Zvi Luria has begun to lose his memory. At the beginning he only makes small mistakes, forgetting first names and taking home the wrong child from his grandson's kindergarten, but he knows that things will only get worse. He's 73 and a retired road engineer. His neurologist hints at the path his illness might take and suggests ways of comabtting it, with the help of his wife Dina. Dina, a respected paediatrician, is keen for him to return to meaningful activity, and suggests he volunteers to work with his old colleagues at the Israel Roads Authority. This is how Luria finds himself at the Ramon Crater in the Negev desert planning a secret road for the army with the son of his former colleague. But there's a mystery about a certain hill on the route of this road. Who are the people living there and why are they trapped? And should the hill be flattened and the family evicted, or should a tunnel beneath it be built? With humour and great tenderness, A.B. Yehoshua depicts the love between Luria and his wife as they confront the challenges of his illness. Just when Luria's sense of identity becomes more compromised, then does he find himself, enabling a rich meditation on the entwined identities of Israeli Jews and Palestinians and on the nature of memory itself. Yehoshua weaves a masterful story about a long and loving marriage, interlaced with biting social commentary and caustic humour.

An experiment is under way in Tel Aviv and Jerusalem: a woman, recently widowed, is starting a trial period in assisted living, mainly to placate her over-anxious son, whilst in Jerusalem her daughter Noga, a young harpist, returns from her job with a Dutch orchestra to look after the family apartment. To enliven her stay, Noga's brother finds work for her - playing roles as an extra in film, TV, and in the opera Carmen. The random roles Noga is thrust into resonate strangely with her own life which she begins to re-evaluate. Central to her past is the fact that she refused to have children, resulting in the break-up of her marriage. No-one in her family understood her motives for not wanting children and everyone has a different explanation for it. Now, a chance encounter with her former husband reveals his continuing powerful, love as well as a shocking deed she committed during their marriage. But Noga is a free spirit neither tied to the past nor defined by it, and always keen to push boundaries. She lives for her music and is willing to go wherever it takes her. The three-month experiment proves as much of a test for her as for her mother and both are radically transformed by the end. A.B. Yehoshua is as creative, humorous and provocative as ever in The Extra, exploring themes familiar to him of love, family relationships and artistic ambitions, set mainly in an ever-changing Jerusalem.

In exhilarating and lucid prose, Grossman gives us a provocative new take on the story of Samson: his battle with the lion, the three hundred burning foxes, the women he bedded, the one he loved and who betrayed him and the destruction of the temple. It reveals the journey of a lonely and tortured soul, whose search for a true home echoes our own private struggles. The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.

'There are few other Bible stories with so much drama and action, narrative fireworks and raw emotion, as we find in the tale of Samson: the battle with the lion; the three hundred burning foxes; the women he bedded and the one woman that he loved; his betrayal by all the women in his life, from his mother to Delilah; and, in the end, his murderous suicide, when he brought the house down on himself and three thousand Philistines.' 'Yet, beyond the wild impulsiveness, the chaos, the din, we can make out a life story that is, at bottom, the tortured journey of a single, lonely and turbulent soul who never found, anywhere, a true home in the world, whose very body was a harsh place of exile.' 'For me, this discovery, this recognition, is the point at which the myth - for all its grand images, its larger-than-life adventures - slips silently into the day-to-day existence of each of us, into our most private moments, our buried secrets.' - from David Grossman's Introduction to "Lion's Honey". This work is part of the "Canongate Myths" series.