Most modern critics (even those who have emphasized the `evolution' of Montaigne's ideas) have sought to explain away the contradictions and incoherences of Montaigne's Essais. Distinguo: Reading Montaigne Differently investigates the role of these internal differences in the opinions recorded, in voices and modes of discourse, in logical levels, in conceptions of writing and of reading, through a series of careful, lucid readings of selected passages from the Essais. The author tracks their operation in Montaigne's text and shows how Montaigne's writing constantly recontextualizes his own discourse (through his practice of interpolating new material in successive editions and adding new chapters) as well as that of other authors (through quotation, paraphrase, commentary). Rather than merely negative features, the author argues that such `differences' are essential to a practice of writing that both defines and challenges a notion of `unity', and can be seen as an uneasy and disturbing element related to a historical shift from earlier ways of controlling meaning, to one based on `the author function'. This careful and lucid book presents a fresh and significant interpretation of the Essais and shows how Montaigne's work might profitably and illuminatingly be read in a `different' way.

Money is an evil that does good, and a good that does evil. It inspires hymns to the prosperity it enables, manifestos about the poor it leaves behind, and diatribes for its corrosion of morality. In The Wisdom of Money, one of the world's great essayists guides us through the rich commentary that money has generated since ancient times-both the passions and the resentments-as he builds an unfashionable defense of the worldly wisdom of the bourgeoisie. Bruckner begins with the worshippers and the despisers. Sometimes they are the same people-priests, for example, who venerate the poor from within churches of opulence and splendor. This hypocrisy endures in our secular world, he says, not least in his own France, where it is de rigueur even among the rich to feign indifference to money. It is better to speak plainly about money in the old American fashion, in Bruckner's view. A little more honesty would allow us to see through the myths of money's omnipotence but also the dangers of the aristocratic, ideological, and religious systems of thought that try to put money in its place. This does not mean we should emulate the mega-rich with their pathologies of consumption, competition, and narcissistic philanthropy. But we could do worse than defy three hundred years of derision from novelists and poets to embrace the unromantic bourgeois virtues of work, security, and moderate comfort. It is wise to have money, Bruckner tells us, and wise to think about it critically.

Howard S. Becker is a name to conjure with on two continents in the United States and in France. He has enjoyed renown in France for his work in sociology, which in the United States goes back more than fifty years to pathbreaking studies of deviance, professions, sociology of the arts, and a steady stream of books and articles on method. Becker, who lives part of the year in Paris, is by now part of the French intellectual scene, a street-smart jazz pianist and sociologist who offers an answer to the stifling structuralism of Pierre Bourdieu. French fame has brought French analysis, including The Sociology of Howard S. Becker, written by Alain Pessin and translated into English by Steven Rendall. The book is an exploration of Becker's major works as expressions of the freedom of possibility within a world of collaborators. Pessin reads Becker's work as descriptions and ideas that show how society can embody the possibilities of change, of doing things differently, of taking advantage of opportunities for free action. The book is itself a kind of collaboration Pessin and Becker in dialogue. The Sociology of Howard S. Becker is a meeting of two cultures via two great sociological minds in conversation.

Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as "natural music" in explicit distinction to song, which Deschamps defines as "artificial." Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps' poetics and develops a new perspective on the poetics and poetry of the Grands rhetoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.

From Amazon to Tinder, from Google to Deliveroo, there is no facet of human life which the digital revolution has not streamlined and dematerialised. Its objective was to reduce the cost of physical interactions by forgoing face-to-face interactions, a direct result of the free-market shock of the 1980s, which sought to seamlessly expand the marketplace in every possible dimension. Today, we can be algorithmically entertained, educated, cared for and courted in a way which was impossible in the old industrial society, where institutions structured the social world. Today, these institutions have been replaced by monetised virtual contact.  As with the industrial revolution of the past, the digital revolution is creating a new economy and a new sensibility, bringing about a radical revaluation of society and its representations.  While obsessed with the search for an efficient management of human relations, the new digital capitalism gives rise to an irrational and impulsive Homo numericus prone to an array of addictive behaviours.  Far from producing a new agora, social media produce a radicalization of public debate in which hate-filled speech directed against adversaries becomes the norm.  The good news is that these outcomes are not inevitable. Technologies have not taken control of our lives. The digital revolution also offers an alternative path: one that leads to a world in which every word deserves to be listened to, without a transcendent truth hanging over it.  Are we able to seize the new opportunities opened up by the digital revolution without succumbing to its dark side?

