Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world's most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: "how can theatre respond to a world in crisis?" The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre's most prolific dramatists.

Macho men or metrosexual guys? Mummy's boys or blokes under their missus' thumbs? Self-made entrepreneurs, pukka professionals and successful executives with their Mercedes Benz lives and designer-clad wives; husbands, sons, uncles, brothers and fathers - these successful, soulful and spirited Asian men have come a long way from their origins but they've all got roots! The Trouble with Asian Men is a vital, tender and hilarious insight into lives that surround us every day, from the award-winning theatre company that brought us East is East. The Trouble with Asian Men is a revealing verbatim comedy which has played to sell-out houses internationally.

When Gaby disappears from her Scottish home, it is assumed that her Pakistani father, Farhan, has kidnapped her. The spiralling headlines are only momentarily silenced when it emerges that Gaby may have fled of her own accord, choosing to spend her life in Pakistan. To the distress of her Scottish mother, Suzy, Gaby declares, "My name is Ghazala," turning her back on "Gaby" and, seemingly, the West.This moving verbatim play reveals a cross-cultural love story that began in late-seventies Glasgow, a world away from the frantic "tug of love" well documented in the world's press. A captivating new play about love, family and ever-shifting identities, "My Name Is . . . "tells the story behind an event that fleetingly hit headlines in 2006 and continues to resonate throughout the UK and beyond. It was first produced by Tamasha at the Arcola Theatre, London, on 30 April 2014, before the production transferred to the Tron Theatre, Glasgow, on 29 May 2014.

Tamasha Theatre's stunning new play Strictly Dandia, Tamasha Theatre Company's new play, takes us into the competitive world of the Navratri Festival where regional and caste rivalries abound in a bid to outdo each other with smart moves and step variations. An affectionate satirical tribute to British Gujaratis adapting their Hindu dance festivities to London street culture. A disco-dandia competition brings the Hindu Juliet and Muslim Romeo together in spit of their communities' disapproval."All heart and humour, irresistibly charming and shamelessly enjoyable...a treat" Sunday Times [on Fourteen Songs, Two Weddings and a Funeral] Published to tie in with the premiere at the Lyric Theatre, Hammersmith in January 2004, prior to a nation-wide tour.

How important is touch to you? Is there enough touch in the world or are we experiencing collective 'touch hunger' in these troubling times? Touchstone Tales is a unique collection of revealing and illuminating stories of Lutonians, seen through the prism of touch. Originally a Revoluton Arts/Wellcome collection co-commission, it is part of Wellcome's national arts partnership programme and is an artist response to 'The Touch Test', Wellcome's study on the role that touch plays in the lives and well-being of people. Pholi, a Sikh widow in isolation reminisces about Romancing in Bury Park in the 60s and delights in the children of her Polish neighbours. Hamza aka Desi cake lover awaits his Amazon parcels hoping that the arrival of 'rose petals' for his Persian love cake will help him find love in lockdown, The Ninja Sister inspires Sophia out of her shell and gives her the gift of confidence and faith in God, through sparring with the 'sisters' at Pink Diamond martial arts Club and in The Eid Hug, Anwar searches for his father's full embrace, even in middle age. Farid and Manju celebrate their inter-faith friendship through iconic song and stories of lost loves and youth in The Fairy Queen, Nazira shares her buried secret in And the world kept turning, and offers touch through performing the last rites for others, a particularly humbling experience during Covid 19 and Atif in Paisley and Roses helps customers to adorn themselves in silks and shawls and realises that it is his absent mother's touch that he is longing for in her fineries. Written by award-winning author Sudha Bhuchar, the play explores the theme of touch through a collection of fictional self-portrait monologues and a dualogue, directly inspired by creative encounters with mainly the British Muslim South Asian communities in Bury Park, Luton.

An emotionally charged story of love and loss set during India's partition.

When his fingers slip away from his father's hand, one boy's destiny changes forever.

In the chaos of border crossing between India and the newly formed Pakistan, a small boy called Pali suddenly finds himself lost and alone. Taken in to a Muslim family he is given a new name, and a new faith - Islam. In his changed world, he learns to find love and forge friendships in the most unexpected of places. Seven years later when fate reunites him with his Hindu roots; he must decide if he is the boy he was born, the boy he has been brought up to be, or simply a Child of the Divide.

Child of the Divide, produced by Tamasha Theatre Company and Polka Theatre, premiered on 5 May 2006 at Polka Theatre, Wimbledon, London.