Old Arkhip sits every day by the roots of a wizened, hunchbacked willow, fishing and exchanging whispered stories with the ancient tree. One of these takes Arkhip three decades back in time, to a quiet day in early spring when a strange encounter shook him momentarily from the rural bliss in which he lived, catapulting him into a world of crime, corruption, violence and murder. A quintessential example of Chekhov’s artistry, ‘The Willow’ is here accompanied by thirty-two other short stories – some of them never or rarely translated into English – which are representative of the three main phases of the author’s career: the short, light-hearted pieces of the late 1880s, the darker, more pessimistic tales of his maturity and the psychologically nuanced stories he wrote towards the end of his life. Taken together, this collection is further proof of Chekhov’s unparalleled skills as a practitioner of the short-story genre.

It is New Year's Eve, and Nellie, the pretty daughter of a landowning general, is sitting in her room looking in the mirror. Although she is tired and her eyes are half closed, she is spellbound as the reflection in the looking glass dissolves into a sea of grey mist, in which she starts to discern the beloved features of her fiance. As in a diorama, the scene keeps changing, and to the early snapshots of joyful marital life succeed other, more sinister images of care, sickness and bereavement, casting a long shadow onto the girl's future. With 'The Looking Glass' Chekhov captured the very essence of the Russian soul. This short story, along with the others included in this collection, demonstrates why he is considered the absolute master of the genre.

Towards the middle of the nineteenth century, following the example of the Brothers Grimm in Germany, Alexander Afanasyev embarked on the ambitious task of sifting through the huge repository of tales from Russian folklore and selecting the very best from written and oral sources. The result, an eight-volume collection comprising around 600 stories, is one of the most influential and enduringly popular books in Russian literature. This large selection from Afanasyev's work, presented in a new translation by Stephen Pimenoff, will give English readers the opportunity to discover one of the founding texts of the European folkloristic tradition. Displaying a vast array of unforgettable characters, such as the Baba-Yaga, Ivan the Fool, Vasilisa the Fair and the Firebird, these tales - by turns adventurous, comical and downright madcap - will enchant readers for their raw beauty and constant ability to surprise and excite.

Universally acclaimed as the master of the short-story form, Anton Chekhov begun his literary career as the author of brief tales and vignettes of Russian life when he was still a young medical student. Later rejected by the writer in the same self-effacing way in which he repudiated some of his most celebrated works, the stories in this collection are not only a testament to the early promise of his genius, but deserve to be appreciated for their lapidary vividness and their intrinsic stylistic quality. Mostly dealing with the lives of downtrodden "little" men and low-ranking civil servants as they steer their actions through the corruption and malpractice of Russian public officials, this volume - here presented in Stephen Pimenoff's lively new translation - bristles with wit and humour, and is tinged by that understated note of melancholy and lyricism that is a trademark of Chekhov's writing.