Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Santideva’s 8th century Mahayana Buddhist classic, the Guide to the Practices of Awakening (Bodhicaryavatara), has been a source of philosophical inspiration in the Indian and Tibetan traditions for over a thousand years. Stephen Harris guides us through a philosophical exploration of Santideva’s masterpiece, introducing us to his understanding of the compassionate bodhisattva, who vows to liberate the entire universe from suffering. Individual chapters provide studies of the bodhisattva virtues of generosity, patience, compassion, and wisdom, illustrating the role each plays in Santideva’s account of well-being and moral development. Harris also provides in-depth analysis of many of Santideva’s most influential arguments, demonstrating how he employs reasoning as a method to cultivate moral character. As the first book-length English language philosophical study of Santideva’s most influential text, this will be essential reading for students and scholars of Buddhist ethics, as well as for anyone interested in intercultural ethics and the philosophy of well-being.

Surrealist Art and Thought in the 1930s examines the intersection of Hegelian aesthetics, experimental art and poetry, Marxism and psychoanalysis in the theory and practice of the Surrealist movement. Locating Surrealist art and thought between modernist art and revolutionary politics, Steven Harris investigates the consequences of the Surrealists' efforts to synthesize these diverse concerns, through the invention, in 1931, of the object and in the recasting of their activities as a mode of revolutionary science. Providing a context for the cultural and political debates in France and the Soviet Union during the 1930s, he also analyzes the debate on proletarian literature, the Surrealists' reaction to the Popular Front, and their eventual defense of an experimental modern art following their break with the French Communist Party in 1935.

."..the book offers a platform to raise thought-provoking questions and encourages in-depth analyses to bridge the gulf between ethnobotany and medical anthropology...Highly recommended." Choice

"The tantalising and rather eclectic selection of edited chapters takes the reader around the world following plants making their way into local pharmacopoeias, symbolic systems, myths and ways of coping with the unknowns of human illness. This book offers a much needed, concise edited volume on plants, health and healing. It brings together research in the disciplines of botany, biochemistry, clinical medicine, anthropology and history highlighting the contributions of multidisciplinary research to promote a more nuanced understanding of medicinal plant use." JRAI

Plants have cultural histories, as their applications change over time and with place. Some plant species have affected human cultures in profound ways, such as the stimulants tea and coffee from the Old World, or coca and quinine from South America. Even though medicinal plants have always attracted considerable attention, there is surprisingly little research on the interface of ethnobotany and medical anthropology. This volume, which brings together (ethno-)botanists, medical anthropologists and a clinician, makes an important contribution towards filling this gap. It emphasises that plant knowledge arises situationally as an intrinsic part of social relationships, that herbs need to be enticed if not seduced by the healers who work with them, that herbal remedies are cultural artefacts, and that bioprospecting and medicinal plant discovery can be viewed as the epitome of a long history of borrowing, stealing and exchanging plants.

Elisabeth Hsu is Professor of Anthropology at the University of Oxford, where she has convened its master's courses in medical anthropology since 2001. Based on her earlier studies in biology (botany), linguistics and sinology, she has published widely on the history and anthropology of Chinese medicine.

Stephen Harris was awarded a Ph.D. in plant systematics from the University of St. Andrews in 1990. He has been the Druce Curator of Oxford University Herbaria since 1995 and has published over 50 peer-reviewed papers on genetics and systematics associated with the evolutionary consequences of plant-human interactions.

Plants have cultural histories, as their applications change over time and with place. Some plant species have affected human cultures in profound ways, such as the stimulants tea and coffee from the Old World, or coca and quinine from South America. Even though medicinal plants have always attracted considerable attention, there is surprisingly little research on the interface of ethnobotany and medical anthropology. This volume, which brings together (ethno-)botanists, medical anthropologists and a clinician, makes an important contribution towards filling this gap. It emphasises that plant knowledge arises situationally as an intrinsic part of social relationships, that herbs need to be enticed if not seduced by the healers who work with them, that herbal remedies are cultural artefacts, and that bioprospecting and medicinal plant discovery can be viewed as the epitome of a long history of borrowing, stealing and exchanging plants.

Elisabeth Hsu is Reader in Social Anthropology at the University of Oxford, where she has convened its master's courses in medical anthropology since 2001. Based on her earlier studies in biology (botany), linguistics and sinology, she has published widely on the history and anthropology of Chinese medicine.

Stephen Harris was awarded a Ph.D. in plant systematics from the University of St. Andrews in 1990. He has been the Druce Curator of Oxford University Herbaria since 1995 and has published over 50 peer-reviewed papers on genetics and systematics associated with the evolutionary consequences of plant-human interactions.