The world’s leading economist of inequality presents a short but sweeping and surprisingly optimistic history of human progress toward equality despite crises, disasters, and backsliding. A perfect introduction to the ideas developed in his monumental earlier books.

It’s easy to be pessimistic about inequality. We know it has increased dramatically in many parts of the world over the past two generations. No one has done more to reveal the problem than Thomas Piketty. Now, in this surprising and powerful new work, Piketty reminds us that the grand sweep of history gives us reasons to be optimistic. Over the centuries, he shows, we have been moving toward greater equality.

Piketty guides us with elegance and concision through the great movements that have made the modern world for better and worse: the growth of capitalism, revolutions, imperialism, slavery, wars, and the building of the welfare state. It’s a history of violence and social struggle, punctuated by regression and disaster. But through it all, Piketty shows, human societies have moved fitfully toward a more just distribution of income and assets, a reduction of racial and gender inequalities, and greater access to health care, education, and the rights of citizenship. Our rough march forward is political and ideological, an endless fight against injustice. To keep moving, Piketty argues, we need to learn and commit to what works, to institutional, legal, social, fiscal, and educational systems that can make equality a lasting reality. At the same time, we need to resist historical amnesia and the temptations of cultural separatism and intellectual compartmentalization. At stake is the quality of life for billions of people.

We know we can do better, Piketty concludes. The past shows us how. The future is up to us.

An Australian Book Review Best Book of the Year One of France's most famous historians compares two exemplars of political and military leadership to make the unfashionable case that individuals, for better and worse, matter in history. Historians have taught us that the past is not just a tale of heroes and wars. The anonymous millions matter and are active agents of change. But in democratizing history, we have lost track of the outsized role that individual will and charisma can play in shaping the world, especially in moments of extreme tumult. Patrice Gueniffey provides a compelling reminder in this powerful dual biography of two transformative leaders, Napoleon Bonaparte and Charles de Gaulle. Both became national figures at times of crisis and war. They were hailed as saviors and were eager to embrace the label. They were also animated by quests for personal and national greatness, by the desire to raise France above itself and lead it on a mission to enlighten the world. Both united an embattled nation, returned it to dignity, and left a permanent political legacy-in Napoleon's case, a form of administration and a body of civil law; in de Gaulle's case, new political institutions. Gueniffey compares Napoleon's and de Gaulle's journeys to power; their methods; their ideas and writings, notably about war; and their postmortem reputations. He also contrasts their weaknesses: Napoleon's limitless ambitions and appetite for war and de Gaulle's capacity for cruelty, manifested most clearly in Algeria. They were men of genuine talent and achievement, with flaws almost as pronounced as their strengths. As many nations, not least France, struggle to find their soul in a rapidly changing world, Gueniffey shows us what a difference an extraordinary leader can make.

Noam is a young man when the Flood wreaks havoc on the world, destroying the peaceful lakeside village he called home, and turning his whole life upside down. Destined to live forever as an immortal, Noam travels through the centuries in search of the meaning of life, and the events which shaped who we have become today. Paradises Lost is the first installment of Eric-Emmanuel Schmitt’s monumental project of recounting the history of humanity, the fruits of more than thirty years of research. The first in a series, and in the form of a stylistic novel much like Yuval Noah Harari crossed with Alexandre Dumas. Schmitt combines his scientific, religious and philosophical research to propel readers from one world to another, and from pre-history to today.

In 1857 the Gunzburgs arrived in Paris from Russia with their large family, a retinue of business staff and extensive domestic help: personal assistants, secretaries, tutors, wet-nurses and nannies, coachmen, ladies' companions, valets and maids, and even a kosher cook. For the Gunzburgs were practising Jews who observed every religious law whilst also launching themselves into Parisian high society. Napoleon III was on a mission to modernise France and the Gunzburgs were quick to avail themselves of opportunities that were opening up - particularly in banking. The family fortunes prospered through hard work, foresight and marriage. Soon the family was playing a leading role in the Jewish communities of both Russia and France, alongside their contemporaries or relatives the Ephrussis, the Rothschilds, the Brodskys, the Camondos and the Sassoons. The family lived through the tumultuous events of the Franco-Prussian War of 1871, and when family tragedy struck later, they returned the family base to Russia. They witnessed the Russian pogroms and revolution of 1905. Their sons fought in the armies of three countries in the First World War, only to go into exile as revolution gripped Russia in 1917-18. The outbreak of the Second World War saw some of the family once again on the road as refugees. Lorraine de Meaux discovers lost archives, letters and pictures, as she brings together distant family members in her story of the Gunzburgs.

In this moving and engaging book by one of France’s few female rabbis and leader of the country’s Liberal Jewish Movement, Delphine Horvilleur recounts eleven stories of loss, mourning, and consolation, collected during years spent caring for the dying and their loved ones. From Charlie Hebdo columnist Elsa Cayat, to Simone Veil and Marceline Loridan, “the girls of Birkenau�; from Yitzhak Rabin, to Myriam, a New Yorker obsessed with planning her own funeral, to the author friend’s Ariane and her struggle with terminal illness, Horvilleur writes about death with intelligence, humour, and compassion. Rejecting the contemporary tendency to banish death from our thoughts, she encourages us to embrace its presence as a fundamental part of life.  Drawing from the Jewish tradition, Living with Our Dead is a profoundly humanist, universal, and hopeful book that celebrates life, love, memory and the power of storytelling to inspire and sustain us.

Patrice Gueniffey is the leading French historian of the Revolutionary and Napoleonic age. This book, hailed as a masterwork on its publication in France, takes up the epic narrative at the heart of this turbulent period: the life of Napoleon himself, the man who-in Madame de Stael's words-made the rest of "the human race anonymous." Gueniffey follows Bonaparte from his obscure boyhood in Corsica, to his meteoric rise during the Italian and Egyptian campaigns of the Revolutionary wars, to his proclamation as Consul for Life in 1802. Bonaparte is the story of how Napoleon became Napoleon. A future volume will trace his career as emperor. Most books approach Napoleon from an angle-the Machiavellian politician, the military genius, the life without the times, the times without the life. Gueniffey paints a full, nuanced portrait. We meet both the romantic cadet and the young general burning with ambition-one minute helplessly intoxicated with Josephine, the next minute dominating men twice his age, and always at war with his own family. Gueniffey recreates the violent upheavals and global rivalries that set the stage for Napoleon's battles and for his crucial role as state builder. His successes ushered in a new age whose legacy is felt around the world today. Averse as we are now to martial glory, Napoleon might seem to be a hero from a bygone time. But as Gueniffey says, his life still speaks to us, the ultimate incarnation of the distinctively modern dream to will our own destiny.

A COMPELLING AND ADDICTIVE PAGETURNER TO IMMERSE YOURSELF IN THIS SUMMER "He waits joylessly, patiently, and lets himself go. The stone house may end up being his grave. Who's doing what, who's chasing who? Who is the mouse, and who's the cat?" It's the middle of a long hot summer on the French Mediterranean shore and the town is full of tourists. Two tired cops who are being slowly devoured by dull routine and family worries, deal with the day's misdemeanours and petty complaints at the Perpignan police headquarters without a trace of enthusiasm. Out of the blue, a young Dutch woman is brutally murdered on the beach, and another disappears without a trace in the alleys of the city. A serial killer obsessed with Dutch women? The media goes wild. Gilles Sebag finds himself thrust into the middle of a diabolical game. If he intends to salvage something anything he will have to put aside his personal worries, forget his suspicions of his wife's unfaithfulness, ignore his heart murmur, get over his existential angst. WHAT READERS ARE SAYING: "Gilles Sebag is a superb detective. The world of crime is balanced with family life." - Lanna on Amazon "Subtle yet effective in building suspense." - Deb on Goodreads "If you're looking for a good read - whether on holiday or not - you can't do much better than this." - David on Amazon

As a young woman, Else made two promises to herself: to live life to the fullest and to have a child with every man she loves. You Are Not Like Other Mothers tells the stories of the men in her life―husbands, companions, lovers and emissaries of a world in which men repeatedly prove themselves inadequate. It also tells the stories of Peter, Bettina, and Angelika, Else’s three children.

Set during World War I and then the roaring twenties and the advent of Nazism and, for Else, exile in Bulgaria. But these dark years are also a time of experimentation, during which Else and the people in her life explore alternative modes of interpersonal relationships. All these stories and their characters are held together by the forceful figure of a woman who is larger than life.

But the indomitable Else will make a most human mistake when she tries to hide the real extent of the Nazi tragedy from her children and, instead of protecting them, she brings disaster down upon her family.

From Nobel Prize-winning economist Jean Tirole, a bold new agenda for the role of economics in society When Jean Tirole won the 2014 Nobel Prize in Economics, he suddenly found himself being stopped in the street by complete strangers and asked to comment on issues of the day, no matter how distant from his own areas of research. His transformation from academic economist to public intellectual prompted him to reflect further on the role economists and their discipline play in society. The result is Economics for the Common Good, a passionate manifesto for a world in which economics, far from being a "dismal science," is a positive force for the common good. Economists are rewarded for writing technical papers in scholarly journals, not joining in public debates. But Tirole says we urgently need economists to engage with the many challenges facing society, helping to identify our key objectives and the tools needed to meet them. To show how economics can help us realize the common good, Tirole shares his insights on a broad array of questions affecting our everyday lives and the future of our society, including global warming, unemployment, the post-2008 global financial order, the Euro crisis, the digital revolution, innovation, and the proper balance between the free market and regulation. Providing a rich account of how economics can benefit everyone, Economics for the Common Good sets a new agenda for the role of economics in society.

The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinema from 1957 to 1963, Eric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: Francois Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.

The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinema from 1957 to 1963, Eric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: Francois Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.

A revolutionary account of the ancient Greek economy This comprehensive introduction to the ancient Greek economy revolutionizes our understanding of the subject and its possibilities. Alain Bresson is one of the world's leading authorities in the field, and he is helping to redefine it. Here he combines a thorough knowledge of ancient sources with innovative new approaches grounded in recent economic historiography to provide a detailed picture of the Greek economy between the last century of the Archaic Age and the closing of the Hellenistic period. Focusing on the city-state, which he sees as the most important economic institution in the Greek world, Bresson addresses all of the city-states rather than only Athens. An expanded and updated English edition of an acclaimed work originally published in French, the book offers a groundbreaking new theoretical framework for studying the economy of ancient Greece; presents a masterful survey and analysis of the most important economic institutions, resources, and other factors; and addresses some major historiographical debates. Among the many topics covered are climate, demography, transportation, agricultural production, market institutions, money and credit, taxes, exchange, long-distance trade, and economic growth. The result is an unparalleled demonstration that, unlike just a generation ago, it is possible today to study the ancient Greek economy as an economy and not merely as a secondary aspect of social or political history. This is essential reading for students, historians of antiquity, and economic historians of all periods.

Why has religion persisted across the course of human history? Secularists have predicted the end of faith for a long time, but religions continue to attract followers. Meanwhile, scholars of religion have expanded their field to such an extent that we lack a basic framework for making sense of the chaos of religious phenomena. To remedy this state of affairs, Martin Riesebrodt here undertakes a task that is at once simple and monumental: to define, understand, and explain religion as a universal concept. Instead of propounding abstract theories, Riesebrodt concentrates on the concrete realities of worship, examining religious holidays, conversion stories, prophetic visions, and life-cycle events. In analyzing these practices, his scope is appropriately broad, taking into consideration traditions in Judaism, Christianity, Islam, Buddhism, Daoism, and Shinto. Ultimately, Riesebrodt argues, all religions promise to avert misfortune, help their followers manage crises, and bring both temporary blessings and eternal salvation. And, as "The Promise of Salvation" makes clear through abundant empirical evidence, religion will not disappear as long as these promises continue to help people cope with life.

In this brillant meditation on conceptions of history, Le Goff traces the evolution of the historian's craft. Examining real and imagined oppositions between past and present, ancient and modern, oral and written history, "History and Memory" reveals the strands of continuity that have characterized historiography from ancient Mesopotamia to modern Europe.

Happiness today is not just a possibility or an option but a requirement and a duty. To fail to be happy is to fail utterly. Happiness has become a religion--one whose smiley-faced god looks down in rebuke upon everyone who hasn't yet attained the blessed state of perpetual euphoria. How has a liberating principle of the Enlightenment--the right to pursue happiness--become the unavoidable and burdensome responsibility to be happy? How did we become unhappy about not being happy--and what might we do to escape this predicament? In "Perpetual Euphoria," Pascal Bruckner takes up these questions with all his unconventional wit, force, and brilliance, arguing that we might be happier if we simply abandoned our mad pursuit of happiness.

Gripped by the twin illusions that we are responsible for being happy or unhappy and that happiness can be produced by effort, many of us are now martyring ourselves--sacrificing our time, fortunes, health, and peace of mind--in the hope of entering an earthly paradise. Much better, Bruckner argues, would be to accept that happiness is an unbidden and fragile gift that arrives only by grace and luck.

A stimulating and entertaining meditation on the unhappiness at the heart of the modern cult of happiness, "Perpetual Euphoria" is a book for everyone who has ever bristled at the command to "be happy."

During the spring of 1933, Stalin's police rounded up nearly one hundred thousand people as part of the Soviet regime's "cleansing" of Moscow and Leningrad and deported them to Siberia. Many of the victims were sent to labor camps, but ten thousand of them were dumped in a remote wasteland and left to fend for themselves. "Cannibal Island" reveals the shocking, grisly truth about their fate.

These people were abandoned on the island of Nazino without food or shelter. Left there to starve and to die, they eventually began to eat each other. Nicolas Werth, a French historian of the Soviet era, reconstructs their gruesome final days using rare archival material from deep inside the Stalinist vaults. Werth skillfully weaves this episode into a broader story about the Soviet frenzy in the 1930s to purge society of all those deemed to be unfit. For Stalin, these undesirables included criminals, opponents of forced collectivization, vagabonds, gypsies, even entire groups in Soviet society such as the "kulaks" and their families. Werth sets his story within the broader social and political context of the period, giving us for the first time a full picture of how Stalin's system of "special villages" worked, how hundreds of thousands of Soviet citizens were moved about the country in wholesale mass transportations, and how this savage bureaucratic machinery functioned on the local, regional, and state levels.

"Cannibal Island" challenges us to confront unpleasant facts not only about Stalin's punitive social controls and his failed Soviet utopia, but about every generation's capacity for brutality--including our own.

In this incisive book, Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws brilliantly on an immense theoretical literature to speak of an apposite use of imaginative literature.

What can psychoanalysis, a psychological approach developed more than a century ago, offer us in an age of rapidly evolving, hard-to-categorize ideas of sexuality and the self? Should we abandon Freud's theories completely or adapt them to new findings and the new relationships taking shape in modern liberal societies? In a remarkably prescient series of lectures delivered in the early 1960s, the French philosopher Louis Althusser anticipated the challenges that psychoanalytic theory would face as politics moved away from structuralist frameworks and toward the elastic possibilities of anthropological and sociological thought. Psychoanalysis and the Human Sciences translates Althusser's remarkable seminars into English for the first time, making available to a wider audience the origins and potential future of radical political theory. Althusser takes the important step in these lectures of distinguishing psychoanalysis from psychology and especially psychiatry, which long resisted Freud's analytical concepts of the unconscious and overdetermination. By freeing psychoanalysis from this bind, Althusser can then apply these analytical concepts to the social and the political, integrated with Marxist theory. The result is an enlivened methodology for comprehending social organization and change that had a profound influence on the Frankfurt School and scholars who continue to work at the forefront of radical thought today: Judith Butler, Etienne Balibar, and Alain Badiou.