The New York Times bestselling author of The Ex Hex and The Kiss Curse brightens up the Winter Solstice with another delightfully spooky novel following Bowen Penhallow and the girl he feels strangely drawn to--especially when she becomes his only hope of salvation after a strong spell sends them to a Yuletide celebration... more than 50 years in the past. Bowen Penhallow has always been a loner, studying dark and ancient magic on a mountaintop in Wales. He prefers it that way, but when his friend Colin--who happens to be a ghost--asks him to attend a Yuletide wedding at a grand estate deep in the Welsh countryside, Bowen reluctantly agrees. Tamsyn Bligh is not a witch, but she makes her living off of them. As a procurer and seller of magical items, Tamsyn's business is not always above board, but she's been trying to fix that (mostly.) Bowen is an occasional customer--as well as the star of several of Tamsyn's dirtiest dreams--but she's been around enough witches to know that, as a human, getting involved with one is not the smartest idea. She's finagled an invite to the Witchy Wedding of the Century in the hopes of finally making a score big enough to retire. Just one priceless magical artifact from Tywyll House would set her up for life. But Tamsyn isn't the only one sneaking about in Tywyll House, and the mix of a very strong spell combined with a wedding mishap transports Bowen and Tamsyn into Tywyll House's past, to the Yuletide Celebration of 1958. As Bowen and Tamsyn work together to get back to the present, they must also face off with the origins of Tywyll House's haunting, the suspicions of their fellow witches...oh, and the fact that somewhere between the mistletoe and the bonfire, they might be falling in love.

Kristin Hanggi directs this made-for-TV comedy based on the children's books by Jim Benton. At the centre of events is Jamie Kelly (Emily Alyn Lind), a middle school girl whose diary reflects the preoccupations of her peers and classmates. Armed with the support of her friend Isabella (Mary-Charles Jones), Jamie sets out to win the heart of the boy she has the biggest crush on, Hudson (David Mazouz), and to get one over on the vindictive Angeline (Sterling Griffith). The pages of her diary record her successes - and failures...

So no one taught you about money, either? Let’s figure this me$$ out together.

In this illustrated, deeply unserious guide to money, Berna Anat—aka the Financial Hype Woman—freaks out her immigrant parents by doing the unthinkable: Talking about money. Loudly.

Because we’re done staying silent, anxious, and ashamed about our money. It's time to join the party and finally learn about all the financial stuff that always felt too confusing. Stuff like:

• How to actually budget, save, and invest (but also make it fun)
• How our traumas shape our most toxic money habits, and how to create new patterns
• How to build wealth in a system designed to keep us broke
• How to use money to fund our biggest dreams—and change the world

No more keeping our money on mute. It’s time to grab the mic.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.