African American slave narratives of the 19th century recorded the grim realities of the antebellum South; they also provide the foundation for this compelling and revealing work on African American history and experiences. Naturally, it is not possible to really know what being a slave during the antebellum period in America was like without living the experience. But students CAN get eye-opening insight into what it was like through the gripping stories of bravery, courage, persistence, and resiliency in this collection of annotated slave narratives from the period. Each of the collected narratives includes an introduction that provides readers with key historical context on the particular life examined. Moreover, each narrative is accompanied by annotations that broaden the reader's comprehension of that primary document. The primary source documents in this volume tell enthralling stories, such as how slave woman Ellen Craft utilized her particularly pale complexion to pose as a free white man overseeing his slaves to free herself and her husband, and how Henry Brown successfully shipped himself to freedom in a box measuring scarcely 3 feet by two feet by six inches deep—despite being more than six feet tall.

African American fugitive slave narratives are receiving growing amounts of attention for their literary and historical value. This book examines the techniques the slave narrative writers used to authorize and rhetorically create themselves in their writings. By examining such issues as voice and identity formation, the volume demonstrates how identity may be seen as a cultural fabrication. Former slave narrators used a series of masking and doubling techniques to address their experiences as African Americans. This book crosses the boundaries between literary criticism and historical study by examining the tensions between generic conventions and the impulses that created and reinforced them. The introduction and opening chapter offer clear and accessible discussions of the social, political, cultural, and literary conditions influencing the slave narrative genre. Subsequent chapters are built on this theoretical framework and present close analytical readings of The Confessions of Nat Turner, Frederick Douglass's Narrative and My Bondage and My Freedom, Harriet Jacobs's Incidents in the Life of a Slave Girl, and Running a Thousand Miles for Freedom, by William and Ellen Craft. The volume probingly traces the relationship between rhetorical self-creation and social ideology to show how that relationship was mediated within the fugitive slave narrative genre.

With In the Shadow of Invisibility, Sterling Lecater Bland Jr. offers a long-overdue reconsideration of Ralph Ellison, examining the trajectory of his intellectual thought in relation to its resonances in twenty-first-century American culture. Bland charts Ellison's evolving attitudes on several central topics including democracy, race, identity, social community, place, and political expression. This compelling new exploration of Ellison's legacy stresses the perpetual need to reexamine the intersections of race, literature, and American culture, with particular attention to how the democratic principle has grown increasingly urgent in the nation's ongoing, and often contentious, conversations about race. Arguing that Ellison saw racial and social identity as being inseparable from the nation's past and its complicated history of racial anxiety, In the Shadow of Invisibility traces the growth and transformation of Ellison's ideas across his life and work, from his early apprentice writing that culminated in his groundbreaking first novel, Invisible Man, through the posthumous publication of his unfinished second novel, Three Days before the Shooting . . . Focused on his mythic vision of the promise of America, this book firmly situates Ellison in the sociopolitical environments from which his ideas arose, with close consideration of his published writings, including his influential essays on literature and jazz, as well as his working notes and correspondence. Bland foregrounds Ellison's thinking on the responsibilities of Black writers to examine democratic ideals, the legacies of slavery and Jim Crow, and the impacts of civil rights movements. Interweaving biography, history, and literary criticism, and drawing from extensive archival research, In the Shadow of Invisibility reveals the extent to which Ellison's work exposes the contradictions inherent in American culture, arguing anew for the importance and immediacy of his writings in the broader context of American intellectual thought.

African American fugitive slave narratives are receiving growing amounts of attention for their literary and historical value. This book examines the techniques the slave narrative writers used to authorize and rhetorically create themselves in their writings. By examining such issues as voice and identity formation, the volume demonstrates how identity may be seen as a cultural fabrication. Former slave narrators used a series of masking and doubling techniques to address their experiences as African Americans. This book crosses the boundaries between literary criticism and historical study by examining the tensions between generic conventions and the impulses that created and reinforced them. The introduction and opening chapter offer clear and accessible discussions of the social, political, cultural, and literary conditions influencing the slave narrative genre. Subsequent chapters are built on this theoretical framework and present close analytical readings of The Confessions of Nat Turner, Frederick Douglass's Narrative and My Bondage and My Freedom, Harriet Jacobs's Incidents in the Life of a Slave Girl, and Running a Thousand Miles for Freedom, by William and Ellen Craft. The volume probingly traces the relationship between rhetorical self-creation and social ideology to show how that relationship was mediated within the fugitive slave narrative genre.

African American slave narratives of the 19th century recorded the atrocities of the antebellum South and provided a solid foundation for the African American literary tradition. By presenting 16 slave narratives in their entirety, this reference conveniently documents this historically significant literary genre. A vivid and moving history of African Americans seeking to establish community, liberty, economic independence, and education within the constraints of a repressive society. This reference intentionally avoids well-known narratives and instead collects unavailable and otherwise difficult-to-find texts. To add to the value of the work for researchers and general readers alike, each narrative is accompanied by a preface, explanatory notes, and suggestions for further reading.

Many of the narratives gathered here were influential when initially published; Josiah Henson's presentation of himself, for example, embodies many of the characteristics given to Uncle Tom by Harriet Beecher Stowe in her novel "Uncle Tom's Cabin." While other collections often only provide excerpts from widely available texts, this reference includes complete narratives. The introductions and annotations redefine current thinking in the field by closely examining how these authors used language, structured their writing, and crafted their autobiographies. By examining the historical, cultural, literary, and social issues that African Americans have faced since their arrival, this reference provides the broad context necessary to understand the literary, social, and intellectual traditions from which these writings developed.