'Excellent ... an astounding amount of material.' Times Educational Supplement Popular culture often portrays the Holocaust as a horrific drama played out between Nazi executioners and ghetto Jewish victims - in short, a single aberration of history. Introducing the Holocaust is a powerful graphic guide that dissolves this stereotype, explaining the causes and its relevance today. It places the Holocaust where it belongs - at the centre of modern European and world history. Haim Bresheeth and Stuart Hood - along with Litza Jansz's outstanding illustrations - bring a unique and unforgettable perspective to how we think about this most dark of shadows on human history.

Did Fascism end with the Allied victory over the Axis powers in 1945, or has it been lying dormant and is now re-awakening as we move into the 21st century? Introducing Fascism trace the origins of Fascism in 19th-century traditions of ultra-conservatism, the ideas of Nietzsche, Wagner and other intellectuals which helped to make racist doctrines respectable and which led to the ultimate horrifying 'logic' of the Holocaust. Introducing Fascism investigates the four types of Fascism that emerged after the First World War in Italy, Germany, Spain and Japan. It also looks beyond the current headlines of neo-Nazi hooliganism and examines the increasing political success of the far right in Western Europe and the explosion of ultra-nationalisms in Eastern Europe and the former Soviet Union.

Mistero Buffo, or The Comic Mysteries, is based on research into mediaeval mystery plays; The Accidental Death of an Anarchist concerns the "accidental" (or not) death of an anarchist railwork who "fell" (or was pushed) to his death from a police headquarters window in 1969; Trumpets and Raspberries is "A deeply subversive farce" (The Guardian) in which the boss of Italy's biggest car manufacturer FIAT, is mistaken for a left wing terrorist.

In its first two years of production in Italy, Dario Fo's notorious Accidental Death of an Anarchist was seen by over half a million people. It has since been performed all over the world, and become a classic of twentieth-century drama. A sharp and hilarious satire on police corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window. 'I ought to warn you that the author of this sick little play, Dario Fo, has the traditional, irrational hatred of the police common to all narrowminded left-wingers and so I shall, no doubt, be the unwilling butt of endless anti-authoritarian jibes.' (Inspector Bertozzo, Central Italian Police HQ) 'A marvellous concept: a zany political farce.' (Michael Billington) This edition has been adapted by Gavin Richards from Gillian Hanna's translation and features an introduction by Stuart Hood and a preface by Dario Fo.

First published in 1980, this compact introduction to television broadcasting as an industry offers jargon-free analysis of every many aspects of broadcasting.;Stuart Hood draws on his inside experience of the industry (and its politics) to present this work as an unashamed - but increasingly critical - defence of television as a legitimate public forum. Updated to include the momentous changes in broadcasting over recent decades, and coverage of specific broadcasting "events" such as the Gulf War, the 4th edition of this work provides a key text for those with an interest in studying television as a medium.