A fresh and exciting drawing guide for young artists who seek projects that are out of the ordinary. Are you tired of drawing the same boring stuff? Artist and author Jonathan Stephen Harris shows you how to draw almost anything with 40 fun and exciting projects that are anything but boring. You'll learn how to create crazy trick art, amazing 3D objects, mind-blowing anamorphic illustrations, and brain-twisting optical illusions. Every project features detailed, step-by-step instructions and illustrations that use color to help teach you exactly how to do it. You'll start by learning the basics of drawing, what tools you need, and the basic techniques you need to know so you can create your own amazing drawings. Soon you'll be creating works of amazing art that is out of this world! Here's what's inside: 40 exciting drawing projects that will thrill young artists of all levels of ability. Detailed, step-by-step instructions that take readers through every drawing from start to finish, using color to illustrate new lines so the reader can clearly see the next steps. Simple tutorials for basic drawing skills like shading as well as creating textures and surfaces so readers can learn drawing the right way. Tons of creative ideas that will inspire you to create your own amazing works of art.

"Noble Rot manages to unravel the mysteries of wine with insight and humour. A wonderful - and essential - read for anyone interested in the world of wine, or even for those, like me, who just drink it." Nigella Lawson "The Noble Rot guys have the ability to describe wines as if they're either future friends, or rock-stars coming to blow your mind." Caitlin Moran "Noble Rot has brought originality, humour and now space travel to the very serious business of drinking wine. About time too." Brian Eno "Dan and Mark do that thing that only crazy knowledgeable enthusiasts can do, they make you a crazy enthusiast too. If they said, 'We've found a wine like no other, a wine that actually lights up the sky, but you can only drink it in the desert at midnight, are you coming?' I'd be off, and I'd be confident of meteor showers. They provoke curiosity - 'how does anyone make this extraordinary drink just with grapes?' - excitement, joy, and a longing for knowledge. Now, in this book, they're sharing the knowledge." Diana Henry "To really know and love a wine one should know the grower and the vineyard. This isn't always or even often possible, which is why the Rotters introduce these wines at source. You learn that making wine, as cooking should be, is an act of love. You will come to love this book too." Rowley Leigh Choosing wine in a restaurant or shop can seem an unfathomable business. But, according to Dan Keeling and Mark Andrew, the duo behind London's Noble Rot, it needn't be that way. In Wine from Another Galaxy they'll help you to understand how it is made, where to buy it, what to look for when you drink it, and how to talk about it. And once you've mastered the basics, they'll take you on a journey through the best of European wine culture, meeting the people and places behind their favourite bottles. Indeed, Dan and Mark have spent years visiting growers that you probably haven't heard of, from the original thinkers of the natural wine movement to the iconic estates of Burgundy and Bordeaux. This is the alternative, accessible, no-holds-barred guide to wine, where the usual cliches and rules don't apply.

Rethinking Wilderness and the Wild: Conflict, Conservation and Co-existence examines the complexities surrounding the concept of wilderness. Contemporary wilderness scholarship has tended to fall into two categories: the so-called 'fortress conservation' and 'co-existence' schools of thought. This book, contending that this polarisation has led to a silencing and concealment of alternative perspectives and lines of enquiry, extends beyond these confines and in particular steers away from the dilemmas of paradise or paradox in order to advance an intellectual and policy agenda of plurality and diversity rather than of prescription and definition. Drawing on case studies from Australia, Aoteoroa/New Zealand, the United States and Iceland, and explorations of embodied experience, creative practice, philosophy, and First Nations land management approaches, the assembled chapters examine wilderness ideals, conflicts and human-nature dualities afresh, and examine co-existence and conservation in the Anthropocene in diverse ontological and multidisciplinary ways. By demonstrating a strong commitment to respecting the knowledge and perspectives of Indigenous peoples, this work delivers a more nuanced, ethical and decolonising approach to issues arising from relationships with wilderness. Such a collection is immediately appropriate given the political challenges and social complexities of our time, and the mounting threats to life across the globe. The abiding and uniting logic of the book is to offer a unique and innovative contribution to engender transformations of wilderness scholarship, activism and conservation policy. This text refutes the inherent privileging and exclusionary tactics of dominant modes of enquiry that too often serve to silence non-human and contrary positions. It reveals a multi-faceted and contingent wilderness alive with agency, diversity and possibility. This book will be of great interest to students and scholars of conservation, environmental and natural resource management, Indigenous studies and environmental policy and planning. It will also be of interest to practitioners, policymakers and NGOs involved in conservation, protected environments and environmental governance.

