Quantum gravity is the name given to a theory that unites general relativity - Einstein's theory of gravitation and spacetime - with quantum field theory, our framework for describing non-gravitational forces. The Structural Foundations of Quantum Gravity brings together philosophers and physicists to discuss a range of conceptual issues that surface in the effort to unite these theories, focusing in particular on the ontological nature of the spacetime that results. Although there has been a great deal written about quantum gravity from the perspective of physicists and mathematicians, very little attention has been paid to the philosophical aspects. This volume closes that gap, with essays written by some of the leading researchers in the field. Individual papers defend or attack a structuralist perspective on the fundamental ontologies of our physical theories, which offers the possibility of shedding new light on a number of foundational problems. It is a book that will be of interest not only to physicists and philosophers of physics but to anyone concerned with foundational issues and curious to explore new directions in our understanding of spacetime and quantum physics.

Key Concepts in Philosophy is a series of concise, accessible and engaging introductions to the core ideas and subjects encountered in the study of philosophy. Specially written to meet the needs of students and those with an interest in, but little prior knowledge of, philosophy, these books open up fascinating, yet sometimes difficult ideas. The series builds to give a solid grounding in philosophy and each book is also ideal as a companion to further study. The philosophical questions raised by the history and practice of science are among the most complex and stimulating. The philosophy of science inquires into such matters as scientific reasoning, scientific explanation, the nature and value of scientific knowledge, progress in science, and the debate between realist and anti-realist views of science.

Da Costa and French explore the consequences of adopting a 'pragmatic' notion of truth in the philosophy of science. Their framework sheds new light on issues to do with belief, theory acceptance, and the realism-antirealism debate, as well as the nature of scientific models and their heuristic development.

Science has made a huge impact on human society over hundred years, but how does it work? How do scientists do the things they do? How do they come up with the theories? How do they test them? How do they use these theories to explain phenomena? How do they draw conclusions from them about how the world might be? Now updated, this second edition of Philosophy of Science: Key Concepts looks at each of these questions and more. Taking in turn the fundamental theories, processes and views lying at the heart of the philosophy of science, this engaging introduction illuminates the scientific practice and provides a better appreciation of how science actually works. It features: - Chapters on discovery, evidence, verification and falsification, realism and objectivity - Accessible overviews of work of key thinkers such as Galileo, Einstein and Mullis - A new chapter on explanation - An extended range of easy-to-follow and contemporary examples to help explain more technical ideas - Study exercises, an annotated bibliography and suggestions of Where to Go Next Succinct and approachable, Philosophy of Science: Key Concepts outlines some of the most central and important scientific questions, problems and arguments without assuming prior knowledge of philosophy. This enjoyable introduction is the perfect starting point for anyone looking to understand how and why science has shaped and changed our view of the world.

This volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination, the status of scientific performances-such as thought experiments and visual aids-and the role of aesthetic considerations in the context of discovery and justification of scientific theories. Several contributions focus on the concept of beauty as employed by practising scientists, the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the empirical work studying the experience of the sublime in science and its relation to the experience of understanding. The Aesthetics of Science tackles these topics from a variety of novel and thought-provoking angles. It will be of interest to researchers and advanced students in philosophy of science and aesthetics, as well as other subdisciplines such as epistemology and philosophy of mathematics.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination, the status of scientific performances-such as thought experiments and visual aids-and the role of aesthetic considerations in the context of discovery and justification of scientific theories. Several contributions focus on the concept of beauty as employed by practising scientists, the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the empirical work studying the experience of the sublime in science and its relation to the experience of understanding. The Aesthetics of Science tackles these topics from a variety of novel and thought-provoking angles. It will be of interest to researchers and advanced students in philosophy of science and aesthetics, as well as other subdisciplines such as epistemology and philosophy of mathematics.

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields, this edited collection engages with such questions as: Does representation function in the same way in science and in art? What important characteristics do scientific models share with literary fictions? What is the difference between interpretation in the sciences and in the arts? Can there be a science of aesthetics? In what ways can aesthetics and philosophy of science be integrated? Aiming to develop the interconnections between the philosophy of science and the philosophy of art more broadly and more deeply than ever before, this volume not only explores scientific representation by comparison with fiction but extends the scope of interaction to include metaphysical and other questions around methodology in mainstream philosophy of science, including the aims of science, the characterisation of scientific understanding, and the nature of observation, as well as drawing detailed comparisons between specific examples in both art and the sciences.

Can quantum particles be regarded as individuals, just like books, tables and people? According to the 'received' view - articulated by several physicists in the immediate aftermath of the quantum revolution - quantum physics itself tells us they cannot: quantum particles, unlike their classical counterparts, must be regarded as 'non-individuals' in some sense. However, recent work has indicated that this is not the whole story and that the theory is also consistent with the position that such particles can be taken to be individuals, albeit at a metaphysical price. Drawing on philosophical accounts of identity and individuality, as well as the histories of both classical and quantum physics, the authors explore these two alternative metaphysical packages. In particular, they argue that if quantum particles are regarded as individuals, then Leibniz's famous Principle of the Identity of Indiscernibles is in fact violated. Recent discussions of this conclusion are analysed in detail and, again, the costs involved in saving the Principle are carefully considered. Taking the alternative package, the authors deploy recent work in non-standard logic and set theory to indicate how we can make sense of the idea that objects can be non-individuals. The concluding chapter suggests how these results might then be extended to quantum field theory. Identity in Physics brings together a range of work in this area and further develops the authors' own contributions to the debate. Uniquely, as the title indicates, it situates this work in the appropriate formal, historical, and philosophical contexts.

