Drama 8m, 3f (to play var.roles)/ Unit set. This exciting, highly theatrical docu-drama is about the growing white supremacist movement in America, those dedicated to violent revolution and the expulsion from "God's Country" of non Aryans. The play covers all of the right wing lunatic fringe while focusing on three narrative spines: the trial in Seattle of a paramilitary group which calls itself The Order; the career and death of Denver's Allan Berg, the outspoken, controversial, Jewish talk radio personality "assassinated" by The Order; and, finally, the hate filled career and death of The Order's founder, Robert Matthews. These narratives are skillfully interwoven, sometimes non chronologically, with statistics and facts into a kaleidoscopic and highly theatrical vision. "Dietz intends his play to disturb playgoers, to prod them into thinking seriously about the radical right as a continuing phenomenon and not just as the occasional headline or TV sound bite. It surely does that." - Seattle Times "Fast paced and emotionally gripping." - Variety

Steven Dietz is one of America's most widely produced and published contemporary playwrights. Since 1983, his forty-plus plays have been seen at over one hundred regional theatres in the United States, as well as Off-Broadway, and in eighteen foreign countries and ten languages. He is a two-time winner of the Kennedy Center Fund for New American Plays Award, as well as a two-time finalist for the Steinberg New Play Award. He has received the PEN USA West Award in Drama, the Edgar Award for Drama, and the Yomuiri Shimbun Award (the Japanese "Tony.") While Dietz is best-known for his adult plays, he has also written important plays for younger audiences. This anthology gathers four of them-The Rememberer, Still Life with Iris, Honus & Me, and Jackie & Me. Though diverse in subject matter, the plays share several hallmarks of Dietz's writing, including realistic dialogue, strong protagonists, an emphasis on memory and magic, a blue-collar sensibility filled with often loopy humor, and a witty and intelligent playing with the boundaries of reality. Setting the plays in context are essays about Dietz and his creative process, his success in working with other theatre professionals, and the profession of theatre for youth. This introduction to Steven Dietz's work and anthology of plays will be a valuable resource for teachers, directors, writers, and students.