Sue-Ellen Case is arguably the most influential and significant scholar in feminist and queer theatre studies. This collection brings together her most important writing. Framing this with new introductory material, Sue-Ellen Case will contextualise her work within broader developments in critical theory and feminist / lesbian studies.

This impressive new book from Sue-Ellen Case looks at how science has been performed throughout history, tracing a line from nineteenth century alchemy to the twenty-first century virtual avatar. In this bold and wide-ranging book that is written using a crossbreed of styles, we encounter a glance of Edison in his laboratory, enter the soundscape of John Cage and raid tombs with Lara Croft. Case looks at the intersection of science and performance, the academic treatment of classical plays and internet-like bytes on contemporary issues and experiments where the array of performances include: electronic music Sun Ra, the jazz musician the recursive play of tape from Samuel Beckett to Pauline Oliveros Performing Science and the Virtual reviews how well these performances borrow from spiritualist notions of transcendence, as well as the social codes of race, gender and economic exchange. This book will appeal to academics and graduates studying theatre and performance studies, cultural studies and philosophy.

This classic study is both an introduction to, and an overview of, the relationship between feminism and theatre.

The Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe.
This unique anthology comes complete with:
* seven of Split Britches' best loved performance texts
* a critical, historical introduction by Sue-Ellen Case
* programme notes to accompany each of the plays
* a range of stunning photographic illustrations
The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.

The Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe.
This unique anthology comes complete with:
* seven of Split Britches' best loved performance texts
* a critical, historical introduction by Sue-Ellen Case
* programme notes to accompany each of the plays
* a range of stunning photographic illustrations
The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.

This impressive new book from Sue-Ellen Case looks at how science has been performed throughout history, tracing a line from nineteenth century alchemy to the twenty-first century virtual avatar. In this bold and wide-ranging book that is written using a crossbreed of styles, we encounter a glance of Edison in his laboratory, enter the soundscape of John Cage and raid tombs with Lara Croft. Case looks at the intersection of science and performance, the academic treatment of classical plays and internet-like bytes on contemporary issues and experiments where the array of performances include: electronic music Sun Ra, the jazz musician the recursive play of tape from Samuel Beckett to Pauline Oliveros Performing Science and the Virtual reviews how well these performances borrow from spiritualist notions of transcendence, as well as the social codes of race, gender and economic exchange. This book will appeal to academics and graduates studying theatre and performance studies, cultural studies and philosophy.

No online description is currently available. If you would like to receive information about this title, please email Routledge at [email protected]

'Performing Feminisms' is the first book to bring together theoretical works on the theater written from a feminist perspective. This pioneering work uses feminist critical theory, as it has been applied to fiction and the cinema, to explore dramatic texts and performances.

"This book demonstrates Case s continued dominance of the field of lesbian performance studies.... Case s dense, rich, and complex work very likely will be a central text for anyone interested in debating the changing theoretical landscape for performance studies and queer theory. All readers interested in what the future might hold for scholarship in the humanities should study Case s thought-provoking work, which is an essential addition to any college or university s collection." Choice

..". this is a book that is enormously provocative, that will make you think and feel connected with the latest speculation on the implications of the electronic age we inhabit." Lesbian Review of Books

..". definitely required reading for any future-thinking lesbian." Lambda Book Report

The Domain-Matrix is about the passage from print culture to electronic screen culture and how this passage affects the reader or computer user. Sections are organized to emulate, in a printed book, the reader s experience of computer windows. Case traces the portrait of virtual identities within queer and lesbian critical practice and virtual technologies."

This classic studyis both an introduction to, and an overview of, the relationship between feminism and theatre. The reissued edition features a newForeword by Elaine Aston who examines the context in which Case's book was written, the influence it has had, subsequent developments in the field and the continued importance of the work.

The fluid nature of performance studies and the widening embrace of the idea of performativity has produced in this volume a collection of great interest that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics. In the title essay, Elizabeth Wood writes about a basic human relation cast around the question of performance and triangulated by the role a great performer took within it. In this unnatural act of somatic and sonic decomposition of the maternal body's soundscape, "she seeks to liberate herself and us from the last refuge of patriarchal order and compulsory heterosexuality, the subordinating myth of maternal omnipotence. The decomposition of such myths is a binding force in this volume. Together these essays pursue critical understanding of performance in our post-modern world, embodying perspectives that help us understand the historical and cultural issues that underpin it".