the book in relation to its author's life and work, as well as annotations based in part on materials originally excluded by Dover but left in his personal papers on this death. Now newly available, the memoir provides not only the self-portrait of an exceptional individual but a rich case-study in the intersections between an intellectual life and its social contexts.

This new translation (the first complete verse translation of Aristophanes' comedies to appear for more than twenty-five years) makes freshly available one of the most remarkable comic playwrights in the entire Western tradition. Aristophanes is the only surviving representative of Greek Old Comedy, which flourished during the heyday of classical Athenian culture in the fifth century BC, and his plays are characterized by extraordinary combinations of fantasy and satire, sophistication and vulgarity, formality and freedom. This special mixture of qualities calls for a range and flexibility of linguistic resources which only a verse translation can supply. The present translation balances historical fidelity with literary and dramatic vigour, and conveys some of the unique variety of Aristophanic comic theatre. There is a substantial general introduction to the author and introductory essays to each of the plays, as well as full explanatory notes and an index of names.

The first book to offer an integrated reading of ancient Greek attitudes to laughter. Taking material from various genres and contexts, the book analyses both the theory and the practice of laughter as a revealing expression of Greek values and mentalities. Greek society developed distinctive institutions for the celebration of laughter as a capacity which could bridge the gap between humans and gods; but it also feared laughter for its power to expose individuals and groups to shame and even violence. Caught between ideas of pleasure and pain, friendship and enmity, laughter became a theme of recurrent interest in various contexts. Employing a sophisticated model of cultural history, Stephen Halliwell traces elaborations of the theme in a series of important texts: ranging far beyond modern accounts of 'humour', he shows how perceptions of laughter helped to shape Greek conceptions of the body, the mind and the meaning of life.

The first book to offer an integrated reading of ancient Greek attitudes to laughter. Taking material from various genres and contexts, the book analyses both the theory and the practice of laughter as a revealing expression of Greek values and mentalities. Greek society developed distinctive institutions for the celebration of laughter as a capacity which could bridge the gap between humans and gods; but it also feared laughter for its power to expose individuals and groups to shame and even violence. Caught between ideas of pleasure and pain, friendship and enmity, laughter became a theme of recurrent interest in various contexts. Employing a sophisticated model of cultural history, Stephen Halliwell traces elaborations of the theme in a series of important texts: ranging far beyond modern accounts of 'humour', he shows how perceptions of laughter helped to shape Greek conceptions of the body, the mind and the meaning of life.

Marginal Comment, which attracted keen and widespread interest on its original publication in 1994, is the remarkable memoir of one of the most distinguished classical scholars of the modern era. Its author, Sir Kenneth Dover, whose academic publications included the pathbreaking book Greek Homosexuality (1978, reissued by Bloomsbury in 2016), conceived of it as an 'experimental' autobiography - ruthlessly candid in retracing the full range of the author's experiences, both private and public, and unflinching in its attempt to analyse the entanglements between the life of the mind and the life of the body. Dover's distinguished career involved not only an influential series of writings about the ancient Greeks but also a number of prominent positions of leadership, including the presidencies of Corpus Christi College, Oxford, and the British Academy. It was in those positions that he became involved in several high-profile controversies, including the blocking of an honorary degree for Margaret Thatcher from Oxford University, and a bitter debate in the British Academy over the fellowship of Anthony Blunt after his exposure as a former Soviet spy. This edition of Marginal Comment is much more than a reissue: it includes an introduction which frames the book in relation to its author's life and work, as well as annotations based in part on materials originally excluded by Dover but left in his personal papers on this death. Now newly available, the memoir provides not only the self-portrait of an exceptional individual but a rich case-study in the intersections between an intellectual life and its social contexts.

This volume brings together the three most original and influential ancient Greek treatises on literature. Artistotle's Poetics contains his treatment of Greek tragedy: its history, nature, and conventions, with details on poetic diction. Stephen Halliwell makes this seminal work newly accessible with a reliable text and a translation that is both accurate and readable. His authoritative introduction traces the work's debt to earlier theorists (especially Plato), its distinctive argument, and the reasons behind its enduring relevance. The essay On the Sublime, usually attributed to "Longinus" (identity uncertain), was probably composed in the first century A.D.; its subject is the appreciation of greatness ("the sublime") in writing, with analysis of illustrative passages ranging from Homer and Sappho to Plato and Genesis. In this edition, Donald Russell has judiciously revised and newly annotated the text and translation by W. Hamilton Fyfe and provides a new introduction. The treatise On Style, ascribed to an (again unidentifiable) Demetrius, was perhaps composed during the second century B.C. It seems to reflect the theoretical energy of Hellenistic rhetorical works now lost, and is notable particularly for its theory and analysis of four distinct styles (grand, elegant, plain, and forceful). Doreen Innes' fresh rendering of the work is based on the earlier Loeb translation by W. Rhys Roberts. Her new introduction and notes represent the latest scholarship.