Quantum theory is widely regarded as one of the most successful theories in the history of science. It explains a hugely diverse array of phenomena and is a natural candidate for our best representation of the world at the level of 'fundamental' physics. But how can the world be the way quantum theory says it is? It is famously unclear what the world is like according to quantum physics, which presents a serious problem for the scientific realist who is committed to regarding our best theories as more or less true. The present volume canvasses a variety of responses to this problem, from restricting or revising realism in different ways to exploring entirely new directions in the lively debate surrounding realist interpretations of quantum physics. Some urge us to focus on new formulations of the theory itself, while others examine the status of scientific realism in the further context of quantum field theory. Each chapter is written by a renowned specialist in the field and is aimed at graduate students and researchers in both physics and the philosophy of science. Together they offer a range of illuminating new perspectives on this fundamental debate and exemplify the fruitful interaction between physics and philosophy.

There Are No Such Things as Theories considers the fundamental question: what is a scientific theory? It presents a range of options - from theories are sets of propositions, to theories are families of models, abstract artefacts, or fictions - and highlights the various problems they all face. In so doing it draws multiple comparisons between theories and artworks: on the one hand, theories are like certain kinds of paintings with regard to their representational capacity; on the other, they are like musical works in that they can be multiply presented. An alternative answer to the question is then offered, drawing on the metaphysics of musical works: there are no such things as theories. Nevertheless, we can still talk about them, since that talk is made true by the various practices that scientists engage in. The implications of this form of eliminativism for the realism debate is then discussed and it is concluded that this may offer a more flexible framework in which we can understand both the history and the philosophy of science in general.

Science has made a huge impact on human society over hundred years, but how does it work? How do scientists do the things they do? How do they come up with the theories? How do they test them? How do they use these theories to explain phenomena? How do they draw conclusions from them about how the world might be? Now updated, this second edition of Philosophy of Science: Key Concepts looks at each of these questions and more. Taking in turn the fundamental theories, processes and views lying at the heart of the philosophy of science, this engaging introduction illuminates the scientific practice and provides a better appreciation of how science actually works. It features: - Chapters on discovery, evidence, verification and falsification, realism and objectivity - Accessible overviews of work of key thinkers such as Galileo, Einstein and Mullis - A new chapter on explanation - An extended range of easy-to-follow and contemporary examples to help explain more technical ideas - Study exercises, an annotated bibliography and suggestions of Where to Go Next Succinct and approachable, Philosophy of Science: Key Concepts outlines some of the most central and important scientific questions, problems and arguments without assuming prior knowledge of philosophy. This enjoyable introduction is the perfect starting point for anyone looking to understand how and why science has shaped and changed our view of the world.

Steven French suggests a radical new approach to the understanding of quantum physics, derived from Husserl's phenomenological philosophy. In 1939 two physicists, Fritz London and Edmund Bauer, published an account of measurement in quantum mechanics. Widely cited, their 'little book' featured centrally in an important debate over the role of consciousness in that process. However, it has been fundamentally misunderstood, both in that debate and beyond. Steven French argues that London, in particular, approached the measurement process from the perspective of Husserlian phenomenology, which he had studied as a student and which he retained an interest in throughout his career. This casts his work with Bauer in an entirely novel light and suggests a radical alternative understanding of quantum mechanics in which consciousness still plays a role but one that is fundamentally different than previously conceived. Most interpretations of the theory approach it on the basis of the so-called 'analytic' tradition in philosophy. However, there has recently been a surge of interest in 'continental' approaches and this book offers a significant new contribution to such developments. Intertwining history and philosophy, it presents London's background in physics and phenomenology, together with an outline of the latter as developed by Husserl, Gurwitsch, Merleau-Ponty and others, as well as a detailed analysis of the work on measurement with Bauer. The book concludes by comparing the London and Bauer understanding with that afforded by Fuch's QBism, Everett's 'Many Worlds' interpretation and Rovelli's Relational Quantum Mechanics. It is hoped that this exploratory work will open up new avenues of thought with regard to one of our most fundamental physical theories.

Imagine a place where all your darkest dreams and greatest fears manifest into reality. Think of abandoned urban streets, shrouded by rain and fog, where nightmare creatures prowl the everlasting night in search of human prey. Picture a desolate world ruled by petty and despotic gods who toy with the lives of mortals as if they were nothing more than disposable pawns in a cruel game of salvation and death.
Welcome to Misty Springs, Colorado. Brent Griffis awoke alone one day to find everyone he knew and loved was gone. What was worse is that the world had changed into a nightmare landscape populated by lost souls and desperate bloodthirsty fiends. Then his estranged wife called asking for help. Could she also be trapped in this world gone crazy? If so, could he be reunited with his daughter and all the other missing people he loved? Furthermore, could Brent survive in a world haunted by an eerie sinister presence?
A Supernatural Thriller & Dark Urban Fantasy

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone