Triple bill of romantic dramas based on the novels by Nicholas Sparks. In 'Dear John' (2010), while Special Forces Army Sergeant John Tyree (Channing Tatum) is home on leave, he meets beautiful college student Savannah Curtis (Amanda Seyfried) and the two fall in love. When the time comes for Savannah to return to college, she promises to write to John during his 12-month enlistment overseas. However, their budding love affair is put to the test when John decides to re-enlist in the wake of the 9/11 attacks. 'Safe Haven' (2013), follows the fortunes of a guarded young woman who unexpectedly finds love in a North Carolina town. Katie Feldman (Julianne Hough) stands out on arrival in Southport. Beautiful but highly reserved, she makes it clear that she expects to have little involvement in the social life of the town and its inhabitants. However, an unforeseen chain of events brings Katie close to Alex (Josh Duhamel), a widower who runs a store while also attempting to bring up his young children. As she inexorably falls in love with Alex and the children Katie begins to let down her guard, but doing so threatens to raise the dark secret she has been protecting. Will she find a way to reconcile the trauma of her past with the possibility of a brighter future? 'The Best of Me' (2014), charts the relationship between Dawson Cole (Luke Bracey/James Marsden) and Amanda Collier (Liana Liberato/Michelle Monaghan), two people from opposite sides of town, who fall deeply in love as teenagers. However, Amanda's parents don't approve of Dawson and their relationship is short-lived due to a number of unfortunate events outside of their control. 20 years later, the pair are reunited at a mutual friend's funeral and it doesn't take long for their romance to rekindle. But although it seems the universe is conspiring to bring them back together after all this time, it seems there are still other forces at work which are determined to keep them apart...

The acclaimed live action retelling of the animated classic.

A struggling merchant stumbles upon the magical domain of the fearsome Beast, who sentences him to death for stealing a rose. The merchant’s youngest daughter Belle bravely sacrifices herself and takes her father’s place.

Once at the Beast’s castle, it is not death that awaits Belle, but a strange and fantastical life unlike anything she has ever experienced… and the discovery that her mysterious host is living under a terrible enchantment. As Belle valiantly attempts to release the Beast from his curse, the two discover that a most unlikely bond blooms between them… true love.

Comprehensive Heterocyclic Chemistry IV provides a first point of entry for scientists interested in heterocyclic ring systems. Given the rapid expansion of publications in this field, this compilation of definitive reviews is especially important and invaluable. Written by leading scientists who have evaluated and summarized the most important data published over the last decade, this book is an invaluable addition to the reference library of anyone working with heterocyclic ring systems. Spanning 14 volumes, over 13,000 pages, and 240 chapters, this new edition builds on, and complements, the material in previous editions. This comprehensive resource is designed to be used both as a standalone resource and in conjunction with earlier works.

During the late 1960s and 1970s, as Film Studies crystallized into an academic discipline, psychological realism became linked to both classical Hollywood and continuity editing. The style was derided as theatrical, or worse, bourgeois, a product of a capitalism that valorized individual personality. This view persists, though often tacitly. However, we must attribute some degree of mindedness to any figure that we might call a character, even if that psyche is established not by a performer but by another aspect of the film, such as editing. Through the study of performer and director Mike Nichols, Kyle Stevens questions the aesthetic-ideological stance against psychological realism. He argues that characters' actions are not just filmed concepts but can be film concepts whose forms resonate politically. Nichols' oeuvre centers on moments when words and gestures cease to mean, or to mean in typical ways. In doing so, he exposes the pretense of tropes that constitute conventionally realist characters, and participates in changes in U.S. cultural attitudes toward language, subjectivity, embodiment, and the social, particularly with regard to sexual politics. This book thus sheds light on Hollywood history, historicizes Film Studies' turn away from humanism, and reassesses paradigms that hold psychological realism to be "transparent"-thereby blinding us to potentially subtle and subversive uses of this aesthetic choice.

When it comes to Irish America, certain names spring to mind Kennedy, O'Neill and Curley testify to the proverbial footsteps of the Gael in Boston. However, few people know of Sister Mary Anthony O'Connell, whose medical prowess carried her from the convent to the Civil War battlefields, earning her the nickname the Boston Irish Florence Nightingale, or of Barney McGinniskin, Boston's first Irish cop, who proudly roared at every roll call, McGinniskin from the bogs of Ireland present! Along with acclaim or notoriety, many forgotten Irish Americans garnered numerous historical firsts. In "Hidden History of the Boston Irish," Peter F. Stevens offers an entertaining and compelling portrait of the Irish immigrant saga and pays homage to the overlooked, yet significant, episodes of the Boston Irish experience.

Surviving critical illness is not always the happy ending we imagine for patients. Many ICU survivors suffer from a range of long-lasting physical and psychological issues such end stage renal disease, congestive heart failure, cognitive impairment, neuromuscular weakness, and depression or anxiety, which affect their overall quality of life and ability to lead productive lives. This lingering burden or 'legacy' of critical illness is now recognized as a major public health issue, with major efforts underway to understand how it can be prevented, mitigated, or treated. The Textbook of Post-ICU Medicine: The Legacy of Critical Care discusses the science of the recovery process and the innovative treatment regimens which are helping ICU survivors regain function as they heal following trauma or disease. Describing the major clinical syndromes affecting ICU survivors, the book delineates established or postulated biological mechanisms of the post-acute recovery process, and discusses strategies for treatment and rehabilitation to promote recovery in the ICU and in the long term. The chapters are written by an interdisciplinary panel of leading clinicians and researchers working in the field. The book serves as a unique reference for general practitioners, internists and nurses caring for long term ICU survivors as well as specialists in intensive care medicine, neurology, psychiatry, and rehabilitation medicine.

For all its concern with change in the present and future, science fiction is deeply rooted in the past and, surprisingly, engages especially deeply with the ancient world. Indeed, both as an area in which the meaning of "classics" is actively transformed and as an open-ended set of texts whose own 'classic' status is a matter of ongoing debate, science fiction reveals much about the roles played by ancient classics in modern times. Classical Traditions in Science Fiction is the first collection dedicated to the rich study of science fiction's classical heritage, offering a much-needed mapping of its cultural and intellectual terrain. This volume discusses a wide variety of representative examples from both classical antiquity and the past four hundred years of science fiction, beginning with science fiction's "rosy-fingered dawn" and moving toward the other-worldly literature of the present day. As it makes its way through the eras of science fiction, Classical Traditions in Science Fiction exposes the many levels on which science fiction engages the ideas of the ancient world, from minute matters of language and structure to the larger thematic and philosophical concerns.

Identifying and assessing the ways in which changes in the marketing mix affect consumer behavior is key to a successful marketing strategy. The Essentials of Marketing Research guides the student in designing, conducting and interpreting marketing research. This comprehensive textbook covers the full range of topics, including: Secondary research and data mining Internet marketing research Qualitative and exploratory research Statistical analysis Marketing research ethics With learning objectives at the beginning of each chapter, a host of cases and a comprehensive companion website, this book offers a range of tools to help students develop and test their research and analytical skills.

The world-wide sales of polysiloxanes or silicones at the beginning of this new millennium is approximately $10 billion per year. Commercial products range from those entirely composed of silicone to products where the silicone is a low level but key component. This symposium covered the recent academic and technological developments behind silicones and silicone-modified materials and the sessions were well attended of wide interest to both the academic and industrial communities. The papers from our two highly successful symposia in this important area were published in the books Silicones and Silicone-Modified Materials, (Eds. S. J. Clarson, J. J. Fitzgerald, M. J. Owen and S. D. Smith), ACS Symposium Series Vol. 729 / Oxford University Press, 2000, ISBN 0-8412-3613-5 and Synthesis and Properties of Silicones and Silicone-Modified Materials, (Eds. S. J. Clarson, J. J. Fitzgerald, M. J. Owen, S. D. Smith and M. E. Van Dyke), ACS Symposium Series Vol 838 / Oxford University Press, 2003, ISBN 0-8412-3804-9

EL Katz directs this dark comedy thriller starring Pat Healy, Ethan Embry, David Koechner and Sara Paxton. When Craig (Healy) loses his job and gets an eviction notice on his house he favours a drink at a local bar with old friend Vince (Embry) over returning home to his disapproving wife. When the cash-strapped duo are approached by a mysterious couple who propose a series of dares in exchange for money for their amusement Craig and Vince think their luck has arrived. As the dares get more dangerous and the wagers increase the pair start to wonder who these people really are. How far will they go to achieve the ultimate payout?