Aristophanes is the only surviving representative of Greek Old Comedy, the exuberant, satirical form of festival drama which flourished during the heyday of classical Athenian culture in the fifth century BC. His plays are characterized by extraordinary combinations of fantasy and satire, sophistication and vulgarity, formality and freedom. Birds is an escapist fantasy in which two dissatisfied Athenians, in defiance of men and gods, bring about a city of birds, the eponymous Cloudcuckooland. In Lysistrata the heroine of the play organizes a sex-strike and the wives of Athens occupy the Akropolis in an attempt to restore peace to the city. The main source of comedy in the Assembly-Women is a similar usurpation of male power as the women attempt to reform Athenian society along utopian-communist lines. Finally, Wealth is Aristophanes' last surviving comedy, in which Ploutos, the god of wealth is cured of his blindness and the remarkable social consequences of his new discrimination are exemplified. This is the first complete verse translation of Aristophanes' comedies to appear for more than twenty-five years and makes freshly available one of the most remarkable comic playwrights in the entire Western tradition, complete with an illuminating introduction including play by play analysis and detailed notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.

As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus' On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience-including the roles of emotion, ethics, imagination, and knowledge-in the life of their culture. Readership: Scholars and students of Greek literature, Greek poetics, and literary theory and criticism.

This is the first new edition in English for more than half a century of one of the most influential works in the entire history of aesthetics, the treatise On the Sublime, whose author is unknown but usually called Longinus. It was On the Sublime which was chiefly responsible, in the early modern period, for giving the vocabulary of 'sublimity' the important place which it has held ever since in critical discourse about literature, visual art, music, and the experience of nature. This edition contains a substantial introduction to the contents of the work; a newly edited Greek text with facing English translation (designed to be both accurate and readable, and therefore of assistance to non-specialists); and a comprehensive commentary which deals with everything from details of language to the work's overarching ideas and arguments. The book undertakes the fullest and most probing engagement with On the Sublime yet attempted in any language. It advances many new interpretations and seeks to make sense of the treatise both as a remarkable document in its own right and in relation to the traditions of ancient Greek and Roman literature, philosophy, and criticism. In addition to supplying all the needs of scholars and students directly concerned with Graeco-Roman culture, the introduction and translation make the book also of value to the many other kinds of readers—philosophers of aesthetics, art-historians, literary critics, historians of ideas, and more besides—who are interested in the ancient origins as well as the modern development of concepts of the sublime.

As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus' On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience - including the roles of emotion, ethics, imagination, and knowledge - in the life of their culture.

"With wide-ranging erudition, bold philosophical insight, and a vibrant aesthetic sensibility, Stephen Halliwell demonstrates that the ancient Greek tradition of arguing about mimesis is not the crude and single-minded defense of literal copying that many have seen in it. It is, rather, a highly complex tradition of debate and contestation, in which questions of foundational importance about artistic meaning are repeatedly confronted. Moving with graceful assurance from Plato and Aristotle to contemporary reworkings of the tradition by Brecht and Adorno, Barthes and Derrida, Halliwell shows us the depth and fertility of classical arguments. A stunning achievement, which will define the subject for many generations."--Martha C. Nussbaum, The University of Chicago

"Halliwell addresses central topics in the history of aesthetics with continuing echoes in current debates. The scholarship is impeccable, the writing is clear, the histories are illuminating, the theoretical views are intriguing, and the scope is most impressive. I do not know of any comparable book that succeeds at combining scholarship with history and original thought."--Cynthia Freeland, University of Houston

"We have not seen a comprehensive study of the classical concepts of mimesis, nor has anyone shown the place of mimesis in the history of aesthetics, nor has anyone argued generally for the usefulness of the concept to contemporary theory. Art and philosophy in the twentieth century were hostile to the idea that art is mimesis, and ancient Greek theories have seemed quaint to modern eyes. Halliwell may, through this book, be on the cutting edge of a revolution in thinking."--Paul Woodruff, University of Texas, Austin

Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This is the third and final volume of a new verse translation of the complete plays of Aristophanes. It contains four of his most overtly political plays: Acharnians, in which an Athenian farmer rebels against the city's war policies; Knights, a biting satire of populist demagogues; Wasps, whose main theme is the Athenian system of lawcourts; and Peace, in which escape from war is symbolized in images of rustic fertility and sensuality. The translation combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. Each play is presented with a thought-provoking introduction and extensive editorial notes to accompany the vivid translations, balancing performability with faithfulness to the original.

Hailed as magisterial when it first appeared, Greek Homosexuality remains an academic milestone and continues to be of major importance for students and scholars of gender studies. Kenneth Dover explores the understanding of homosexuality in ancient Greece, examining a vast array of material and textual evidence that leads him to provocative conclusions. This new release of the 1989 second edition, for which Dover wrote an epilogue reflecting on the impact of his book, includes two specially commissioned forewords assessing the author's legacy and the place of his text within modern studies of gender in the ancient world.

Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.

Incorporating the best modern work on the Poetics , Halliwell's translation is aimed at those who want a reliable version of Aristotle's ideas along with concise and stimulating guidance. A running commentary explains the structure and detail of Aristotle's argument, attempts to provoke further thought about the work's strengths and weaknesses, and offers suggestions on relating the Poetics to later stages of literary theory and practice. |In 1891, Tennessee miners rose up against the use of convict labor by the state's coal companies. Karen Shapiro uses the ""convict wars"" to analyze the place of convict labor in southern economic development, bringing to life the hopes that rural southerne

An analysis of Aristotle's Poetics, this work attempts a sustained interpretation of the text, contending that it states a challenging theory of poetic art. It hints at a theory of mimetic art, and represents Aristotle's philosophical urge to work out a secularized understanding of Greek tragedy.