A NEW YORKER BEST BOOK OF 2023 “To say Heighton is an immensely talented writer is true enough but insufficient ... As good a writer as Canada has ever produced.” —National Post The unforgettable last collection by the bestselling author of The Shadow Boxer A man recalls his father's advice on how to save a drowning person, but struggles when the time comes to use it. A wife’s good deed leaves a couple vulnerable at the moment when they’re most in need of security—the birth of their first child. Newly in love, a man preoccupied by accounts of freak accidents is befallen by one himself. In stories about love and fear, idealisms and illusions, failures of muscle and mind and all the ways we try to care for one another, Steven Heighton’s Instructions for the Drowning is an indelible last collection by a writer working at the height of his powers.

FINALIST FOR THE 2020 HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION * A New York Times New & Noteworthy Book * A CBC Best Nonfiction Book of 2020 * A Globe and Mail Top 100 Book for 2020 "Combining his poetic sensibilities and storytelling skills with a documentarian's eye, [Heighton] has created a wrenching narrative."-2020 Hilary Weston Writers' Trust Prize for Nonfiction Jury In the fall of 2015, Steven Heighton made an overnight decision to travel to the frontlines of the Syrian refugee crisis in Greece and enlist as a volunteer. He arrived on the isle of Lesvos with a duffel bag and a dubious grasp of Greek, his mother's native tongue, and worked on the landing beaches and in OXY--a jerrybuilt, ad hoc transit camp providing simple meals, dry clothes, and a brief rest to refugees after their crossing from Turkey. In a town deserted by the tourists that had been its lifeblood, Heighton--alongside the exhausted locals and under-equipped international aid workers--found himself thrown into emergency roles for which he was woefully unqualified. From the brief reprieves of volunteer-refugee soccer matches to the riots of Camp Moria, Reaching Mithymna is a firsthand account of the crisis and an engaged exploration of the borders that divide us and the ties that bind.

In 1871, nineteen men, women, and children, voyaging on the Arctic explorer USS Polaris found themselves cast adrift on an ice floe as their ship began to founder. Based on one of the most remarkable events in polar history, Afterlands tells the haunting story of this small society of castaways -- a white and a black American, five Germans, a Dane, a Swede, an Englishman, and two Inuit families -- and the harrowing six months they spend marooned in the Arctic, struggling to survive both the harsh elements and one another. As the group splinters into factions along ethnic and national lines, rivalries -- complicated by sexual desire, unrequited love, extreme hunger, and suspicion -- begin to turn violent. Steven Heighton's provocative novel fills in the blanks of the Polaris's documented history and explores the shattering emotional and psychological consequences faced by those who survive.

This is the story of Sevigne Torrins, poet and boxer, who sets out to make it in the world but whose sexual and professional misadventures take him from a demanding, muscular boyhood on the shores of Lake Superior to the trendy, bohemian life of Toronto and even to Egypt. In the tradition of such classics as LOOK HOMEWARD, ANGEL and JUDE THE OBSCURE, THE SHADOW BOXER is that rarest of contemporary performances, an ambitious, unabashedly romantic story about an exposed soul determined to live life to the hilt. Only a writer of Steven Heighton's extraordinary gifts could pull it off with such unsentimental passion and literary grace.

Part poet, part pugilist, Sevigne soon finds himself penning advertising jingles and hundred word plot summaries of classic novels instead of writing his own. Attracted and repelled by the bright lights of literary fame and the vicissitudes of love he seeks sanctuary from the city's destructive forcefield on an island in Lake Superior.

The stories in this collection explore Japan and the cultural differences between East and West as witnessed by a young traveller. The author examines how we recognize our foreignness when away from home and the difficulty of translation between generations.