From his earliest days as a culture-beat reporter, through a wildly successful four decades in the book business, to his latest philanthropic ventures, Stephen Rubin has witnessed up close the highs and lows of publishing, music, and entertainment over the last half-century. Now, in this refreshingly forthright and uninhibited memoir, he shares the stories and secrets of a legendary career. Freshly graduated from New York University, Rubin parlayed what had been a music column in his college paper into a freelance writing gig, covering culture, pop and classical music, and Hollywood. This landed him spots in major newspapers and put him in the company of fabulous opera divas, pop singers, and other unforgettable personalities (including his future wife Cynthia, a talent manager). Here, he shares his adventures with such varied and iconic figures as Luciano Pavarotti, Judy Garland, Pierre Boulez, Burt Lancaster, Dimitri Shostakovich, and Gregory Peck. Rubin recounts how, after joining Bantam Books in 1984, he rose steadily through the ranks of the publishing business, taking readers behind the scenes of the publication of record-breaking bestsellers such as John Grisham's The Firm and Dan Brown's The Da Vinci Code. With an uncanny ability to right the ship of floundering houses and imprints, he stepped into roles (and on some toes) at Bantam, Doubleday, Transworld, Henry Holt, and Simon & Schuster. He spares no details or feelings as he recounts corporate missteps and personal feuds at the highest levels of the literary world. Full of riveting detail, engagingly told, and generously leavened with insider dish, this is an unparalleled look at the culture industry from the man who's seen it all first-hand.

In Shale Play, acclaimed poet Julia Spicher Kasdorf and award-winning documentary photographer Steven Rubin explore the small towns, farms, and forests of Appalachian Pennsylvania to gather the stories of these places and the working people who inhabit them. In the parlance of the oil and gas industry, “shale play” refers to a region exploited for its natural gas by means of hydraulic fracturing and horizontal drilling—transient industrial processes that often occur far from the populations that benefit from them. Amid polarized claims about fracking and pressure to develop these areas around the world, this project gathers evidence from everyday life in the Marcellus Shale Play. Kasdorf and Rubin follow in the footsteps of the documentarians of the 1930s, such as the artists and writers of the Works Progress Administration, taking a deliberate and thoughtful approach to gather the stories of workers on pipelines and well pads, landowners and leaseholders, waitresses, ministers, farmers, retired miners, teachers, and neighbors. The resulting collage of vivid oral and pictorial testimony reveals the natural beauty of rural places as well as the disturbance and spectacle fracking creates. A passionate work of witness, Shale Play invites the reader to look beyond the easy caricatures of the white working class to create an urgent, authentic representation of a sacrifice zone that fuels America.