Rethinking Wilderness and the Wild: Conflict, Conservation and Co-existence examines the complexities surrounding the concept of wilderness. Contemporary wilderness scholarship has tended to fall into two categories: the so-called 'fortress conservation' and 'co-existence' schools of thought. This book, contending that this polarisation has led to a silencing and concealment of alternative perspectives and lines of enquiry, extends beyond these confines and in particular steers away from the dilemmas of paradise or paradox in order to advance an intellectual and policy agenda of plurality and diversity rather than of prescription and definition. Drawing on case studies from Australia, Aoteoroa/New Zealand, the United States and Iceland, and explorations of embodied experience, creative practice, philosophy, and First Nations land management approaches, the assembled chapters examine wilderness ideals, conflicts and human-nature dualities afresh, and examine co-existence and conservation in the Anthropocene in diverse ontological and multidisciplinary ways. By demonstrating a strong commitment to respecting the knowledge and perspectives of Indigenous peoples, this work delivers a more nuanced, ethical and decolonising approach to issues arising from relationships with wilderness. Such a collection is immediately appropriate given the political challenges and social complexities of our time, and the mounting threats to life across the globe. The abiding and uniting logic of the book is to offer a unique and innovative contribution to engender transformations of wilderness scholarship, activism and conservation policy. This text refutes the inherent privileging and exclusionary tactics of dominant modes of enquiry that too often serve to silence non-human and contrary positions. It reveals a multi-faceted and contingent wilderness alive with agency, diversity and possibility. This book will be of great interest to students and scholars of conservation, environmental and natural resource management, Indigenous studies and environmental policy and planning. It will also be of interest to practitioners, policymakers and NGOs involved in conservation, protected environments and environmental governance.

This book explores creative interdisciplinary and potentially transformative solutions to the current stalemate in contemporary water policy design. A more open policy conversation about water than exists at present is proposed - one that provides a space for the role of the imagination and is inclusive - of the arts and humanities, relevant stakeholders, including landholders and Indigenous peoples, as well as science, law and economics. Written for a wide audience, including practitioners and professional readers, as well as scholars and students, the book demonstrates the value of multiple disciplines, voices, perspectives, knowledges and different ways of relating to water. It provides a fresh and timely response to the urgent need for water policy that works to achieve sustainability, and may be better able to resolve complex environmental, social and cultural water issues. Utilising a broad range of evidentiary sources and case studies from Australia, New Zealand, Canada and elsewhere, the authors of this edited collection demonstrate how new ways of thinking and imagining water are not only possible but already practised, and growing in saliency and impact. The current dominance of narrower ways of conceptualising our relationship with water is critiqued, including market valuation and water privatisation, and more innovative alternatives are described, including those that recognise the importance of place-based stories and narratives, adopt traditional ecological knowledge and relational water appreciations, and apply cutting-edge behavioural and ecological systems science. The book highlights how innovative approaches drawing on a wide range of views may counter prevailing policy myopia, enable reflexive governance and transform water policy towards addressing water security questions and the broader challenges posed by the Anthropocene and the UN Sustainable Development Goals.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Interest in the middle ages is at an all time high at the moment, thanks in part to The Da Vinci Code. Never has there been a moment more propitious for a study of our misconceptions of the Middle Ages than now.

Ranging across religion, art, and science, Misconceptions about the Middle Ages unravels some of the many misinterpretations that have evolved concerning the medieval period, including:

• 
  
• the church
• 
  
• war
• 
  
• science
• 
  
• art
• 
  
• society

With an impressive international array of contributions, the book will be essential reading for students and scholars involved with medieval religion, history, and culture.

Interest in the middle ages is at an all time high at the moment, thanks in part to "The Da Vinci Code." Never has there been a moment more propitious for a study of our misconceptions of the Middle Ages than now.

Ranging across religion, art, and science, Misconceptions about the Middle Ages unravels some of the many misinterpretations that have evolved concerning the medieval period, including:

• the church
• war
• science
• art
• society

With an impressive international array of contributions, the book will be essential reading for students and scholars involved with medieval religion, history, and culture.

Series Information:
Studies in Medieval History and Culture: Outstanding Dissertations

Top presenter and trainer Steven Harris provides a highly charged practical guide to customer service, based on the award-winning principles used by his consultancy Energize Learning. Fired Up and Ready to Go! is packed with tips and exercises to help readers work towards peak performance both as individuals and within the teams they manage. The book is divided into three parts: Part One focuses on techniques for self-management and peak performance; Part Two describes the skills and behaviours required to engage effectively with customers and colleagues alike; finally Part Three focuses on the leadership skills needed to get teams, departments and companies all fired up and ready to go at all times!